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Track Listings
| 1. Girl With The Sun In Her Hair |
| 2. Petrol |
| 3. Box |
| 4. Dwr Budr |
| 5. Adnans |
| 6. Out There Somewhere |
| 7. The Saint |
Product Description
Amazon.co.uk Review
By the time Orbital released its fourth album, the Hartnoll brothers were strongly tipped as techno heavyweights alongside more commercially palatable prospects like Underworld and Prodigy. Yet, instead of catering to the curious, they presented their most self-indulgent album to date with In Sides. Packaging the 24-minute symphonic track "Out There Somewhere?" with the loopy psychedelic flight of "P.E.T.R.O.L.", they created a most unusual and intriguing collection. Despite their best efforts, though, "The Box" still packed the same insistent rhythm that made "Belfast" such an indelible club staple. --Aidin Vaziri
CD Description
Since 1989, when they released their first single, Orbital's Hartnoll brothers have represented a less beat-heavy side of techno. Rather than rhythmic brawn and hyperkinetic RPMs,Orbital's music was driven by modern compositional style owing to Glass and Reich, with Eno's spacing thrown in for good measure, and electro-pulses providing the only things seeming beat-worthy. Theirs are sound sculptures consistently apart from their contemporaries--more melodic, more contemplative and soundtrack-like.
1996's IN SIDES, their fourth full-length release, is a fine representation of Orbital's sonic environment, and a great place to jump into the ways of the Hartnolls, if only because it's their cheeriest album. Bright melodies carried by shinny, happy keyboard textures enlighten a good deal of IN SIDES, most fruitfully on the expansive second part of the closer "Out There Somewhere?" where they keep streaming in like sun beams through sonic windows.As counterpoint, there's the needling mystery of tracks like "The Box", which marries an edge-of-your-seat piano score to some fuzzed-out guitars and lo-fi breakbeats.
By the time Orbital released its fourth album, the Hartnoll brothers were strongly tipped as techno heavyweights alongside more commercially palatable prospects like Underworld and Prodigy. Yet, instead of catering to the curious, they presented their most self-indulgent album to date with In Sides. Packaging the 24-minute symphonic track "Out There Somewhere?" with the loopy psychedelic flight of "P.E.T.R.O.L.", they created a most unusual and intriguing collection. Despite their best efforts, though, "The Box" still packed the same insistent rhythm that made "Belfast" such an indelible club staple. --Aidin Vaziri
CD Description
Since 1989, when they released their first single, Orbital's Hartnoll brothers have represented a less beat-heavy side of techno. Rather than rhythmic brawn and hyperkinetic RPMs,Orbital's music was driven by modern compositional style owing to Glass and Reich, with Eno's spacing thrown in for good measure, and electro-pulses providing the only things seeming beat-worthy. Theirs are sound sculptures consistently apart from their contemporaries--more melodic, more contemplative and soundtrack-like.
1996's IN SIDES, their fourth full-length release, is a fine representation of Orbital's sonic environment, and a great place to jump into the ways of the Hartnolls, if only because it's their cheeriest album. Bright melodies carried by shinny, happy keyboard textures enlighten a good deal of IN SIDES, most fruitfully on the expansive second part of the closer "Out There Somewhere?" where they keep streaming in like sun beams through sonic windows.As counterpoint, there's the needling mystery of tracks like "The Box", which marries an edge-of-your-seat piano score to some fuzzed-out guitars and lo-fi breakbeats.
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