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Mac McAleer (London UK)
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The Moor's Account
The Moor's Account
by Laila Lalami
Edition: Paperback
Price: £8.99

1 of 2 people found the following review helpful
4.0 out of 5 stars A Thoughtful Adventure, 11 Aug. 2015
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This review is from: The Moor's Account (Paperback)
This is a fictionalised story of real events that happened in the early years of Spanish America. An expedition was sent to the new land of La Florida. It ended in disaster, with only four survivors, three Spanish noblemen and one slave. This story is compelling and the writing is clear. It is sensitive to the plight of the slave. It describes the insensitivities of the Spanish noblemen and their barbarous attitude to the Indians. The story starts with: “This book is the humble work of Mustafa ibn Muhammad ibn Abdussalem al-Zamori, being a true account of his life and travels from the city of Azemmur to the Land of the Indians, where he arrived as a slave and, in his attempt to return to freedom, was shipwrecked and lost for many years.”

Mustafa ibn Muhammad was born in Barbary (Morocco). He had been a successful merchant, but through misfortune became a slave. He was renamed Esteban, a Christian name, which was later infantilised to Estebanico, the name for a boy. He was also called El Moro because he was a Moor and El Negro because he was black. His new master took him across the Atlantic to join an expedition to the new land of La Florida. This was a large undertaking with a small armada of ships containing nobles, soldiers, friars, settlers, horses and mules. Eight years later, Mustafa and the three Spanish nobles re-appeared in New Spain having spent their time amongst the Indians, the only survivors of the doomed adventure. Their social hierarchy had broken down and their attitude to the Indians had changed. Once they were back in “civilisation” the old attitudes of the Spanish noblemen returned.

The book has 428 pages, split between 25 chapters. The descriptions of the Indian tribes are fascinating; the descriptions of the Spanish are a little depressing. This is an adventure story, but a thoughtful and intelligent one. There are no illustrations. I would have liked a map as I was often confused about where the adventurers were, although this put me in the same situation as the adventurers themselves, namely lost. The official version of the expedition, written for the Spanish authorities and reflecting what was acceptable to them at the time, is published as the Chronicle of the Narvaez Expedition.
Comment Comment (1) | Permalink | Most recent comment: Aug 13, 2015 7:44 AM BST


Introducing Levi-Strauss and Structural Anthropology
Introducing Levi-Strauss and Structural Anthropology
by Boris Wiseman
Edition: Paperback

4.0 out of 5 stars A surprisingly good introduction, 6 Aug. 2015
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This book attempts to give an overview of a difficult and amorphous subject in an accessible format. To a surprising extent it succeeds, although the format it uses is an acquired taste.

The subject is the French anthologist Claude Lévi-Strauss and his theory of structural anthropology. This was widely influential in the 1960s and 1970s but is less so today. This book has a punk-collage sensibility, mixing text with cut-and-paste illustrations, diagrams, photos, cartoons and speech bubbles (is this bricolage?). This gives a comic-book or graphic novel effect, which will be attractive to some readers and will repel others.

This is a serious introduction to the subject. I found the first few pages graphic heavy and text light and I wondered if all the pictures were eliminated just how much text would be left. However, as the book progressed the amount of text increased and as did its complexity. The book is divided into short sections, often only two pages long (see Comment for a full list). These sections follow the timeline of Lévi-Strauss’s major publications: family structures, totemism, the primitive mind and myths.

THE BOOK is A5 (half A4) so will fit in a big coat pocket. It is also longer than it looks at 174 pages. It is a member of the “Introducing . . .” series and some of the other thinkers mentioned in this book are available in this series, for example Roland Barthes, Jacques Derrida, Sigmund Freud and Jacques Lacan, but not others such as Roman Jakobson, Bronislaw Malinowski, Marcel Mauss and Ferdinand de Saussure. The text is by Boris Wiseman, who wrote his PhD on Lévi-Strauss’s work. Judy Grove is the illustrator and graphic artist.
Comment Comment (1) | Permalink | Most recent comment: Aug 6, 2015 12:56 PM BST


Claude Lévi-Strauss: The Poet in the Laboratory
Claude Lévi-Strauss: The Poet in the Laboratory
by Patrick Wilcken
Edition: Paperback
Price: £10.99

4.0 out of 5 stars An enjoyable biography, 24 July 2015
This is an enjoyable overview of the life of the French anthropologist Claude Lévi-Strauss, famous for his application of structuralism to anthropology. Lévi-Strauss was well-known in academic circles, but he was also well-known with the general public due to the publication of his accessible best-seller Tristes Tropiques and in France as a public intellectual. Tristes Tropiques chronicles, amongst other things, his early life, particularly his fieldwork with native-Americans in the Brazil of the 1930s.

