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La Femme Infidele [1968] [DVD]
 
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La Femme Infidele [1968] [DVD]

DVD ~ Stephane Audran
4.0 out of 5 stars  See all reviews (6 customer reviews)
RRP: £15.99
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Frequently Bought Together

La Femme Infidele [1968] [DVD] + Que La Bete Meure [1969] [DVD] + Les Biches [1969] [DVD]
Total RRP: £47.97
Price For All Three: £20.94

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What Do Customers Ultimately Buy After Viewing This Item?

La Femme Infidele [1968] [DVD]
69% buy the item featured on this page:
La Femme Infidele [1968] [DVD] 4.0 out of 5 stars (6)
£6.98
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20% buy
Claude Chabrol [DVD] 4.6 out of 5 stars (5)
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Les Biches [1969] [DVD]
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Product details

  • Actors: Stephane Audran, Michel Bouquet, Maurice Ronet, Serge Bento, Michel Duchaussoy
  • Directors: Claude Chabrol
  • Format: PAL
  • Language French
  • Subtitles: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 15
  • Studio: Arrow Films
  • DVD Release Date: 23 Aug 2004
  • Run Time: 94 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)
  • ASIN: B0002GZA66
  • Amazon.co.uk Sales Rank: 43,038 in DVD (See Bestsellers in DVD)

Reviews

Synopsis

Another suspense classic from French director Claude Chabrol, this taut psychological thriller tells the tale of a contented, middle-class husband (Michel Bouquet) who suspects his seemingly faithful wife (Stephane Audran) of carrying on an affair. He soon becomes consumed with jealousy and hires a private investigator to ascertain his wife's infidelity. When the detective confirms his worst fears, the husband embarks upon a series of events which test the boundaries of his marriage and the extent to which he will go to preserve his privileged lifestyle. Considered by many critics to be one of his best works, LA FEMME INFIDELE showcases Chabrol's signature exploration of the hypocrisies of bourgeois morality while cloaking the proceedings in an atmosphere of unbearable tension and suspense. Recently remade in the USA as UNFAITHFUL, starring Diane Lane and Richard Gere.

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Customer Reviews

6 Reviews
5 star:    (0)
4 star:
 (6)
3 star:    (0)
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Average Customer Review
4.0 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
17 of 24 people found the following review helpful:
4.0 out of 5 stars La Femme Infidele, 19 Aug 2005
By A Customer
The mobile phone has killed many things but what it has taken from us most of all is the opportunity to make films like La Femme Infidele, Claude Chabrol's 1968 teasing examination of a nuclear family imploding.
You see, with a mobile phone, Helene wouldn't be able to trick Charles into believing she was going to get manicures, haircuts and afternoons watching Dr Zhivago (only a film person could fit in this guilty pleasure). Because with a mobile phone, Helene would be traceable and not the free spirit she plays as a foil to her housewife role in the family's rustic mansion in Versailles. A mobile phone would stop Helene from hanging out with Victor Pengel, a writer on the run from reality .
Charles knows that Helene's love is his in as much as he wants it but he sees that his passion isn't making her happy. He is like a lovelorn person blasted into the late sixties from another time and world. Not for him the swinging sixties as he shows at the kitsch disco when he is seen like a little boy lost looking for Helene. Charles doesn't really want all this free love thing either. He belongs to a one man one woman tradition that goes back to the Middle Ages.
In the middle of the family is the young son, Michel, who, not surprisingly gets a top of the class in a history test, gets all steamed up when he can't find a jigsaw piece and is not afraid to tell his parents that he thinks they are mad.
The telling scenes in this film are when the three family members are together. Slurping soup, breaking open champagne (the day Michel gets top of the class and the same day that Charles finds out the identity of his wife's adulterer ) or lounging around the garden of the rustic mansion. Chabrol seems to be saying that the family is careering away from the members like a train without a brake.
So what are we to make of this film ? Murder mystery it isn't. The murder is almost funny and the attempts by Charles to get rid of the body are definitely so. A portrait of the sixties ? No, only if you like imagining that rich businessmen drank whisky all day while their wives dodged between the raindrops and the cute Peugeots that looked like spacecraft. The kitschy feeling enhances the film as does the music (all ominous classical) because it takes the viewer directly into the world of Helene and Charles.
Who cares if there are no mobile phones buzzing around reminding us to bring home a bottle of Mateus Rose or a bottle of Scotch ? Who cares if we can't explain what it is we do to pass the hours of our day ? Who cares if we have affairs ( how old is that ?) with resting writers ? Who cares if our secretaries come in with mini skirts up to their neck asking us if we want a beer ? This is what cinema is all about or rather once was all about.
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3 of 4 people found the following review helpful:
4.0 out of 5 stars Good film without the hysterics, 2 Sep 2007
By Phoust (London, England) - See all my reviews
(TOP 1000 REVIEWER)      
"La Femme Infidele", directed by Claude Chabrol is not like other films that deal with infidelity and ultimately revenge. When Charles discovers Helene's infidelity there is no big "tell me the truth" scene but instead sets about removing the intruder in their relationship because ultimately he still loves and wants to keep her. Chabrol manages to maintain a certain amount of dignity in his characters at all times. The film may appear slow but what one gets is a tranquil observation of the relationship of the principle couple. Claude Chabrol is often regarded as the "French Alfred Hitchcock" but while there are similarities this film shows the enormous gap between the two directors particularly when it comes to dealing with female characters.

