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Sony Cyber-shot DSC-R1 Digital Camera - Black (10MP, 5 x Optical Zoom) 2.0"
 
 

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Sony Cyber-shot DSC-R1 Digital Camera - Black (10MP, 5 x Optical Zoom) 2.0"

by Sony
4.6 out of 5 stars  See all reviews (14 customer reviews) More about this product

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Technical Details

  • Autofocus: Yes
  • Battery Model: Camera Specific Powerpacks
  • Bluetooth: No
  • Built-in Flash: Yes
  • CD-R / CD-RW: No
  • Camera Resolution Heigth in Pixel: 2592
  • Camera Resolution Width in Pixel: 3882
  • Changeable Lens: No
  • Chip Type: CMOS
  • Compact Flash Card: Yes
  • Digital Zoom (Ratio): 10
  • Effective Pixel (in Megapixel): 10.28
  • Highest Focal Length in mm: 120
  • Image Stabiliser: No
  • LCD Monitor Resolution in Pixel: 134000
  • LCD Monitor Size in Inch: 2
  • Longest Shutter Speed: 30s
  • Lowest Focal Length in mm: 24
  • MP3 Playback: No
  • Maximum Aperture Tele: 4.8
  • Maximum Aperture Wide: 2.8
  • Maximum Pixel (in Megapixel): 10.78
  • Memory Stick / Memory Stick Pro: Yes
  • Memory Stick Duo / Duo Pro: No
  • Memory Type: External
  • Micro Drive: Yes
  • Mini Secure Digital Card: No
  • Movie / Voice Recording: Movie + Voice
  • Multimedia Card: No
  • Optical Zoom (Ratio): 5
  • PC Card: No
  • Photo Resolution Heigth in Pixel: 2592
  • Photo Resolution Width in Pixel: 3882
  • PictBridge: Yes
  • RAW Format: Yes
  • Range Finder Type: Optical / Electronic Viewfinder + LCD
  • Reduced Size Multimedia Card: No
  • Resolution Heigth in Pixel: 2592
  • Resolution Width in Pixel: 3882
  • SLR / Compact: Compact
  • Secure Digital Card: No
  • Secure Digital High Capacity Card (SDHC): No
  • Sensor Size: 21,5 x 14,4 mm
  • Serial Shot Mode: Yes
  • Shortest Shutter Speed: 1/2000s
  • Smart Media Card: No
  • Transflash Card: No
  • Video Resolution Heigth in Pixel: 480
  • Video Resolution Width in Pixel: 640
  • Weight in Grams: 929
  • WiFi Connectivity: No
  • XD Card: No
  • Zoom Type: Optical + Digital
  • microSD/ TransFlash Card: No
  See more technical details

Product details

  • Item Weight: 722 g
  • Boxed-product Weight: 2.7 Kg
  • Delivery Destinations: Visit the Delivery Destinations Help page to see where this item can be delivered.
    Find out more about our Delivery Rates and Returns Policy
  • Item model number: DSCR1
  • ASIN: B000BN2USG
  • Date first available at Amazon.co.uk: 29 Sep 2005
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon.co.uk Sales Rank: 79,549 in Electronics & Photo (See Bestsellers in Electronics & Photo)

