13 of 13 people found the following review helpful
Five childhood friends , instigated by Gary King (Pegg) are roped into reliving their youth by completing the "Golden Mile" pub crawl of 12 drinking establishments in their old home Town of Newton Haven, that they never managed to complete when 18. As past grudges re-surface, they have to try & settle their differences when they stumble across a terrible & horrifying secret.
Overall, The Worlds End has some genuine comedy moments & well worked in ideas, but apart from the fresh, neat introduction of what they are up against, it just felt like i'd seen this movie before. And that's because it's essentially a combination of Shaun of the Dead &Hot Fuzz with a new surprise twist. The film was carried with two key performances, Simon Pegg's immature, sarcastic & never admits he's wrong Gary King, whose the energetic life of the party. Contrasted perfectly with Nick Frost's more mature & solemn outlook on life, Andy Knightley. Truth be told the other characters were a bit forgettable and just tagging along for the ride.
The build up with these old mates forced to reunite was enjoyable itself, right up to the surprise reveal, that was so out of place & bizarre, it was a very enjoyable scene turning things on it's head. However the aftermath didn't quite capitalize on it, as the gags dried up, and it turned into a series of chases resulting in action fight sequences as the film went into a brawl. But it had good direction with neat special effects & cinematography/choreography. I guess the kicker was that i never cared or felt concern for any of them or the outcome, which was just as well as the end face off confrontation seemed to be confusing & just fizzled out in a blaze of CGI glory. Co-stars of note, Martin Freeman (The Hobbit) , Rosamund Pike (Jack Reacher) & a cameo appearance by Pierce Brosnan (James Bond).
In conclusion, The Worlds End has some nice ideas in it & the premise has a nice twist, but by the mid way point it had played all it's cards on the table, and gradually lost our interest. Contains strong language, violence & mature themes. Worth a watch.
7 of 7 people found the following review helpful
on 23 August 2014
I think my age puts me dead smack in the middle of the demographic for who this movie would be good for. All the nostalgia elements were right on the nose for me and so I laughed a lot (mostly in the first half). It is inevitably an older team making this than made the previous movies and yes they have lost some of their edginess, but for a bit of a romp it was great. I found some of the action sequences hilarious, although I do admit the endless bashing of empty shells that no one placed any value on got dull. I think it is one of those movies where if you had high expectations and were paying for an expensive blu ray or premium cinema tickets it may be a bit of a disappointment, but if you want a cheap laugh on a night in it is great (with caveats about the end sequence which may be best just entirely ignored). Solid cast although with some of them it did feel like they had been written in to give a mate something to do. (almost talked my self down to 3 stars so will end there).
Decided it should be 3 stars, 4 stars may be misleading considering how little the 2nd half of the film held my attention.
29 of 33 people found the following review helpful
on 26 December 2013
From send-ups of zombie and buddy cop films, Pegg and Frost now tackle the sci-fi genre, although this is not obvious at the outset. At the beginning Pegg's character Gary King is a depressed alcoholic with no future, trying to rekindle past glory by attempting a mammoth pub crawl that defeated his teenage self. On paper there's a great cast for his school friends including Nick Frost, Paddy Considine, Martin Freeman and Eddie Marsan.
Central to the film is the character of King, who unlike previous Characters Shaun and Nicholas Angel is not that likeable. He has little ambition, he's self-centred, no one can argue with him and he has the same clapped out car; a boy trapped in a man's body. There is potential for conflict with his more successful friends who have families and jobs and this is explored until their night out becomes more of a challenge.
Similar to the sort of encounters in Shaun of the Dead, their foes are now face-grabbing robots whose limbs make a satisfying pop as they snap off and their heads sometimes shatter like porcelain, spraying a thick blue blood all over the place. From this point on the exploration of character is thrown out of the window and it's more about pub brawls, spilt pints and Frost's character proving he's actually good at fighting.
Unfortunately for a comedy, it isn't that funny. I laughed occasionally and smiled at some of the other jokes but it felt like it worked better as a slightly odd drama with actors you liked. In fact there were one or two quite poignant moments where Pegg's character elicited sympathy, where his behaviour is explained. These didn't help the comedy, but added a bit of depth to the story.
For fans of the previous two films there are some nice references, like them crashing over a low hedge and wooden fence. And like Hot Fuzz the world they enter is one where there is a larger picture, where someone else is trying to control them and they have to fight their way out.