This book gives an interesting background to the real events described in Tristes Tropiques and to the background and genesis of his later, more academic, works. It describes his time in Brazil, his escape to New York from Vichy France, his return to France after the Second World War, his difficult ascent up the French academic ladder and the development of his thinking. Lévi-Strauss was a private man and this book respects that, not delving too deeply into his private life. His structural approach to anthropology is discussed, but this book is not an introduction to structural anthropology.

His first major publication was Les Structures élémentaires de la parenté (The Elementary Structures of Kinship). Later came Le Totémisme aujourd’hiu (Totemism). This was intended to be the first part of a two-part work, but as the second part grew in size it became a separate book, La Pensée sauvage. When this was eventually translated into English as The Savage Mind great difficulties were encountered in representing the elegant, philosophical and playful language of the original French into an acceptable English equivalent. This was followed by the 4-part Mythologiques*. After the loose theorising of La Pensée sauvage, Lévi-Strauss tried to apply his ideas systematically in this new quartet, but instead he raised his writings to a new level of complexity. However, despite the complexity of his academic writings he also produced many short essays that were accessible and understandable to a wider circle of readers as well as TV and newspaper interviews. In the late sixties Lévi-Strauss became the global face of anthropology.

According to Lévi-Strauss, previous interpreters of myth had tried to ascribe specific meanings to each mythic element, which he considered a hopeless task. The interpretation lay in the relationships between the mythic elements. He continued to produce smaller books, known as the petites mythologies** but there was a feeling that his work was no longer ground-breaking. His work was influential, but no school of structural anthropology developed and his work became isolated. The world moved on as Lévi-Strauss moved towards his 100th birthday.

* The 4 parts of Mythologiques are:
Le Cru et le cuit (The Raw and the Cooked)
Du Miel aux cendres (From Honey to Ashes)
L’Origine de manières de table (The Origin of Table Manners)
L’Homme nu (The Naked Man)

** The petites mythologies:
La Voie des masques (The Way of the Masks)
La Potière jalouse (The Jealous Potter)
Histoire de lynx (The Story of Lynx)


Homer's the "Iliad and the "Odyssey": A Book That Shook the World (Books That Shook the World)
Homer's the "Iliad and the "Odyssey": A Book That Shook the World (Books That Shook the World)
by Alberto Manguel
Edition: Paperback

5.0 out of 5 stars Meta-Homer, 14 July 2015
This is a "biography" of two books and a poet. The books are the two poems from the heroic age of the land now called Greece. The first book is the Iliad, about the war with Troy. The second is the Odyssey, about the long journey home of Ulysses from that war. The poet is Homer, who may have been real but is more likely to be an archetype of all the wandering bards of the heroic personified when the songs were first written down.

You do not have to have read the Iliad or the Odyssey to appreciate this book as it is about how these written works have been read, heard about, forgotten, rediscovered, interpreted and translated over the last two and a half thousand years. The writing is authoritative, accessible and rather fun. The text is divided into numerous short chapters.

The Chapters: This book has an Introduction followed by 22 chapters spread over 237 pages. Thus, although the chapters vary in length, they average at about 10 pages each. Throughout the book quotations from The Iliad and The Odyssey are from the translations by Robert Fagles. Chapter 1 is one of the longest at 15 pages. It is called "Summaries of the Books" and it gives a short paragraph on each of the 24 books of the Iliad and the 24 books of the Odyssey. Other chapters discuss such things as Virgil, who used Homer as a template for his Aeneid, Homer as Poetry and Dante, who was heavily influenced by both Virgil and Homer. The chapter entitled "Homer in Hell" discusses the god Hades' featureless world of the ghostly dead and compares it with later descriptions by Virgil, by Dante in his Inferno and by Milton in his Paradise Lost. Oher chapters include Homer and History and Homer as Everyman.