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Product Description

Product Description

The Cybershot R1 camera is the world's first integrated lens digital still camera to combine a professional-grade, 10.3-megapixel image sensor and the flexibility of live preview while shooting. With its ultra-wide Carl Zeiss Vario-Sonnar T* zoom lens (24mm to 120mm) and free-angle, two-inch LCD, the Cybershot R1 brings professional level imaging performance to mainstream consumers.;;A Class of Its Own;;Photo enthusiasts know that image sensor size is one of the most important influences on picture quality. Professional-grade image sensors, sometimes referred to as advanced photo system (APS) or APS-class, are many times the size of compact sensors used in point-and-shoot cameras; large sensors deliver extraordinary resolution, high sensitivity to light, and lower image noise or graininess for exceptional pictures. At 10.3 megapixels, the R1's sensor offers one of the highest resolutions available in the APS class.;;Unlike digital SLRs, the Cybershot R1 unit's sensor allows for a "live" preview thanks to Sony Complementary Metal Oxide Semiconductor (CMOS) technology. Until now, the extraordinary power consumption of these large sensors has limited their operation to image capture only--unable to support the benefit of a live preview. Sony's distinctive design is employed to reduce power consumption, as well as increase image processing speeds.;; The camera's electronic viewfinder or two-inch LCD lets you evaluate scene conditions, such as exposure and how color is rendered before taking a shot. Because the R1 camera can preview electronically, using the image sensor itself in real time, framing is always 100% accurate.;; Built Digital from the Ground Up;The R1's integrated Carl Zeiss Vario-Sonnar lens was carefully crafted to take full advantage of the resolution, clarity, and color performance of its APS-class CMOS image sensor. Because of the sensor's live preview capability, there is no need for the camera to have a traditional "mirror and prism" construction common to digital SLRs. This allows a lens-to-sensor distance of as little as 2 millimeters, optimising image quality and color accuracy.;; Another benefit of this structure is the ability to incorporate an extraordinary wide field of view and zoom range. The 24mm wide end of the lens is particularly suited for architectural photography, landscapes and large-group portraits, while the 120mm telephoto end is perfect for filling the frame with distant subjects. This is a range not easily matched by any other lens for use with cameras using large-scale image sensors.;; Furthermore, no mirror and prism construction means that the R1 is a quiet camera, perfect for shooting at a tennis match or in nature without disturbing wildlife.;; Get the Shot without the Backache;The Cybershot R1 sports a two-inch LCD screen that folds flat and swivels so you can shoot from nearly any position. This flexibility allows you to get the shots that other cameras miss. For example, you can hold the camera low--down to the ground--for eye-level view shots of kids and pets without having to bend yourself into a pretzel or crawling on the ground.;; The Power of Optimal Image ProcessingA 10.3-megapixel camera needs a fast processor. Sony harnessed the power of it Real Imaging Processor LSI to achieve fast response times, low power consumption and clear images.;;The new camera features a one-second shot-to-shot time, three-frame-per-second burst shooting, and a shutter-release time of only 7.5 milliseconds. Because it consumes 70 percent less power than Sony's previous processing circuitry, the camera has a battery life of up to 500 shots per charge, which can vary according to use and camera settings.;; For enhanced versatility, Cybershot R1 offers three different modes of color reproduction: Adobe RGB used for professional graphics and offset color printing, Standard sRGB for most computer-based uses, and Vivid sRGB for more intense primary colors.;; The camera's user selectable Advanced Gradation Control System (AGCS) optimises image contrast, in order to avoid "blown out" highlights in high-contrast scenes and "crushed" blacks in low-contrast ones. AGCS evaluates the distribution of brightness and then automatically applies the appropriate gamma curve to achieve better pictures.;; Users will also enjoy the added convenience of storing images onto Memory Stick PRO media, as well as CompactFlash Type I and Type II media or Microdrive media. The camera supports both JPEG and RAW formats, which can then be manipulated on a PC using the supplied Sony Image Data Converter SR software.;; Other Features;Dual Media Capability: If you've already invested in high-capacity Flash Memory cards, the DSC-R1 is the camera for you. It accepts Memory Stick PRO media, Compact Flash Type 1/II media, and optional Microdrive media. ;Memory Stick and Memory Stick PRO Media: Digital. Powerful. Transportable. Memory Stick media is compact, portable, and rugged, connecting a variety of hardware and software applications. ;Three Color Modes and RAW Capture: Choose standard sRGB for accuracy, Vivid sRGB to emulate reversal film, or Adobe RGB for advanced applications. RAW mode brings the latent image into the Digital darkroom. RAW files must be converted with Sony's Image Data Converter SR software. ;Advanced Gradation Control System (AGCS): Enhances dynamic range, avoids crushed shadow detail and clipped highlights. ;Advanced Viewfinder/Monitor Displays: Choose grid lines, zebra stripes, and histogram. Enjoy full-time exposure indication of aperture, Shutter Speed and Exposure Value over/under. ;Advanced Creative Control: Aperture Priority, Shutter Priority, Program shift, EV compensation, and full manual exposure control allow you to adjust quickly for a wide range of shooting situations. Capture fast action, control depth of field, and more. ;Versatile Manual Exposure: Adjust the aperture from f2.8 to f16. Set the shutter from 30 seconds to 1/2000 second, or choose Bulb exposure for up to 3 minutes! Adjust ISO from 125 to 3200. Choose Auto White Balance then fine-tune color temperature by hand. ;Live Histogram Display and RGB Playback: Available in capture and playback the Live Histogram displays the concentration of Pixels at each luminosity value making it easy to evaluate correct exposure. Histogram in Playback mode also includes RGB information ;5 Area Multi-Point AF System: By evaluating 5 separate focus areas of the frame, Sony's Multi-Point AF system can intelligently focus on the subject and avoid mistakenly focusing on the background. In addition, you can manually select a point or position a point anywhere in the frame with Flexible Spot AF.; Manual Exposure Control: Flexible Exposure control is provided with Aperture Priority (f2.0 to f8.0), Shutter Priority (30 secibds to 1/3200 second) and Manual Exposure modes. Exposure Value Compensation (EV) and Flash output level control allow for even more control over your images. ;Slow Shutter Noise Reduction: During long exposures, those longer than 1/25 second, the camera captures two exposures with each press of the shutter button. The first exposure captures the scene, and the second exposure captures the CCD noise pattern with a dark frame exposure. By subtracting the two, even long exposures can be clear. ;Raw Mode: Capture raw data directly from the CCD before any in-camera processing, while a separate JPEG is stored for viewing convenience. Sony's IDC RAW converter software provides extensive control of Gamma, White Balance, color, and sharpness for fine tuning the image.


