Dune (Paperback)

What really sets this apart from other books is its length. Whilst this has never ensured consistent quality (quite the opposite in many cases), Herbert has filled the 600-odd pages with superb prose that never wanders, never sags and always is delightful to read. The story is told from multiple points of view (often changes occur within a paragraph), so we learn effectively about the characters but we are never confused by this style. Every thought is recorded for our digestion which means the characters of Dune are wonderfully complex, each with their own nuances and failings. However I don’t imply that the book is full of dense, terse, symbolic writing that would make English graduates salivate. Rather the plot moves along with a large amount of dialogue and the subtle action sequences ensure even the most impatient reader is never bored.

The story revolves around Paul Atreides of the House Atreides. In a galaxy far away and far into the future, Dune features no aliens and few of the usual SF trappings. This is essentially a character-driven story so a hard SF fan may not enjoy it to the extent that I (and others) have. As we follow Paul and his family relocate themselves to the planet Arrakis/Dune as new rulers, much of the first act is concerned with the ducal court that surrounds Paul. At this point it could easily be classed as a fantasy novel because of the abundance of swords and of the royal hierarchy, ritual and betrayal. But it is definitely grounded in science fiction with its limited use of force fields, flying vehicles and highly-conditioned individuals that can perform extreme logical computations.

The most enjoyable part of the book for me was when the natives of Arrakis/Dune (the Fremen) ride the massive sand worms. Where Herbert got the idea for them I don’t know but they take the book to such a higher level that any comparison with Lawrence of Arabia seems redundant and misguided. One definitely thinks of T.E. Lawrence throughout the book with the galactic Emperor being the Ottoman Sultan, the spice melange being oil and the CHOAM corporation being OPEC etc. But after a while Paul’s ascent to greatness is unique and distinctive and is genuinely inventive.

I have not read the other 5 or so sequels, let alone the prequels written by Brian Herbert and have no intention to do so. For me, Dune is a standalone novel that needs no further explanation with other pieces of literature (save the fantastic glossary included, which clarifies everything you need to know). Very few books deserve a five star rating. This is one of them.

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The sci-fi classification does not mean "Dune" is inaccessible to non-sci-fi fans, because most of the traditional sci-fi elements are either absent or mere background. Several remarkable scenes of hand to hand combat are more reminiscent of ancient Roman gladiators than of science fiction! There are weaknesses: mature themes (such as allusions to pedastry) make "Dune" unsuitable for children, and Herbert's use of language is not outstanding. But what especially makes "Dune" great is the complexity of ideas. Herbert has created not just a story, but a memorable world conveying an elaborate philosophy of ideas, with three outstanding themes:

1. ECOLOGY. Arrakis is a barren and bare planet of desert sands, with characters reminiscent of desert Arabs (Herbert studied Arabic extensively in researching for the novel). As well as hosting titanic deadly sandworms, the desert sands feature a mysterious and narcotic spice substance known as Melange, which is central to the diet of its inhabitants, heightens powers of awareness, and is a central part of the economy. The power and value of water in this hostile sandscape environment is manifested in that shedding tears is an expression of great devotion. It becomes evident that there is a plan to rescue this planet from its barrenness and turn it into a paradise. Significantly the book is dedicated to dry land ecologists. Herbert was an accomplished ecologist himself, and one wonders whether he is expressing his own vision of the possibility of a man-achieved paradise on earth.

2. POLITICS. There is a complex interplay of people, tribes, politics and economics, with constant scheming, plots and subterfuge revolving around personal and political ambitions. Herbert has created an intricate and plausible history of tribes and peoples, with unique languages (much originating from Arabic), names and ambitions. The lust for power and wealth is combined with a determination to succeed at all costs, stopping at nothing - even murder - to achieve it. The political corruption and chaos of Dune's world is analogous to our contemporary world, as Herbert once observed in an interview: "the scarce water of Dune is an exact analog of oil scarcity. CHOAM is OPEC." Paul's triumphant leadership is also thematic. In humanizing a messiah figure, Herbert raises an important question: why do people blindly follow leaders? "Dune" conveys his theory that "superheroes are disastrous for mankind" because even the greatest leaders are human. Despite their strengths, relying completely on them is fatal.

3. RELIGION. Religion is inter-woven with politics, and centers on women, such as the powerful matriarch, the Reverend Mother. Herbert at times seems to picture religion as the manipulation of the masses by the intelligent, since the Orthodox Catholic Bible functions as a human invention rather than divine revelation. The strong religious component especially comes to the fore with Paul, a Messiah figure who fulfils prophecies, the long awaited Kwisatz Haderach who is somehow both man and god, and from whom all blessings flow. These prophecies have their own pitfalls - and are used to show the paradox of a system of predistination. The religion is a mixture of Christianity, Islam (jihad and similar Arabic words are clearly borrowed), Buddhist philosophy, and a strong eastern mystical component. Strangely, there is no active involvement of the Creator, since "the most persistent principles of the universe are accident and error." The power of the divine resides instead within oneself, and there are definite occultic overtones, such as the mention of "wierding" (a form of witchcraft), and very obvious new age Eastern spiritualism and mysticism. Herbert also makes a profound connection between technology and religion. In light of the fact that this novel was written at the hey-day of space travel and lunar landings, it is remarkable that in an appendix Herbert observes that technology and space travel affects one's view of creation. In his opinion, the god of technology and machine-logic is destined to be dethroned, and replaced with a renewed realization of the significance of man. Instead of placing hope in machines, it is to be placed in mankind. Herbert optimism about mankind is evident: a self-made paradise is attainable.

In short, Herbert has created a plausible world, reflecting his multi-faceted interests in society, culture, environment, politics, religion and science. Dune's fictional cultures (Fremen), political parties (Harkonnen, Atreides), worlds (Dune), languages, religions, customs, geography, and ecology are imaginative, realistic, and function in a rich complexity that places him in the same league as Tolkien and similar eminent writers. Though written in the 1960s, the fact that Dune is still relevant, readable and in no way outdated is a testimony to its greatness. You will find that this book has so much depth that you will not just read it once, but many times, with increasing enjoyment. So, don't hesitate, head for the sands of Dune for an unforgettable adventure!

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I love sci-fi but don't read much of it because I prefer fantasy. DUNE feels like a perfect blend of the two. A war of noble houses set in space. Paul Atreides is heir to the duchy- and to say that he is well trained for the job would be an understatement. His father, Duke Leto, is given charge of Arrakis- a hellish desert-world and the sole source of "the spice" which the entire universe needs. A very prestigious assignment, but treachery and peril comes with it. Paul finds himself thrown into the mystery of Dune and its fierce natives, the Fremen. Is he the savior their prophecy speaks of?

I was first blown away by DUNE at the age of 16, and have since considered it "the one to beat". In 8 years, very few books have made me question that judgment: Game of Thrones, Foundation, Lord of the Rings, Ender's Game. I had to reread it to be sure I wasn't just naïve at the time. Was it really THAT great? Absolutely.

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