The full list of the chapters is: Introduction, Summaries of the Books; A Life of Homer?; Among the Philosophers; Virgil; Christian Homer; Other Homers; Dante; Homer in Hell; Greek versus Latin; Ancients versus Moderns; Homer as Poetry; Realms of Gold; Homer as Idea; The Eternal Feminine; Homer as Symbol; Homer as History; Madame Homer; Ulysses' Travels; Homer through the Looking-Glass; The Never-ending War; Everyman; Notes and Index.

This book is part of a series of “biographies” of “books that shook the world”, including The Wealth of Nations, Machiavelli, Clausewitz's On War, The Bible, Paine’s Rights of Man, Darwin's Origin of Species, Marx's Das Kapital and Plato's Republic.


Digital Gold: The Untold Story of Bitcoin
Digital Gold: The Untold Story of Bitcoin
by Nathaniel Popper
Edition: Hardcover
Price: £16.59

1 of 1 people found the following review helpful
4.0 out of 5 stars Bitcoin Believers, 12 Jun. 2015
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This is the story of the origin and early development of the digital currency Bitcoin. The book starts from Bitcoin's public origin as a suggestion posted on the Internet in late 2008 and continues through to the last chapter for March 2014. No doubt future editions will update the story. The author, Nathaniel Popper, is a journalist on the New York Times. He has constructed a series of interlocking stories of the people who have played a part in Bitcoin's short history, together with background information. When he introduces technical descriptions (1), they are written to be understandable by non-technical readers. Both general and more technical readers can use this book as a history of Bitcoin. There is also a 6-page Technical Appendix followed by a 19-page Sources with extensive references.

Each chapter in the book has a date, giving its position in the Bitcoin timeline. The 9-page Introduction is the exception to this, starting several years later to give an indication of where the story is leading. It gives describes a private meeting arranged by a financier where the survivors of Bitcoin's early history mingle with potential investors from Silicon Valley and Wall Street.

Ideas about virtual currencies have been used in science fiction for many years (2). These ideas were taken up by Libertarians and Cypherpunks (3). Later, attempts were made to implement these ideas in the real world. These were always centralised systems and so far they have all failed (4).

Bitcoin was different. It is open source software designed as a peer-to-peer decentralised system. It uses advances in cryptography with public and private keys and a data structure called the blockchain used as a database of all transactions. Copies of the blockchain are held on all the participating computers, not in a central location. There is also a method called mining that allows computers on the network to try and solve mathematical problems. If they succeed they are rewarded with 50 Bitcoins. The system makes it more difficult to mine new Bitcoins as the number of Bitcoins increases and sets an overall limit of 21 million Bitcoins. This avoids the inflationary effects of government-controlled fiat currencies endlessly printing money. However, in the long-term it could leave Bitcoin open to deflation.

The original idea and the supporting software came from Satoshi Nakamoto, who does not exist. This was an Internet pseudonym. Satoshi owns many of the early Bitcoins but there is no record that they have ever been spent. Satoshi no longer communicates on the Internet and his/her/their real identity remains unknown. Ironically for a system designed to be decentralised, it was the creation of Bitcoin exchanges in its early days that allowed its use to grow. Inevitably some of these exchanges were badly set-up or badly run and collapsed (5). Notoriously, Bitcoins were also used as a currency on the Silk Road site, allowing a variety of criminal activities to flourish until the site was closed down by the law enforcement agencies. Bitcoin originated in the world of communications on the Internet but North America was its first geographical home followed by American ex-pats in Panama, Costa Rica and Japan. There was also interest in Europe, particularly in Finland, the UK and Slovenia. However, the most indicative early areas of interest were Argentina and China. Argentina has had a gruesome recent currency history. China is the Wild West for business, but it is also a one-party state.

THE BOOK has 355 pages divided into 31 chapters. Each chapter is numbered and has a date in the Bitcoin timeline. The first is dated January 10, 2009. The last is dated March 21, 2014. There is also a 9-page introduction, a 16-page Technical Appendix, a 19-page Sources (6) and a 12-page Index. There are no illustrations or diagrams.
___________________________________________________________________________________

(1) For a programmer's view see Mastering Bitcoin by Andreas M. Antonopoulos.
(2) The author mentions the 1999 novel Cryptonomicon by Neal Stephenson.
(3) At first I always misread this word as cyberpunks.
(4) For example, the Amsterdam-based DigiCash went bankrupt in 1998.
(5) For example, the Tokyo-based Mt. Gox went bankrupt in early 2014 taking $400 million worth of Bitcoins with it. The Bitcoins had been stolen by hackers. The administrator of the Bitomat exchange accidently deleted the file containing the private keys of 17,000 Bitcoins, making them unusable. The MyBitcoin site was a scam, stealing all the Bitcoins deposited with it.
(6) Sources are interviews by the author, emails sent to him or publicly available information from the Internet.


