43 of 45 people found the following review helpful
on 13 November 2012
Oh how I love LDR, These extra songs are just as wonderfully thematic and atmospheric as her previous offerings. I love the way that she displays, through her vocals, a beautifully complex duel personality. Person one has the deep and dark drawl, showing us a woman who is deeply cynical, tired and numbed by previous dissappoints in life. Person two has the higher,sweeter tones. She is childlike,open and wide eyed, wanting desperately to be loved and taken care of. I may be getting a bit carried away, but I really, really love the whole album! Other Lana fans will understand.
21 of 22 people found the following review helpful
on 15 March 2013
"Why would you listen to her, it's just more whiny drivel, why won't you listen to this song about bitches and ho's, WHY WON'T YOU JUST BE LIKE US." And you know what, I am so happy to have her music in my life. A song for every mood. A lyric for every moment. She might not be to everybody's tastes but I personally love her. Not to mention the pure catchyness of quite a few of her songs, lolita for example. Sugary sweet but still kinda wrong. What's not to like??
5 of 5 people found the following review helpful
Oh Lana, you're such an insatiable bitch, aren't you... Back in January, you graced us with "Born to die", and grabbed us by the balls, literally. What a fantastic killer of an album that was, we could not but totally fall in love with it. Inevitably, we could not but fall in love with you, too. "Paradise" EP followed a few months later on and, boy, how heavenly sublime those 8 new songs were, your greatness shone through yet again, and we fell for you even deeper. "Born to die-The Paradise edition" is now also available and, thus, all us faithful Lanatics feel compelled to get it. Addictions are impossible to cure, you know this so well. We are helplessly, hopelessly in love with you, there's no denying it. We have sinned, but it's all your fault. If you only knew how much we worship you and your records. If "Born to die-Paradise lost" edition follows next, we will buy that as well. Just make sure it won't be long till then. Forever yours, SJ.
4 of 4 people found the following review helpful
on 15 September 2013
I'd never heard of Lana Del Rey until a couple of weeks ago. I picked up a copy of The Q Sessions by Dutch symphonic metal band Within Temptation (a selection of covers they did to celebrate their 15th anniversary), and one of the standout tracks was 'Summertime Sadness' by someone called Lana Del Rey.
I checked a couple of videos online, liked what I heard and bought the Paradise version of Born To Die.
Without doubt one of the best albums I've bought in years.
Many albums have standout tracks, growers and filler. This had a couple of standouts (Born To Die, Summertime Sadness and Ride), but everything else was a grower. Having listened to it countless times since I picked it up, it is truly deserving of the label 'All killer, no filler.'
I cannot remember the last time I bought an album that I a) wanted to keep listening to for so long without getting bored, and b) got better with each listen.
The music is a lush, epic wonder, and Del Rey's vocals glide over the top in a languid, effortless style. It combines thoughts of driving through late night Americana with the top down with the sort of small-town unease you get from from something like David Lynch's 'Blue Velvet'. Del Rey has described herself as a 'gansta Nancy Sinatra', and that's pretty much on the money.
In some ways I hope she never releases another album, because I don't believe she could possibly better this.
On the other hand, I hope she does, on the off chance that she can!
This may not be to everybody's taste, but if you've ever put an album on after dark and sat there listening with the lights off, then treat yourself to this.
You won't regret it.
48 of 52 people found the following review helpful
on 14 November 2012
‘The Paradise Edition’ opens with the sultry and seductive ‘Ride’. Nostalgic lyrics and haunting vocals, teamed up with a rich melancholic piano melody. Listening to this song, I’m transported to a wide stretch of the American desert, where I’m free to bask in my own self-indulgent misery, if only for a moment. This is of course, until that heart-wrenching chorus kicks in, and I’m imaging myself there, on that rope, swinging in midair, just as we see in the video for the song. This song appeals to me in ways I cannot possibly explain, and because of that… I just ride. What I find most interesting about this song is Lana’s ability to highlight what it means to feel rejected, to be someone who is just drifting through life, maybe even feeling a little crazy at times.. and then to just let it go, accept it even. That is what the chorus delivers – an overwhelming sense of freedom and comfort.
