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All Hour Cymbals
 
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All Hour Cymbals

~ Yeasayer
4.4 out of 5 stars See all reviews (11 customer reviews)
Price: £5.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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All Hour Cymbals + Oracular Spectacular + Fleet Foxes
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  • This item: All Hour Cymbals ~ Yeasayer

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    This item Delivered FREE in the UK with Super Saver Delivery. See details and conditions

  • Oracular Spectacular ~ MGMT

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Product details

  • Audio CD (5 Nov 2007)
  • Number of Discs: 1
  • Label: Now We Are Free
  • ASIN: B000VLLYEY
  • Other Editions: Vinyl  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars See all reviews (11 customer reviews)
  • Amazon.co.uk Sales Rank: 1,620 in Music (See Bestsellers in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Extraits
Song Title Time Price
Listen  1. Sunrise 4:06£0.79
Listen  2. Wait For The Summer 4:53£0.79
Listen  3. 2080 5:23£0.79
Listen  4. Germs 3:12£0.79
Listen  5. Ah, Weir 1:21£0.79
Listen  6. No Need to Worry 5:26£0.79
Listen  7. Forgiveness 3:40£0.79
Listen  8. Wait For The Wintertime 4:52£0.79
Listen  9. Worms 4:07£0.79
Listen10. Waves 4:56£0.79
Listen11. Red Cave 4:58£0.79


Product Description

drownedinsound.com
It may just be me but it feels like it's been a good couple of years since an album has come along that, on first listen, can portend a paradigm shift in the musical firmament. Hailing from Brooklyn, New York, Yeasayer's debut All Hour Cymbals is an astonishing album, arriving seemingly from out of nowhere, fully formed and heralding such a shift. We're clearly dealing with something very, very special here. The opening three tracks - `Sunrise', `Wait for the Sun' and `2080' are as strong a trio of tracks as those heard on Arcade Fire's Funeral back at the tail end of 2005; like that bold musical statement, Yeasayer do their bit to up the proverbial ante somewhat.

This four-piece take a number of left turns, referencing some rich musical areas and eras. Roto-toms? Fretless bass runs? An unashamed love of Tears for Fears' Songs From the Big Chair-era bombast? Children's choirs? What the hell is going on here? On paper this is all so very wrong. However this is more than just a cleverly constructed pastiche, and we're not talking an ironic sideways look at the darkest corners of `80s rock history here, either. It's impossible not to break into a smile at the Lindsay Buckingham-like vocal phrasing. It's been a while since there's been a nod in the direction of Fleetwood Mac's Tango In The Night (if ever!) and its polished pop sheen. Indeed, the Mac's carefully crafted MOR pop is the first thing that springs to mind when popping this CD into the machine.

`2080', released earlier this year as a single, is perhaps the album's key track; it's as perfect a pop song as has been released this year. Exhibiting many of the aforementioned musical strains it does so in a celebratory manner, weaving a cyclical afro-beat guitar motif over a Toto-like tom-tom rhythm, peaking with a choir of kids chanting. Astonishing!

There's something within this album that's been missing recently in many releases: the `swing'. It's not so much a soulful shake of the hips, or a hackneyed clumsy toss of the funk; more a joyful recognition of what is possible musically, as Yeasayer seem to have dispensed with the handbook and decided it's a new day.

If we're currently playing out the end game of a static music scene still beholden to fake and fading indie stars from over five years ago and humouring the worst kind of bottom-feeding musical no-marks, then All Hours Cymbals is a well overdue shot in the arm. 2008 is potentially already theirs

Album Description
Hot on the heels of fellow Brooklyn based sonic adventurers Vampire Weekend and MGMT come Yeasayer, who take David Byrne and Paul Simon's African odysseys as their start point, moving seamlessly through psychedelia, Fleetwood Mac-esque harmonies, jangly indie pop and, most intriguingly, the '80's bombast of Tears For Fears . Feted by bloggers and critics alike, this is very much the sound of 2008.


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Customer Reviews

11 Reviews
5 star:
 (6)
4 star:
 (3)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (11 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
14 of 14 people found the following review helpful:
4.0 out of 5 stars At least they are trying something different, 25 Nov 2007
By R. A. Langham "Rob Langham" (London, UK) - See all my reviews
(REAL NAME)   
The latest thing is supposedly Indie Music informed by World Music and Yeasayer are perhaps the prime exponents of this trend. Looking back, there have been hybrids of this kind in the past - the Wedding Present's side project, The Ukrainians being a prime example. Then there were a host of bands in the early nineties who went a stage further and added dance music into the indie-world mix - the unfairly forgotten and utterly wonderful Transglobal Underground are a case in point.

Now come Yeasayer, Vampire Weekend, Animal Collective and Beirut amongst others. These artists follow the template to carying degrees with Beirut the least indie of all and Animal Collective providing only hints of non-Anglo sounds. Yeasayer, however, need to be congratulated for making a very good fist of attempting a brand new sound. The LP really is a difficult one to compare to anything else and if a few of the tracks take a while to get into, most hit the spot very well indeed. Prime amongst these is the fabulous "2080" - a lament for the planet which rings out over crystal clear production and is topped off with a marvellous multi-person chorus at the end. "All Hour Cymbals" is not showstoppingly good, but it's one of the most refreshing new albums released in 2007.