Overall it is perhaps the weakest of the Cornetto Trilogy for being less funny. On the plus side the film is very well shot, with some of the director's trademark close-ups of action and fast cuts. It has a great soundtrack of music from their youth and the setup of the pub crawl that King is determined to finish works well to bind the story together. For fans of Pegg and Frost you should see it, but anyone else might be disappointed.
3 of 3 people found the following review helpful
on 26 July 2014
I can't help but love Simon Pegg & Nick Frost films - Shaun of the dead is genius - and this doesn't fail to entertain. For once Nick Frost isn't the 'dumb but loveable' best friend and actually gets to act a little more. But this is still a Pegg/Frost film so you can expect plenty of boy humour and action. Plus some rather decent cameos from well known faces.
2 of 2 people found the following review helpful
on 26 January 2015
All the elements are here for the usual Pegg/Frost romp as well as the obligatory pub/drunkeness and falling fence gag. While their films are enjoyable and in this case the slick comedic script coupled with Pegg and Frost's performances make this outing another success, one can't help feeling that maybe just a little too much sprinkling of Shaun Of The Dead and Hot Fuzz has watered down what is another good effort from the comedy duo plus Edgar Wright. Nevertheless a plethora of name actors all add to the melting pot of action and comedy that's served up like a pub grub's scampi and chips. Sometimes looks and tastes the same, but enjoyable nonetheless.
7 of 8 people found the following review helpful
on 17 August 2014
I love Shaun Of The Dead, I love Hot Fuzz, both incredibly funny, and eternally watchable. This on the other hand, is seriously unfunny (not even one chuckle), and I never want to see it again, There's a great cast, but apart from Pegg and Frost, absolutely no chemistry at all. If you like Scott Pilgrim, you may well like this, but to me, that was absolutely awful too. The problem seems to be that Pegg and Wright are starting to believe the bull that the Americans tell them, and they're in danger of disappearing up their own orifices (just like Ricky Gervais). I really hope it doesn't happen, but any more trash like SP and TWE, and I won't even bother watching.
on 26 May 2014
I didn't enjoy this for the most part. Pegg's character Gary King is unlikeable and seems to be on the verge of a nervous breakdown. We don't find out much about him. Where does he live? What does he do for a living? That he may have spent time in a mental hospital is referenced a few times ("They told me when to go to bed"). The friends have clearly drifted apart over the years and don't seem to get on particularly well. The idea that you can go back after twenty years and all the pubs will still be there and not converted into flats or a Tesco Express, and that the landlord and patrons will still be the same, is ludicrous.
There is too much violence and swearing, and some of the humour is distasteful. There is a running joke about having teenage sex in a disabled toilet. It romanticises binge drinking, drug taking and casual sex.
But maybe the problem is that I am basically the same generation as these characters, and this comedy just hits me too close too home, reminding me of things I don't want to be reminded about.
There are some sharp gags and observations, though, and the film is redeemed by an epilogue which reveals an unexpected, darkly humorous twist (it was unexpected to me anyway). The DVD also has a 50 minute Making Of documentary where the cast and crew make it perfectly clear that they are aware of the swearing and the references to mental health. It also reveals that much of what I thought was CGI was actually done for real. So I find it difficult to dislike, all things considered.
I wonder if this film might eventually be seen as the most accomplished of the series due to its darker and more realistic depiction of changed friendships and mental illness. The Empire Strikes Back of the Three Cornettos Trilogy. Pegg's depiction of a mentally ill person as desperately trying to keep up appearances, and to change the world back to the last time he enjoyed it rather than adapting to changed circumstances, is uncomfortably close to the truth. As one of the cast says in the Making Of (Rosamund Pike I think), you have to look forwards rather than back.
on 25 May 2014
I waited for all the hype to die down before watching this. As a huge fan of Shaun of the Dead and as someone who thought Hot Fuzz was great until the final act went on too long, I feel this is the weakest by a golden mile.
Somewhere in here is an extraordinary and original idea, about a group of teenage friends on the cusp of their adult lives, where all but one go off and make it... but for the coolest one, life turns out to be a disappointment and that one final night with his teenage mates was the pinacle which he'll never reach again. As adults, he wants to recreate it, to find himself.
Here and there, this idea surfaced and was poignantly portrayed. But far too often it was hidden, forgotten or confused by the superficial subject matter. Now there's nothing wrong with superficial, but it should be a metaphor for the emotional heart. Here we have robots, and the point seemed to be.... I dunno, sometimes that people weren't very nice and got replaced, sometimes that they were perfect representations of the people they looked like, it was never really explained. And the ending...? WTF?
