Amazon.co.uk Review
By now, it's a moot point whether Cassandra Wilson is singing jazz or not. With
Belly of the Sun, in unifying what were once considered disparate styles and song forms with her languorously rich vocals and offbeat instrumental textures, she continues to be the queen of her own genre. Largely recorded at a one-time train station in her native Mississippi,
Belly of the Sun ranges from country blues great Fred McDowell's gritty "You Gotta Move" (popularised by the Rolling Stones and here featuring acoustic guitar wiz Richard Johnston) to Brazilian immortal Antonio Carlos Jobim's winsome "Waters of March" (featuring a children's choir) to a hauntingly feminised version of Jimmy Webb's "Wichita Lineman". Revealing her command of narrative material, Wilson draws seductive meaning from Bob Dylan's "Shelter from the Storm" and the Band's "The Weight". Featuring Kevin Breit and Marvin Sewell on all manner of guitars and related string instruments,
Belly of the Sun also boasts three strong Wilson originals including "Just Another Parade", a jazzy-soulful duet with India.Arie, and "Show Me a Love". As her own producer, Wilson comes up with less compelling backgrounds than Craig Street, who produced her darker-tinged breakthrough albums. Still, this is her most seamless, smooth-flowing and effortlessly expansive recording. "I need to feel some rich black soil that's moist between my toes", she sings. You can feel her Southern roots in the grooves as well.
--Lloyd Sachs
CD Description
BELLY OF THE SUN may be seen as the end of a trilogy wherein Cassandra Wilson redefines boomer rock/pop repertoire froma contemporary jazz singer's perspective. From its intro ofsultry jazz bass and syncopated percussion, you'd never guess you were about to hear a version of the Band's '60s country-rock classic "The Weight". Jimmy Webb's "Wichita Lineman", best known as a Glen Campbell country-pop hit, gets a relaxed, sensual interpretation here that helps make the case for Webb's acceptance into the canon of Great American Songbook composers. A delicate, jazzy cover of Dylan's "Shelter from the Storm" sounds more like mid-'70s Joni than Zimmy.
There's a lot of Wilson's native Mississippi to be felt in BELLY OF THE SUN; as on the spare, slide-guitar-driven take onMississippi Fred McDowell's country blues tune "You Gotta Move", or Robert Johnson's "Hot Tamales". And just when you least expect it, Wilson briefly turns into a traditional jazzsinger to croon "Darkness on the Delta" over a romping, bluesy piano accompaniment. Never one to get stuck in a rut, Wilson throws in a bit of Braziliana with Jobim's classic "Waters of March", whose poetically dadaist lyrics suit the singer's mercurial spirit perfectly, capturing the free spirit at the heart of Wilson's work.