Amazon.co.uk Review
The Associates' last album,
Sulk, was their most fully realised. They were central to the New Pop revolution spiking the waters of the early 1980s charts, a stylish revolt against the joyless monotones of much post-punk music. On the cover of
Sulk, singer Billy Mackenzie and musical half Alan Rankine are seen reclining in some hothouse, bathed in artificial blue and green light. Rankine's music was now equally "unnatural"--layer upon layer of synthetic uniqueness, its relationships to punk, funk and glam-rock no longer visible, while Mackenzie's vocals are grandiloquent without lapsing into Marc Almond-style camp cabaret. Yet there was something darkly peculiar about the Associates. "Party Fears Two" and "Club Country" were mutations of
Haircut 100, extravagant yet haunted by doubt. "Alive and kicking at the country club/we're always sickening at the country club". Whatever drove the Associates, whatever was eating them remained a mystery, exacerbated by Mackenzie's suicide in 1997.
--David Stubbs