The Footnote: A Curious History
The Footnote: A Curious History
by Anthony Grafton
Edition: Hardcover

4.0 out of 5 stars A history of source-criticism and source-citation (1), 1 Jun. 2015
This is not the book I expected. Having read the chapter on footnotes in Kevin Jackson's Invisible Forms (2), I was looking for a book on the history of footnotes. Instead what I got was a book on the use of footnotes in the writing of history. Despite this, I found this book fascinating, although it may be of more interest to historians and to students of historiography.

This book's scope is wider than the use of footnotes. It is concerned with the use of sources by historians and their documentation of this use. Classical historians may have epitomised the writings of others in the text but there was no tradition of referring in detail to their sources. Later, when manuscripts moved from scrolls to book form, they may have been glossed, commented upon and annotated, but these could be placed anywhere: above the text, in the margins or as footnotes. With the coming of the printed book decisions had to be made about annotation; was it required, and if so, where to put it. The fashion for footnotes arose in the late 17th and early 18th century, particularly for legal texts, philology and novels. This fashion then influenced the historians.

THE BOOK: As would be expected, the author makes full use of footnotes in this book. Most pages have at least one. They vary from short references to other books or articles to detailed references with quoted text in English or German, Latin or French. The non-English quotes are not always translated into English (3). It has 7 chapters and one Epilogue spread over 235 pages and a short 5-page Index. There is no Bibliography, Endnotes or Sources. The index is an index nominum of the names of writers mentioned.

Many writers are discussed, notably the thinker David Hume, the compiler Pierre Bayle and the historians Leopold von Ranke, Edward Gibbon, Jacques-August De Thou and Athanasius Kircher.

Ranke was an early 19th century German historian who not only thought it important to return to the primary sources, but also to compare these primary sources for their trustworthiness. Footnotes were not enough. "Only the right footnotes, not a random assembly of references, could enable a text to stand proud under critical scrutiny." (4).

Gibbon's The Decline and Fall of the Roman Empire is famous for its erudite and ironic footnotes. However, its first edition had all its annotations at the end of the book. David Hume was frustrated by having to continuously refer to the end for the references and wrote to their common publisher (5). The endnotes were moved to the foot of the pages in later editions. Strictly, Hume had only suggested moving the citations to the pages, not the full commentary, but the effect of the move was the creation of a double narrative of the main text and the footnotes. Later Gibbon expressed regret that he had disfigured his narrative with footnotes (6).

At the end of the 17th century Pierre Bayle produced a book that had little text and was mostly commentary. This was a dictionary of errors by other writers and was surprisingly popular (7). At about the same time Richard Simon produced two books analysing the texts of the Old and New Testaments. This was a dangerous undertaking and he used extensive footnotes as a defence against the many enemies of his writings (8).

____________________________________________________________________________________

(1) The title of this review is taken from page 182: "Gibbon and his colleagues could thus draw, for models of source-criticism and source-citation, on a tradition of secular scholarship that ran back to the renaissance and before."
(2) Kevin Jackson's "Invisible Forms" is a guide to para-texts and literary curiosities. Para-texts are such things as dedications, epigraphs, prefaces, footnotes, marginalia and indexes that surround the main text of most books. Literary curiosities mentioned include Isaac D'Israeli's Curiosities of Literature and the Oulipo movement in France where literature is turned into a game e.g. a novel moves from place to place in a single building following the moves of the knight in chess or Georges Perec's novel A Void where the letter "e" is never used.
(3) This book was also published in German as "Die tragischen Ursprünge der deutschen Fußnote" and in French as "Les Origenes tragiques de l'érudition: Une histoire de la note en bas de page".
(4) Page 45
(5) Pages 102 and 103. See also The Letters of David Hume ed J. Y. T. Greig (Oxford 1932) II 313. The letter is dated 8 April 1776. A decade earlier Hume had been criticised by Horace Walpole for his failure to include references in support of his statements in his The History of England.
(6) Edward Gibbon Memoirs of My Life
(7) Pierre Bayle Historical and Critical Dictionary "Dictionaire historique et critique" Rotterdam 1697.
(8) R. Simon: "Historie critique du Vieux Testament" Paris 1680; "Histoire critique du Nouveau Testament" 1689.