Product Description

The Worlds first digital still camera that combines a large 10.3 effective Megapixel CMOS sensor, and a high quality 24-120mm (35mm) ZEISS zoom lens in the same body, allowing live viewing with the free-angle LCD screen. Features Large Sized 10.3 Effective Megapixel CMOS 24-120mm Carl Zeiss? Vario-Sonnar T* ? Lens High MTF Performance 2.0 LCD for Free Angle Shooting Dual Slot for Memory Stick - and Compact Flash - (typeI/II), Microdrive High Sensitivity ISO3200 for blur-free images Clear RAW NR (Noise Reduction) Up to 15x Smart Zoom, 10x Precision Digital Zoom Real Time Preview Stamina Battery Life (approx 500 shots by CIPA standard) Quick Operation (Start-up 0.68 sec, Shutter Time Lag 0.29 sec, Shutter Release Lag 0.0075 sec) RAW Data Recording Real Imaging Processor 3 Colour Reproduction Modes (Standard/Vivid/AdobeRGB) Advancved Gradation Control System (AGCS) Flexible Spot AF High Speed Burst 3.0fps RGB Histogram Real Time Histogram Zebra Display (White-out Alert) 100% Finder Coverage Aperture/Shutter Priority and Manual Exposure Mode Manual Focus Ring Manual Zoom Ring with Flexible Expanded Display Dual Command Dial Operation Time (Bulb) Shooting Conversion Lens Compatible (Optional) Advanced Accy Shoe AF Illuminator USB 2.0 High Speed Transfer Scene Selection Mode PictBridge Compatible 15 Menu Languages (English, French, German, Italian, Spanish, Portuguese, Dutch, Russian, Swedish, Norwegian, Danish, Finnish, Polish, Hungarian, Czech)

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Customer Reviews

14 Reviews
5 star:
 (9)
4 star:
 (5)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (14 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
37 of 37 people found the following review helpful:
4.0 out of 5 stars Awesome, 14 April 2006
By Cakeman (England) - See all my reviews
Firstly, in answer to a previous reviewer the Sony's RAW files can in fact be opened in Photoshop CS2, if you are not happy with the camera's own software which is in fact very advanced if not as quick. Alternatively, users of the earlier Photoshop CS can convert the files to Adobe DNG (digital negative) and work from there - advice on how to do this is on various R1 forums. (The DNG files can even embed the Sony RAW file for archving for future-proofing.)

Go for Memory Stick Pro rather than compact flash - it's a lot quicker in the R1. As the write speed is good but not stellar an ultra high speed stick is not required. Buy as big a card as you can afford though! Sony is building its future cameras around the DUO so you might want to consider going for the DUO stick with an adaptor for the R1 if you are Sony brand loyal.

The camera is sluggish in low-light to find focus but usually manages it. The Electronic viewfinder image though is almost unusuable in poor light and only when the focus assist lamp shines out can you start to frame which is not so good. Slow shutter speeds then cause the noise reduction processing to kick in which ties the camera up for a few seconds between shots. On the other hand at wider focal lengths the camera is stable enough for handheld at thirtieth of a second, which is excellent.

Shoot with sharpening on low setting and give it plenty of unsharp mask in PS and you will find the detail is breathtaking. Those ten megapixels are awesome. As, too, of course, is the Zeiss T lens which is practically distortion free. Having no mirror system means (apart from no mirror slap noise or vibration) that the lens can sit 2mm from the sensor! There is almost zero purple finging, even in extremely contrasty scenes (think bare branches against a sky). Wow.

The fact that Scientific American reviewed the R1 (April 2006) hints at what a breakthrough camera this is.

This camera feels top QUALITY and in my opinion looks seriously smart, too. In fact in my local coffee shop yesterday the waiter was so impressed when he saw the R1 it was a bit embarrassing - the pose factor is actually TOO high!
: )

