Having received a copy of this album 1 week ago, I have been pleasantly surprised with this album.
From a musical standpoint, Moroder floats in many directions.
This isn't only pure disco, in some instances, it has an edge of country / folk (Keith Forsey, track 4 Take me to the pilot, CD2), and edge of (power)rock, straight from the eighties (Keith Forsey, track 6 Dynamite, CD2).
The Munich Machine material on disc 1 is typical Moroder work, once again proving what a great musician he is, and also leading to the soundtrack material he has done afterwards.
The work of Marsha Hunt and Suzi Lane is the classic disco I'd expected to be on the album. Some… Read more