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25 of 25 people found the following review helpful:
5.0 out of 5 stars
Mesmerising, beautiful, astonishing, 24 Jun 2004
In similar vein to Reggio's seminal Koyaanisqatsi, Microcosmos is a film without commentary, other than a one-sentence introduction and a few poetic words at the close. It presents the viewer with a gorgeous series of tableaux starring the amazing micro-fauna resident in a meadow. I guarantee the first thing that springs to mind when viewing Microcosmos for the first time is "how did they film that?!!" Achingly beautiful close-ups of ants, caterpillars, butterflies, snails, ladybirds, the bizarrely alien-looking mantis and dozens more give us an unique insight into the oft-ignored world beneath our feet.The whole 72 minutes is one great therapeutic trip - just sit in your comfiest chair and let the vivid colours and sumptuous sound (natural insect noises occasionally punctuated with minimalist ambient music) wash over you. Favourite scenes include the sissyphus-like dung-beetle, the ants at the "waterhole", the snail lovers, the spider's "aqualung", the stag beetles' battle and the jaw-droppingly stunning finale of the nascent mosquito breaking free of the meniscus of the pond on its impossibly long legs. Even the moment of microcosmic horror, when a strangely prehistoric looking pheasant perpetrates some genocide, is magnificently filmed and utterly satisfying. Possibly the first wildlife film to cross the boundary into pure art. I guarantee you will feel a better and more harmonious person for having viewed Microcosmos.
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44 of 45 people found the following review helpful:
5.0 out of 5 stars
"where time is measured out in moments", 11 Jul 2004
This is a mesmerizing look into the life of insects, with "real time" photography as well as slow motion and time lapse sequences. It also shows the predators who live off them, like the frogs, and the pheasant who gobbles up ants; flowers and how their life cycle is interconnected with the insects that pollinate them, as well as the carnivorous Drosera, as it devours a wasp-like creature. There is even a portion in the night, with the nocturnal activity seen in the glimmer of moonlight, and also a marvelous rainstorm, with close-ups of the droplets falling. The two most memorable scenes are the snails who mate with grace and abandon, and seem to become "one flesh", and the horned beetles in a battle that shows incredible violence and tenacity; both these segments seem to reflect "human" qualities, and fill the mind with wonder.There is a beautifully written but short introduction and epilogue, read by Kristin Scott Thomas, and a score by Bruno Coulais, which consists mostly of vocal music, sung by mezzo Mari Kobayashi, and the charming young voices of Hugo and Louis Coulais; much of the film is in silence however, with just the sound of the insects. A visual feast that is the creation of the Claude Nuridsany and Marie Perennou, who share credits as director/writer/cinematographer, and additional cinematography was done by Thierry Machado and Hugues Ruffel. Total running time is 80 minutes, and you will never look at a lowly snail in the same way again.
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15 of 15 people found the following review helpful:
4.0 out of 5 stars
Epic voyage of discovery, 27 Dec 2004
This is absolutely superb! One of my first experiences with a docu-film that doesn't have a commentary & it was absolutely riveting. The music blends effortlessly and emotional;ly with the visual feast. My only complainmt would be the lack of special features, on which would hopefully have included an explanation of how the producers made the film and an explanation of some of the creatures seen. Then the film would also have an educational element.
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