Amazon.co.uk Review
Brad Paisley's compelling
Mud on the Tires should set a new standard for country music with its wit, heart and unyielding devotion to the earthy. When Paisley sings, as he does on "Celebrity", "No matter what you do, people think you're cool just 'cuz you're on TV," he ratifies his status as a formidable voice in modern yet accessible and traditional country music. "That's Love" and "Is It Raining at Your House" offer romance freed of hazy metaphor or greeting-card slogans. There's a miniature morality play, "The Cigar Song", and the obligatory closing gospel chestnut ("Farther Along"). The guest shots--by contemporary stars
Alison Krauss and
Vince Gill, and veterans
Bill Anderson,
George Jones and
Little Jimmy Dickens--are pleasant but hardly necessary, since Paisley's good musical sense abounds. He also revives a long-vanished tradition: the featured sideman. As Chet Atkins once played for the Carter Sisters and Don Rich picked behind Buck Owens, Paisley spotlights his amazing guitarist,
Merle Haggard alumnus Redd Volkaert. He rips loose on "Spaghetti Western Swing" and flies free on the extended country-jazz jam in the middle of "Make a Mistake with Me".
--Rich Kienzle
CD Description
If Brad Paisley did not exist it would be necessary to invent him. He stands at the crossroads between the hipster realms of alt-country and the proletarian climes of mainstream Nashville. He's too close to the middle of the road to ever be drawn to the No Depression crowd's collective bosom, but he's miles ahead of the country assembly line. On his third album he continues to do things nobody else in the Nashville hierarchy does; play a number of his own instruments, write almost all his own songs, use his own band instead of the same studio vets that occupy the credits of seemingly every other contemporary country record.
Most importantly, his songs are full of humor that doesn't descend into hee-haw jokiness. He uses a gently mocking touch to highlight the simpletruths about life and love, gaining a fresh, distinctive perspective in the process. The title cut is as close as he gets to commercial, and by "Hold Me In Your Arms" he's dippinginto the Bakersfield sound with aplomb. "The Cigar Song" isa shaggy-dog tale worthy of Loudon Wainwright. And what other pop-country star would include two Western Swing-style instrumentals on an album, one of which ("Spaghetti Western Swing") seamlessly melds Wills and Morricone. Now that's an accomplishment!