I chose the R1 as I wanted publishing quality files but didn't want to worry about dust on the sensor or have to carry two or three lenses. Nor did I want to live with the noise issues of a small, high megapixel digicam point and shoot (although the huge depth of field they offer would be useful). Yes, this camera does have a few limitations (they all do) but for me the plusses win on balance. if those limitations don't impede your usual way of working you will be delighted with the Sony R1.
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67 of 68 people found the following review helpful:
5.0 out of 5 stars Best of both worlds..., 17 Jan 2006
Having had this camera for a month now, I am still being amazed by the picture quality and the versatility it offers me. The APS size sensor is clearly a major selling point, as is the fantastic 24mm lens, which is of such high quality it is worth the money alone (buy a cleaning cloth with the camera, big lenses get dusty). The control system is easy to learn, and if you have a Sony already then it takes seconds. The onboard flash is powerful, with various power settings (-2ev to +2ev), and the manual picture mode is excellent, the focus ring smooth to operate and the shutter speed and aperture setting easy to set. The top-mounted LCD takes a little while to get used to, but is so useful you'll soon ask why all digis don't have one. It means the viewfinder is a serious option, as you won't smudge the screen with your nose, and the shooting positions available are increased substantially - waist level is obvious, but also vertical off a tripod or any nearby support, and also just complex angels where the free-angle nature of the LCD is useful. Lastly, being a bridge camera, you can shoot using the EVF or LCD, which you can't with a DSLR.

Clearly, for those wanting to change lenses or shoot rapid bursts this camera is not going to be of interest (burst is 3 shots, good enough for most, but not for sports action etc.) Similarly, it lacks a video mode that many people like in their digi cameras. As an amateur to semi-pro bridge camera it is outstanding however, and as with any camera it is image quality one eventually puts above all else - the quality of the R1s prints is out of this world.

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56 of 57 people found the following review helpful:
4.0 out of 5 stars Good image quality and handling, but not for fast action, 22 Mar 2006
By Graham Phillips (Cambridge, UK) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
There is already plenty of information about this camera on web sites such as imaging-resource.com, dcresource.com and dpreview.com, so I won't repeat what others have already said. Instead I'll focus on three areas, namely, the noise problem, the raw problem and the handling.

A lot of reviews have mentioned that noise at high ISO settings is bad. So it is, but this needs to be kept in perspective. All digital cameras exhibit noise as the ISO speed is cranked up, and the R1 is no exception. The reviewer in Amateur Photographer took pictures at 3200 and said, in effect, "look how bad these are". Ironically, Sony could have got themselves better reviews by limiting the speed to 1600. Instead, they have given us 3200 so that we can decide for ourselves what we want. In low light situations there is a choice: faster shutter speed and consequent noise or a slower speed and resulting camera shake. It's our decision; kudos to Sony to giving us the option. Bear in mind also that some cameras reduce noise by smoothing the image in software in the camera, resulting in loss of detail. Sony use very little noise reduction, so the picture stays sharp but grainy. If you want to reduce noise with software, then you can use Noise Ninja or similar programs. Again, kudos to Sony for giving us the choice.

The "raw" problem is slightly more serious. If you have read other reviews you will be aware that this camera appeals to photographers whose main concern is image quality. Now, people who want quality above everything are likely to want to shoot in raw mode. Unfortunately, Sony have made this difficult (but not impossible). The raw files are unnecessarily large, and they are always accompanied by JPEGs, with the result that writing the files is slow and your memory cards will quickly fill up (about 40 pictures on a 1GB card). However, the main problem is that Sony have not released the file specification, so that you have to use their own software to do the conversion. You can't use Photoshop or any of the excellent raw processing programs now appearing such as DxO Optics, you have to use Sony Image Data Converter. The Sony software is not bad, but it's not terribly good either, and the competition is often better. The time has come for camera manufacturers to abandon this closed-shop approach and give us the choice of whose software we use for processing our images.

In terms of handling, there's no such thing as a perfect camera: it all depends on what kinds of photograph you want to take. The R1 is noticeably slower to focus than a digital SLR, and for this reason it would not be your first choice for photographing children, animals or sports events. On the other hand, focusing speed is not too bad, and the shutter release is extremely quick once you have focused. If, like me, you tend to take relatively still things (landscapes, architecture, flowers, adults) then the R1's handling is a joy. I like having the choice of an eye-level viewfinder or the LCD, and I particularly like using the LCD as a waist-level finder (pretending it's a Hasselblad!).I recently borrowed a friend's Canon D350 and in almost every respect I preferred the R1. When the camera is on a tripod I like being able to move the focusing point to anywhere on the screen, not just the five or seven locations you get in a budget SLR. Manual focusing also works well and there's a distance scale on the screen. You also get perfectly accurate framing so you don't have to waste pixels guessing where the edge of the image will be. What you see is what you get, while on an SLR what you see is probably about 93% of what you get.

I can confirm that the camera is beautifully made and produces superb images. You won't find a digital SLR anywhere near this price that will give this quality with this range of focal lengths. For those of us who are prepared to forgo instant focusing and long telephotos, and who are prepared to tolerate being tied in to Sony's mediocre software, it's as near ideal as today's technology allows.

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Most Recent Customer Reviews

5.0 out of 5 stars SONY KNEW WHAT THEY WERE DOING WHEN THEY MADE THIS CAMERA. SHAME SO MANY PEOPLE MISSED IT
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