After the emotional highs and lows of ‘Ride’, I find myself drifting away into a somewhat angelic, dreamy state, as I catch myself humming along to Lana’s smoky vocals on ‘American’, the second song from ‘The Paradise Edition’. It has all the key elements of a classic, sophisticated ballad, but with that key atmospheric twist that Lana brings to her music. As I listen to this song, I’m reminded of how I felt when I first heard ‘The Lucky Ones’ from the ‘Born to Die’ record. There is a certain similarity between them, in that, they both step away from the darker side of Lana. While I honestly prefer Lana’s darker, more mysterious and melancholic tracks, I have to admit that this song definitely finds its way into my top five.
Keep in mind though, that… if you thought that the tracks from ‘Born to Die’ highlighted the dark side of Lana, ‘Gods and Monsters’ will offer you her darkest side yet. With references to God and religion, conflicts between evil and good, messages of drug/alcohol addiction. Lana ties all elements together: “Fame, liquor, love, give it to me slowly”. Despite all these rough elements, Lana still holds onto the hope that “in the lands of Gods and Monsters”…. she was an angel and that no one is going to take away her soul. It’s dark, and it’s deep, and it might make you want to shy away at times, but there is something there that draws you back in.
Although, if you’re looking to take an escape from that darker side, you just might yet. Lana finds an opportunity to get a bit playful with the new record. This can be heard in ‘Cola’ and ‘The Body Electric’, both of which explore themes of popular American culture/cultural icons, as she claims “Elvis is my daddy, Marilyn’s my mother.”
‘Bel Air’ and ‘Yayo’, seem to have been branded by many as no more than fillers, used simply to fill the space at the end of the record. Honestly, I can only imagine that these comments come from those that haven’t listened to the record in its entirety. Both songs offer haunting vocals, with chilling lyrics. I welcome the piano introduction in ‘Bel Air’ – something I think we could use more of in Lana’s music.
I have to say though, that I find ‘Yayo’ quiet difficult to listen to. It’s a very personal song, that offers up a lot about Lana’s past. Her sincerity is striking, so much so that at times it can feel as if you’re an intruder listening in on the song… as if she were singing it to someone else: “Let me put on a show for you, daddy”.
As a huge Lana Del Rey fan, myself, I truly hope that the release of ‘The Paradise Edition’ will mark a new beginning for Lana, a chance to establish herself into an industry that never fully accepted her. Accusations regarding authenticity led to a difficult start for the singer, and a perhaps misunderstood debut album.
‘The Paradise Edition’ offers so much more than I even expected of Lana. It is a collection of the same hypnotic, orchestral, atmospheric and seductive Lana tracks that we have always loved and admired… Mixed with a completely new twist. A bolder, braver, more outspoken Lana. It’s personally what I love about her. She doesn’t shy away from difficult or controversial subjects… and while she might leave you haunted, she’ll comfort and console you in the process.
If you are new to Lana, or a lifelong fan, just wanting more, either way... this record is perfection.
16 of 18 people found the following review helpful
I'm so much a fan of Lana Del Rey that as well as Born To Die I have listened to her little known first album and even some unreleased demos. Listening to the new CD "Paradise" I instantly recognised a new version of Yayo and the recently released Blue Velvet, but the six other songs were completely new to me. Blue Velvet, a cover song, has much of the by now verging on overused production style and sounds of the Born To Die album, the special edition of which is of course also in this 2CD jewel case. However, the other tracks thankfully have a different (if less instantly distinctive) sound to them. That was a good choice musically, as Lana's voice is distinctive enough. The subject of these songs doesn't stray very far from Lana's in-character personality, and perhaps that shouldn't surprise anyone, but it makes the thoughtful and luscious Yayo really stand out as being something different and extra special.
A mixture of playful and serious, each one telling a different story, it's hard not to listen to Lana songs without images popping into your head, but I was caught off guard by one particular lyric. I found myself, perhaps not shocked but a mixture of amused and puzzled by the first line of the new song Cola. Lana has perhaps been listening to 212 by Azealia Banks. There are a couple of songs with, shall we say, a bit of strong language on - so if that bothers you stay away, or maybe keep listening and you may change your mind. In the music equivalent of the art/pornography argument, a.k.a. I know it when I hear it, there are some uses that stand out to me as being completely inoffensive due to context. For that debate, see also Star Me Kitten by R.E.M., and equally I have to say that on the song Radio, it's not only contextually appropriate; it's actually beautiful in the context of the song. After a few listens of the songs I'm referring to on Paradise, I'm starting to think the uses here are also appropriate in context. I've actually changed this review to say that, as after first writing it I listened again and found that my opinion had changed.