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12 of 12 people found the following review helpful:
5.0 out of 5 stars Say yeah for Yeasayer., 14 Jan 2008
By russell clarke "stipesdoppleganger" (halifax, west yorks) - See all my reviews
(TOP 50 REVIEWER)      
World music has been infiltrated into other genres for some considerable time .George Harrison brought his love of Indian mysticism and culture into The Beatles and various bands down the years have done the same .Dance bands in the 1990,s especially seemed to cotton on how vibrant and exotic music could sound filtering in music from other cultures , so bands like Transglobal Underground and Loop Guru made some of the most essential music of that era and indeed continue to do so to this day. Then of course there is seminal work like Brian Eno and David Byrnes " My Life In the Bush Of Ghosts", Talking Heads "Remain In Light" , even Paul; Simons "Graceland".
Yeasayer is one of a number of bands from New York causing a bit of a buzz as I believe it's industry cool to say. Yeassayer though, doesn't just integrate world music with pop or rock or dance or whatever , he isn't that genre specific . Yeasayer chucks just about everything into the mix .There are elements of pop, rock , dance , funk , jazz and probably other stuff as well but it's most distinctive in the use of non-western music. The band list some of their influences as Cyndi Lauper, Leonard Cohen, Thomas Mapfumo and Popul Vuh but you could cheerfully add TV On The Radio or Arcade Fire onto that list.
So now I've got all that stuff about who it sounds like it's time to broach what the music sounds like. Gee....that's a more difficult proposition .If I said "2080" had a Beach Boys melody construed by African tribesman as the sun set on a sun baked plain would that help? Album opener "Sunrise" has an earthy gospel vibe allied to knuckle popping percussion and woozy handclaps. "Wait For The Summer" filters multi tracked vocals through chiming bells , zinging strings amid a ramshackle arrangement. "Germs" is a more cautious bleary number till the exhortations of the chorus. "Ah Wier" is a delicate caress of harmonies and diffuse electronics while "No Need To Worry" is by contrast more portentous with tolling bell piano and funereal percussion and at odds with it's calming title does sound like something to get worked up about.
Most striking track is the extraordinary "Forgiveness". Over clattering stick striking it sounds like a My Bloody Valentine drone off "Loveless" playing in the same room as Can in their most primal boogie mode but at the wrong speed.....and played backwards. "Wait For The Wintertime" is the albums straight up rock primordial moment with a clattering riff broken by atonal saxophone. "Worms/Waves" fires up with more skew whiff riffing or if you prefer skew riffs....before an emollient ambient drift into a languid percussion/piano mantra before silence....then hidden track "Red Hands" staggers in on crystal chords and chimes before the vocals build like slightly rough cousins of the Polyphonic Spree.
Music as ambitious as this won't always work and there moments on the album where it careers up cul de sacs or wanders down fetid back alleys knocking over trash filled bins but they never last for long and before you know it the music is back on that multi-lane highway of possibilities where any where in the world in a possible destination and the trip is multi coloured ethnocentric blast. Seriously , this a great album. Anybody with a genuine interest in music and it's realms of likely potential will find much to savour here .Yeasayer.....just say YEAH!




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4 of 5 people found the following review helpful:
5.0 out of 5 stars Brilliant, 10 April 2008
By Holly (Hampshire, UK) - See all my reviews
Best band I have heard in such a long time. Even from a first listen im completely hooked. They sound far better live too.
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Most Recent Customer Reviews

5.0 out of 5 stars A brilliant Album
I also heard them on Jules Holland and bought the album as I just love this kind of melodic, flowing music. Read more
Published 3 months ago by M. lythgoe

4.0 out of 5 stars Nice summer album....if we had a summer that is!
Nice to hear something refreshing and slightly different then the modern indie drawl we hear 24/7.......Stand out tracks are 2080,No Need To Worry and Sunrise. Read more
Published 12 months ago by Mr. A. MCRAE

3.0 out of 5 stars Patchy
Like all experimentation there must be a hefty slice of indulgence, and this album has indulgence by the test-tube shaped bucket load. Read more
Published 12 months ago by Dougal

5.0 out of 5 stars WOW
Simply cannot recommend this album enough. I'd put it above Burial - Untrue and Radiohead - In Rainbows and call it the album of 2007. Read more
Published 14 months ago by Mr. C. J. Hooton

3.0 out of 5 stars Warning - do not expect a repeat of Jools Holland
Have only listened to the album once and my jury is still very much out. Think it will be a grower but a warning to any others who are about to do what I did - buy this on the... Read more
Published 15 months ago by A. Bailey

4.0 out of 5 stars One of the best albums of the past 18 Months
Saw this outfit on Jools Holland last week and bought the album on the strength of the tracks they played there. Read more
Published 15 months ago by R. E. Wilkinson

5.0 out of 5 stars Indescribable
I saw Yeasayer on Jools Holland's Later where they played the outstanding 2080 and Sunrise and bought this album on the strength of it. And it's just wonderful. Read more
Published 15 months ago by caitlin

5.0 out of 5 stars These guys deserve the breaks!
First heard 'Wintertime' on KEXP* and was mesmerized- an acid/middle eastern tinged guitar epic
Then, '2080'-the same-thought them giving the kids the final verse was a... Read more
Published 19 months ago by Mark C.

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