I don't suppose it's inherently bad to try to cover more than one theme in a story, but here they didn't seem to work together. I could happily praise the fight choreography, but it would ignore the fact that the threat never has teeth. We don't understand what they are, what they can do, why they need to be fought and so on.
I also loved the 90s nostalgic throwbacks... but again, not particularly well utilised. Occasionally a 90s song lyric would be recalled, but it never felt very clever... or funny.
Which brings me to the final point which many have covered. Not funny. For me, it's not a huge problem. I'm quite fond of 'barely funny' films, and wouldn't have been concerned about this if everything else worked. Instead I would desperately like to say "at least it's funny"... but it's not. Nothing in the script made me chuckle, but on two occasions Nick Frost's outstanding slapstick, helped by Wright's excellent direction, raised a chortle.
So I was left with something unfunny, nonsensical and an underlying theme that felt like it could have been brilliant. This is no Shaun of the Dead... robots?!
on 25 May 2014
Of the trilogy, this was the one I wasn't bothered about.
I saw the trailers for it and wasn't sure how much I really wanted to see a pub crawl and some alien robot things. Didn't look my cup of tea. But then, it popped up one day and I decided that as I liked most of the other things they'd done, it wouldn't hurt to give it a go.
From the off set, Gary King is portrayed by Pegg as a very annoying character. Unlike Shaun and even Nicholas Angel, you don't easily connect with him because of how manipulative he is with his friends and his one track mind approach to the pub crawl, 'the Golden Mile'.
But as the film progresses, and when we start to find out the truth in Gary's life, I found myself won over by the character. I loved that that wrote such a damaged and interesting character for this main role and thought they did it justice. Pegg's performance as Gary is amazing. Also, having Pegg and Frost star together, we're used to seeing these buddy movies, where they are life long friends or become great friends- that's different here. They are estranged friends and it's not tied up in a pretty bow at the end of the film.
The overall plot I found enjoyable enough. I think this is a character driven film more so than plot. I feel that the plot is very much coming second to the characters here, whereas in the previous films, it might have been more level between the two. I don't think it is a bad thing though, I thought that making the film this way it puts more emphasis in how important this pub crawl is to Gary. More so than the world ending, or their home town being filled with robot replacements.
I think if you go into this with the expectations of a Shaun of the Dead or Hot Fuzz, you might be disappointed. The film isn't bad at all, but I don't know that it punches to the same level overall as the other two.
I think if you enjoy a really human story with believable, and somewhat tragic characters, you will like this.
I gave it 5 stars because it exceeded that I expected from it. I expected not to like it and I loved it.
I think it splits people's opinions depending what you expect from it to begin with.
on 6 April 2014
I found that the first two movies in the 'Cornetto Trilogy', Shaun of the Dead and Hot Fuzz, took more than one viewing for me to really warm to them with their odd blend of awkward humour and action, so this review is really just a 'first-reaction'. Maybe I'll end up liking it more down the line.
We're treated to a nostalgically and chaotically shot opening sequence of our heroes on their final great teenage binge as they attempt the "Golden Mile" in their home town, an epic pub crawl that they fail to finish. Cut to the modern day, and they're all very much more grown up, except for erstwhile gang 'leader' Gary King (Pegg) who has never really outgrown his teenage persona and uses every wile and trick up his sleeve to persuade the middle-aged friends to re-unite and finish the Golden Mile. Only once there, nothing quite feels the same. Cleverly, the script takes the idea that it's never feels the same trying to re-live memories and says that this time there's a reason for it: the friends quickly find out that many of the townsfolk have been 'replaced', and they're at risk of being next...
The cast are funny and make an interesting mix, with the first third of the film essentially being a mild comedy of embarrassment as old like and dislikes and secrets come out, and irritations rise once again to the surface - mostly with Gary. Pegg's Gary is a brave role: desperate, feckless, manipulative and self-interested. Luckily he's the catalyst for a lot of the comedy one-liners and absurdity, and Pegg is enough of a performer to give him a far greater emotional depth than first appears. Nick Frost feels a little wasted, his role never really elevating above 'annoyed ex-friend who's now a bit stuffy'.
A lot of the comedy is clever and fast, like their other movies. The sci-fi horror elements here are very cleverly handled too, and there's a fight in The Gent's that manages to be simultaneously scary, exciting, and funny.
Because it's using a subject matter that's traditionally designed to creep people out, a lot of the film feels frankly a bit weird, and the tone of the 'bickering angry friends' segments can feel a touch sour. As a result, it may take more than one viewing to decide if you like it. I'm expecting that this review may go up a point next time.