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20 of 22 people found the following review helpful:
5.0 out of 5 stars
Finally, the worthy successor to 'Hejira', 19 July 2004
For some, Joni Mitchell lost the plot with 'The Hissing of Summer Lawns', when she moved decisively from first-person folk to narrating third-person tales in jazz and rock idioms. However, the change brought along a whole world of wonders, from the cool urban tales of life in the well heeled suburbs of L.A. on 'Hissing' through 'Hejira's' dreamscape of travel and escape and 'Don Juan' and 'Mingus'' deep explorations of jazz. Then , in the 80s it all went terribly wrong. Joni released a succession of bland, poorly conceived albums seemingly aimed squarely at getting her a hit. 'Chalk Mark in a Rainstorm', 'Dog eat dog', 'Wild Things Run Fast' - each has its occasional flashes of brilliance but all were mired in squealing rock guitars, ill-judged cameo appearances from the likes of Billy Idol and Thomas Dolby and a general lack of warmth and sincerity. All of a sudden , in 1991, she released 'Night Ride Home' and it was a revelation. The melody was there, the lyrical genius had returned and best of all, the rich subtlety of the arrangements was back. Much of this was probably due to the influence of her then husband Larry Klein, who seems to have helped Mitchell find her muse again. There are no duff tracks, and indeed most are creative peaks, but to highlight a few, 'Cherokee Louise' is a heartbreaking tale of child abuse and runaways in a frighteningly adult city set to the most lilting and seductive melody Mitchell had written for years. 'Two Grey Rooms' is a cool, delicately orchestrated study of obsessional love. 'Ray's Dad's Cadillac' is a simply delightful evocation of 1950s teenage love and 'The Only Joy In Town' is a sunlit dance through Rome in pursuit of an idealised love. The highlight though has to be Mitchell's setting of W B Yeats 'Slouching Towards Bethlehem'. The Irish mystic's apocalyptic retelling of the second coming is well served by Joni's arrangement and dark, mysterious melody. Since 'Night Ride Home' Joni has regained her confidence and has continued to release a string of quality albums, but this one remains her late peak and is an essential purchase.
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