Cast:

Stephanie Audran
(Le Boucher,1969; Juste Avant La Nuit,1973; The Discreet Charm of the Bourgeoisie, 1972; The Big Red One, 1980; Babette's Feast, 1987)
Michel Bouquet
(Mississippi Mermaid,1969; Juste Avant La Nuit,1973)

Cinematographer:
Jean Rabier (Cleo from 5 to 7,1962; The Umbrellas of Cherbourg,1967; Le Boucher,1969)

The Arrow transfer is average.
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3 of 11 people found the following review helpful:
4.0 out of 5 stars There and Now, 19 Aug 2005
By A Customer
The mobile phone has killed many things but what it has taken from us most of all is the opportunity to make films like La Femme Infidele, Claude Chabrol's 1968 teasing examination of a nuclear family imploding.
You see, with a mobile phone, Helene wouldn't be able to trick Charles into believing she was going to get manicures, haircuts and afternoons watching Dr Zhivago (only a film person could fit in this guilty pleasure). Because with a mobile phone, Helene would be traceable and not the free spirit she plays as a foil to her housewife role in the family's rustic mansion in Versailles. A mobile phone would stop Helene from hanging out with Victor Pengel, a writer on the run from reality .
Charles knows that Helene's love is his in as much as he wants it but he sees that his passion isn't making her happy. He is like a lovelorn person blasted into the late sixties from another time and world. Not for him the swinging sixties as he shows at the kitsch disco when he is seen like a little boy lost looking for Helene. Charles doesn't really want all this free love thing either. He belongs to a one man one woman tradition that goes back to the Middle Ages.
In the middle of the family is the young son, Michel, who, not surprisingly gets a top of the class in a history test, gets all steamed up when he can't find a jigsaw piece and is not afraid to tell his parents that he thinks they are mad.
The telling scenes in this film are when the three family members are together. Slurping soup, breaking open champagne (the day Michel gets top of the class and the same day that Charles finds out the identity of his wife's adulterer ) or lounging around the garden of the rustic mansion. Chabrol seems to be saying that the family is careering away from the members like a train without a brake.
So what are we to make of this film ? Murder mystery it isn't. The murder is almost funny and the attempts by Charles to get rid of the body are definitely so. A portrait of the sixties ? No, only if you like imagining that rich businessmen drank whisky all day while their wives dodged between the raindrops and the cute Peugots that looked like spacecraft. The kitschy feeling enhances the film as does the music (all ominous classical) because it takes the viewer directly into the world of Helene and Charles.
Who cares if there are no mobile phones buzzing around reminding us to bring home a bottle of Mateus Rose or a bottle of Scotch ? Who cares if we can't explain what it is we do to pass the hours of our day ? Who cares if we have affairs ( how old is that ?) with resting writers ? Who cares if our secretaries come in with mini skirts up to their neck asking us if we want a beer ? This is what cinema is all about or rather once was all about.
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Most Recent Customer Reviews

4.0 out of 5 stars Chabrol (nearly) at his best
Classic Chabrol ingredients: cinematography and evocation of place, emotional veracity of relationships between characters, seemingly effortless charisma of the cast. Read more
Published on 24 Oct 2007 by Mr. J. Cook

4.0 out of 5 stars Beautifully acted compelling story
A relatively simple story is elevated to a compelling drama by excellent, sensitive acting by the main players.
Published on 10 Sep 2007 by Bluebell

4.0 out of 5 stars There and Now
The mobile phone has killed many things but what it has taken from us most of all is the opportunity to make films like La Femme Infidele, Claude Chabrol's 1968 teasing... Read more
Published on 19 Aug 2005

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