Back to the main point I'm trying to get across to you here - the songs are absolutely fantastic and will be much played by me - I can't imagine anyone not feeling happier for having listened to them.
To end this review, I must tell you that I really love Lana's music, but it's a pure and platonic love, so if tomorrow you see anyone drinking Pepsi cola with an odd look on his face, as if he's trying desperately not to think of a certain line from a song in a particular context, then stop and say "hi" as it might be me.
2 of 2 people found the following review helpful
on 10 August 2014
Lana Del Rey is, to my ancient ears, one of the finest lyricists I've had the pleasure of listening to for many a year. That she has the vocal abilities to match puts her head and shoulders above the competition in the singer songwriter genre.
Her lyrics are at times any combination of bitingly vicious, almost suicidally bleak and capriciously exuberant - this is a life story put to music and delivered in such a beautifully modulated vocal fashion that it feels like a rose in velvet, the barbs are there but you defer to the gentle setting.
A veritable master-class in composition, lyricism and vocal delivery - parental advisory notices be dam*ed, this is a life story and sometimes life sucks. "Paradise" is a natural progression from "Born To Die" (as, indeed, is the recently released follow up album, "Ultraviolence"). I, for one, want to follow that life story and wallow in the experience.
8 of 9 people found the following review helpful
on 12 November 2012
Lana is seriously the best artist out there at the moment. She might have gained some of her fame for all the wrong reasons, but this album proves that people are very wrong about her and that she's very misunderstood artist - but artist nevertheless. Born To Die: The Paradise Edition includes all 15 songs from the deluxe edition of Born To Die, plus 8 brand news songs. With those eight songs, Lana proves her talent in making music that's fresh to the ear, and faithful to it's preceding album Born To Die. My favorite song is Body Electric, because I think that Lana describes exactly how she feels about herself in that song. The song is very beautiful and very dramatic and it talks about how many times we lie about out true feelings, the "put a smile on your face while you're bleeding within" thing. Gods And Monsters is also very powerful song, and I think it talks about Lana's relationship with God, and her living on the wild side of life. Bel Air is also a great one, and it's last on the album because I think it gives some kind of a "hope sound" (as I like to call it), and I think it's probably the song that people here while they go towards heaven's door (if there is heaven, that is), filling us with hope that we will be reunited one way or the other with the people who mean something to us. All on all, I give this album 5 of 5, and I praise Lana Del Rey's talent and creativity. I've read somewhere that she said that she wouldn't make anymore music, and I hope that that's not true, because if she stops making music, the world will lose one of the greatest artist that ever lived!
1 of 1 people found the following review helpful
on 13 July 2015
I was in the camp of initially not finding Lana Del Rey to my tastes. Her monotonous, saddening style of singing combined with her beautiful vocals she unleashes makes her a truly unique artist bringing a completely new flare to music in general, and potentially bringing a whole new audience to her niche genres. Initially I thought her voice was lacking in any style or form, but after some extended listening my opinion changed entirely. The entire album is such a masterpiece that you will find her music cinematic, as if you were watching a retro American film in your mind. Open up to Lana Del Rey's beautiful 'movie-styled' music and the vivid imagery from not just her lyrics but her beautiful harmony will make you feel a vast range of emotions as you enter her paradise.
This album captures her original rise to fame by including her first platinum album 'Born to Die', which in turn features her record breaking songs 'Video Games', 'Born to Die' and 'Off to the Races' to name a few. This album also includes 'Paradise', which gives you a further record breaking album combined in one. And at £5 this album is an absolute steal for such a wonderful album and artist.
The CD itself is in the normal CD quality, a weak transparent plastic case which needs to be handled with care. Inside is a two-disk separation providing you 'Born to Die' and 'Paradise' albums on separate CD's, which pulls out to reveal the other CD. The album print cover includes lyrics for each of the songs on both albums, which is great if you wish to sing along.
I definitely recommend purchasing this album, and if you do not like her album at the moment give it some time as it can be addictive! The album is on Spotify and YouTube so you can give her a listen before you buy, but I recommend the album over both prior mentioned formats as you can then rip the CD and do whatever you wish with the music files.
3 of 3 people found the following review helpful
on 30 May 2014
Lana mixes sweetly sung vocals, beautiful arrangements and juxtaposes it with lyrics that examine life in all it's cruel shades. The results are stunning and make you think you are listening to a David Lynch film. Maybe having a cover of 'Blue Velvet' helps lead you in that direction, but really Lana stands alone in the world of song.