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The general turnaround on Ten New Messages is as unexpected then as it is gratifying, with the stunted punk instancy of old traded in for a complex mesh of tight rhythms, creeping criss-cross melodic patch-working and a more mature palette of influences all round. The band are on leaner form, no doubt, but it's the front of house work by Alan Donahue that's likely to pull in the silverware. His vocals themselves are more assured but it's the focussed narratives tracking someone down in the immediate aftermath of the 7/7 bombings (the anxious, touching "When Tom Cruise Cries") and the racism that inevitably followed that day (the inspired, multi-protagonist "Suspicious Eyes") for instance where he simmers tensions and tone with a skill that the frivolity of their debut just couldn't manage. Discard all old messages. Save new. --James Berry
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