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Tyrannosaur 2011

Amazon Video

Available in Prime
(183) IMDb 7.6/10
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Widower Joseph is crippled by his volatile temper and anger. He meets Hannah, a Christian worker at a charity shop. When they're brought together she seems to be his saviour, someone who can temper his fury and offer him kindness. But Hannah's secrets are revealed with devastating results on both their lives.

Peter Mullan, Archie Lal
1 hour, 28 minutes

Available to watch on supported devices.

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Product Details

Genres Drama
Director Paddy Considine
Starring Peter Mullan, Archie Lal
Supporting actors Jag Sanghera, Mike Fearnley, Paul Conway, Lee Rufford, Olivia Colman, Samuel Bottomley, Sian Breckin, Paul Popplewell, Eddie Marsan, Robin Butler, Sally Carman, Ned Dennehy, Fiona Carnegie, Julia Mallam, Chris Wheat, Craig Considine, Robert Haythorne, Vicki Hackett
Studio Studiocanal
BBFC rating Suitable for 18 years and over
Rental rights 48 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Video (streaming online video and digital download)

Customer Reviews

4.4 out of 5 stars

Most Helpful Customer Reviews

13 of 13 people found the following review helpful By Victor HALL OF FAMETOP 500 REVIEWER on 2 Aug. 2012
Format: DVD
This is a gritty slice of noirish realism from first time director (but a familiar face in front of the camera) Paddy Considine. It tells the story of Jacob (Peter Mullan) a man for whome life has been one long misery, full of violence, alcohol and deprivation. A chance meeting with Hannah (for whome life appears at first to be perfect) might just lift some of the darkness and bring a little light into his life. But as ever, it is going to be a struggle.

This is a story of damaged people trying to find their way through the world. It shows how you shouldn't just take people at face value, and how there can be a lot more going on behind the scenes than you realise. It deals with domestic violence of a variety of shades, and with mental illness. It is not a fun film to watch, but it is very worthwhile and moving.

Impressive performances from the cast, especially Olivia Coleman (hitherto only known to me as a sidekick to Mitchell and Webb), bring Paddy Considine's dark vision to life. Peter Mullan as the moody Jacob is impressive, seeming to burst from the screen when enraged, as though the television is not big enough to hold all of his anger. I felt threatened by his presence at times, even through the separation of the film camera. Olivia Coleman brings strength and dignity to her role as her relationship with Jacob evolves, managing to show how she takes inspiration from his anger and violence to deal with her own problems.

It's tough and gritty, but I felt that these were real people dealing with real problems, and I have to say it was an impressive debut for Considine the director. 5 stars.
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62 of 66 people found the following review helpful By tigerthedog on 9 Dec. 2011
Format: DVD
(dir. Paddy Considine/91 minutes)

Paddy Considine's directorial debut was the big winner at last week's British Independent Film Awards, picking up trophies for Best Director, Best Actress and Best Film. And rightly so. It's a remarkable film about beasts and monsters that pulls no punches. It's unrelentingly unpleasant; one (graphic) scene towards the beginning drew a collective gasp of horror from the audience in the cinema. It tells the story of `tyrannosaur' Joseph, characteristically played with blistering rage by Peter Mullan. Joseph is a violent, bitter, alcoholic widower, full of anger and pain. He meets Hannah (a stunning performance by Olivia Coleman), an all-round good egg (she's a devout Christian working in a charity shop, what more proof do you need that she's a good person?) who takes Joseph under her wing and helps him on the road to recovery and redemption. It all sounds a bit predictable written down on the page like that, but the execution is far from predictable as Hannah is hiding something equally terrible about her own life. All the performances are standout (Eddie Marsan makes a distinct impression in his limited screen time as Hannah's monstrous husband James). Casting Coleman, primarily known as a comedy actress in Peep Show, Rev and Green Wing among others, was a masterstroke as she's so warm and nice that you just want to give her a hug. She'll break your heart. That's a promise.
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5 of 5 people found the following review helpful By Withnail67 on 23 Feb. 2012
Format: DVD Vine Customer Review of Free Product ( What's this? )
This could have so very easily been a clumsy and derivative film with monotone emotional range: it is to the credit of director and cast that it avoids cliche and achieves a subtle emotional range.

The press reviews have been dominated by comparisions to Shane Meadows, Ken Loach, 'Nil By Mouth' and even Edward Bond. All of these elements are present, but the film avoids being a collage of British working-class 'misery' cinema, and manages to be more than the sum of its parts. Oldman's film is perhaps its closest relative in its cunning and knowing manipulation of bleakly comic dialogue.

Attacking the film as a middle class, exploitative depiction of working class life is pointless and counteracts its own criticism: this is a sombre and skilful evocation of brutalised lives, not a documentary on those lives in reality. On the other end of the scale, the film avoids simplistic moralities about redemption and slaps down any notion of the nobility of suffering.

In its knowing artistry, subtle plotting, and powerful characterisation, this film is an disquieting but necessary experience.
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4 of 4 people found the following review helpful By PP Prong on 5 Jun. 2012
Format: DVD Verified Purchase
I sort of knew that if Paddy Considine made a film it would be like this. Hard drinking gamblers and fighters. Tattooed, benefit dependent thugs with baseball bats and weapon dogs. Random racism and calculated GBH. Neglected children bearing witness to adult trails of dysfunction and destruction. Lost souls reaching for lost souls in a land of the soulless. A funeral, a wake, a coming together. There's no doubt this is a good film. Olivia Colman is just beautiful as the cross-wearing, alcoholic charity shop worker; Eddie Marsan is his usual fathomless, weird-headed menace; and Peter Mullan does admirably what the hard man role asks of him. Paddy was never going to have a musical, or a costume drama or a stab at Shakespeare as his directorial debut so should I be surprised that this is what it is? Probably not. Is art, because it supposedly imitates life, a perpetual re-affirmation of a community of stereotypes? Possibly. And although there's nothing wrong with drawing truth from what you know I could have done with some more shade and colour in the narrative and a little less immersion in the world of the depressed underclass. If that meant an extra fifteen minutes on the length it would have been worth it as I thought the film was a bit too short.

`Tyrannosaur' might bear comparison with Samantha Morton's 2009 directorial debut 'Unloved'. In some ways their directors' biogs are similar - an East Midlands origin, falling into acting through non-traditional routes, working class upbringings - but whereas Moreton's film about a little girl's experience growing up in care is both bleak and beautiful Considine's is just bleak. Despite the stylistic - and gender - differences both films seem to go to similar places; buy both and view them as a pair.
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