on 24 November 2013
after one listen i thought ,yes a good kings of leon album , i then put it on in my van and listened to it on the way to work and on the way home ,by the 3rd time i realised what a fantastic album it is with some good tracks and some pure classics , the base line on "family tree " is amazing . i would recommend any person buying this album will be totally hooked as i was by the 3rd listen . Enjoy .....
on 8 January 2014
A must for any Kings of Leon fan, by far their best album to date! Sadly though, the case (which is cardboard) had an enormous crease down the front. Normally I wouldn't mind, but it was a xmas present for my husband, who asked (jokingly) if I'd picked it up from a pre-loved dealer. Poor show there Amazon, a bit of a disappointment, hence the 4 star rating
on 20 November 2013
The album has been out for the best part of two months, and we can now agree the dust has settled. The initial hype has died down - as have the usual criticisms that the band have sold themselves out - and I feel we can now subjectively look at what is, in truth, a very good album from Kings of Leon.
The album opens with a traditional KoL radio-friendly stomper - "Supersoaker". It is essentially a hyped-up rewrite of Radioactive, the lead single from the previous album, but it's poppy demeanour and fun-sounding energy mean it could quite happily slot anywhere amongst the band's material from 'Because Of The Times', which remains one of their most-loved records. It's definitely a stadium-designed song, and the sing-along chorus will ensure it asserts itself as a fans favourite in very little time.
It's a strong opener which then slips into track two: "Rock City", a bluesy number that echoes of the band's earlier work. Following this is one of the album's definite highlights: "Don't Matter". Distinctly heavier than the vast majority of the band's previous work, this is an absolute stomper that will get the crowds going. It's an eloquent mix of Sex Pistols-meet-Queens of the Stone Age punk, and it boasts some of the best guitar work we've had the pleasure of hearing from the talented Matthew Followill. Caleb, the lead singer, sounds absolutely evil in this song. It ranks amongst the band's most enjoyable songs yet.
"Beautiful War" follows; a song which is arguably the best of the lot as far as KoL are concerned. It is a slow number that echoes "Use Somebody" from 'Only By The Night', but the driving bassline and haunting backing vocals create a successful homage to a lot of U2's best material; indeed, the rhythm section shares a resemblance to "I Still Haven't Found What I'm Looking For," which, let's be fair, is certainly no bad thing.
Track five is "Temple", which is pleasant enough without being particularly memorable. Just when you think that the album might just follow the same path as "Come Around Sundown" and slip into mediocrity, it is rescued by "Wait For Me", another "Use Somebody"-esque anthem that features some ethereal guitar parts akin to "Manhattan" from the band's fourth album. It's the third major highlight of the album, and is most definitely likely to gather commercial success when it is inevitably released as a single.
The album only continues to improve - whilst previous KoL records have come unstuck with mediocrity plaguing their good work at the mid-way point, this album goes from strength to strength with "Comeback Story" and first "Family Tree". A Steve Wonder-inspired number, Jared's funky bassline acts as the backbone to a song sure to get the crowd moving, whilst it is another paint-by-numbers sing-along chorus that you can imagine being sung back to the band by a stadium of 50,000 beer-drinking fans! "Comeback Story" is a nod to the wonderful "Back Down South" from the previous record: it is a country tune which also features a beautiful orchestral composition during the chorus. It's a wonderful piece of work and represents the band doing what they do best; having fun - indeed, the lyric "I walk a mile in your shoes/ and now I'm a mile away/ and I've got your shoes' is a nod to KoL being at their mischievous best.
"Tonight" is track nine, and it echoes "The Immortals" from the last record. You can argue this is more of the same from the band, but it is a positive arena-friendly song that at least makes for pleasant hearing. "Coming Back Again" follows, which is a high-octane stomper akin to "Don't Matter", but with its abundance in "oh-ohs" during the chorus it'll serve as a crowd-pleaser without a doubt.
The album closes with the country song "On The Chin"; a strange choice to end on considering how pumped-up this album is in comparison to the mellowness of "Come Around Sundown", but it is another radio-friendly number that acknowledges the band's southern roots.
Bonus tracks include "Work on Me" and "Last Mile Home". You can see why they weren't included in the original release as they are pretty standard KoL works, but again, they make for pleasant listening.
The bottom line is that this is most definitely a very listenable album from the band. Yes, it is largely radio-friendly, but the diversity between some of the mellow country songs to the sheer hysteria of the likes of "Don't Panic", and to stadium stompers like "Supersoaker". The range of song styles is great without offering anything particularly new; but if it ain't broke, why fix it? Overall this represents a return to form for the band, offering their most complete record since 'Only By The Night', but perhaps their most revolutionary work since their third record was released, way back in 2007. It is an album that does have a few forgettable moments - the ending is a little inconspicuous, and whilst songs like "Temple" and "Rock City" are listenable without being particularly memorable, the abundance of high points - "Supersoaker", "Don't Matter", "Beautiful War", "Wait For Me", "Comeback Story" and "Family Tree" are sure to become staples in the band's live performances for many years to come.
Disappointing. I think this is going to be my last Kings Of Leon purchase, unless I hear something from them that changes my mind. This album is a very tame, unexciting version of the band, almost like a modern-day Eagles. In fact, I almost feel as if I'm insulting the spirit of The Eagles by making the comparison, but the soft-rock/country feel of this album really warrants the comparison. Believe me, I don't enjoy criticising a band I really like, I've been a fan of the Kings Of Leon since the very first album and have very much enjoyed much of their output, especially their first three releases, but "Mechanical Bull", despite the rather macho title is a damp squib. I've given this a few listens and, although it's fairly decent, there aren't the riffs, the leftfield arrangements or the sheer adrenaline rush present here that made their earlier material so vital.
There are a few songs on here I've grown to really like which make this album almost worth buying - "Rock City", "Don't Matter" and "Family Tree". They all contain some of the Kings Of Leon sound and attitude that made me a fan and the latter, despite its compositional simplicity, is probably my favourite from "Mechanical Bull". It's funny, but "Supersoaker", one of the supposed hits from the album, really hasn't grabbed me at all and too much of the album is simply average. I'm sure the diehard Kings Of Leon fans will defend this album, calling it "amazing" and I'm resigned to the negative votes for this lukewarm review, but it just doesn't measure up to their own standards, let alone other brilliant albums you can buy at the moment. This is one Kings Of Leon fan who will need a lot of persuasion to spend hard cash on any further release. Back to the drawing board, gents.