Selections GFA805 Solar Powered Battery Operated Ultrasonic Cat Repeller (Batteries Included)
Selections GFA805 Solar Powered Battery Operated Ultrasonic Cat Repeller (Batteries Included)
Offered by Garden Selections
Price: £12.99

4.0 out of 5 stars Seems OK but will it get enough sunshine in the Winter?, 18 May 2015
Verified Purchase(What is this?)
I have already bought a battery-operated ultrasonic cat-repeller for one end of the garden. I wanted to buy another one for the other end as the range of these devices is limited, but I decided to get one that was solar-powered so that I wouldn't have to occasionally replace the batteries.

This solar-powered device seems to work OK, but I was disconcerted to find that it comes with a separate USB cable. The double-sided instruction leafed, written in a form of near-English, that comes with the device (for the text of this leaflet see Comment) talks about initial charging and top-ups via this USB cable. Firstly, this is the sort of bother I was trying to avoid and secondly, not everyone has a USB connection for charging (computer, cell phone chargers, MP3, etc.). This makes me wonder how this device will work in the winter. Will the short overcast winter days generate enough sunshine to keep this solar powered device active or will it need topping up?

The device comes with the already mentioned USB cable and leaflet plus the "spike" for fixing it in the ground. It can also be fixed to a post or fence. The spike comes in two pieces that slot together forming not so much a spike as a wide, round-ended fitting to hold up the device. I used a spade to create a thin slit in the earth into which this stand could be pushed by hand. The leaflet warns not to try and hammer device into the ground.

The instruction leaflet lists the frequency settings available and which animals each setting deters. This advice is an improvement on my other battery-operated device where you have to guess what setting to use. It also says not to install this device in an area where babies or young children will be exposed to the ultrasonics, a fact I was not previously aware of.
Comment Comment (1) | Permalink | Most recent comment: May 18, 2015 1:48 PM BST


Big Data, Little Data, No Data: Scholarship in the Networked World
Big Data, Little Data, No Data: Scholarship in the Networked World
by Christine L. Borgman
Edition: Hardcover
Price: £22.95

1 of 1 people found the following review helpful
4.0 out of 5 stars Descriptive metadata for scholars, 29 April 2015
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This book is about the generation, use and re-use of data in an academic environment. I found it interesting, but verbose. As a non-academic I was always aware that I was not this book's target market. However I did find some of it stimulating and thought-provoking.

It is a readable account of data in all their forms, sources and usages (1), generated in the sciences, social sciences and the humanities. This book is aimed at scholars (2), but I think it would be useful to anyone who is responsible for data, giving them a wider perspective. This book is not a manual on the technical techniques of handling extra-large data sets that are becoming more common nor is it a discussion of where the emergence of these extra-large data sets will lead us.

The author's reason for writing this book can be found on page 14. It also provides a representative example of the writing style used throughout. This style avoids academic jargon, but is very inclusive: ".... data is a far more complex subject than suggested by the popular press or by policy pronouncements. It remains large and unwieldy, even when constrained to research and scholarship. Although the literature on research data is growing rapidly, each journal article, conference paper, white paper, report, and manifesto addresses but one part of the elephantine problem. This book is the first monograph to assess the whole elephant of data from social, technical, and policy perspectives, drawing on examples from across the academic disciplines. It picks up where the more general exploration of scholarship in the digital age left off (Borgman 2007), addressing the radical expansion of interest in data in the interim ...".

The author then defines "six provocations". These are intended to frame the book's "narrative" and provoke discussion. I expected these key points to be briefly named, but each was several sentences long and had a slippery definition. The last two, on knowledge Infrastructures, seemed to me to be describing the same thing. As far as I can tell, these provocations concerned: data re-use; data transfer by discipline and over time; differentiating data from academic writings; the consequences of open access; and knowledge infrastructures evolving over time.

The book has 287 pages of text, divided into three parts: Part I Data and Scholarship; Part II Case Studies in Data Scholarship; Part III Data Policy and Practice. As would be expected of a book aimed at academics it has extensive References (72 pages) and it is well-indexed (23 pages).

There are six case studies, two from the sciences, two from the social sciences and two from the humanities. Each case study is discussed within the same framework, consisting of: Size Matters; Sources and Processes; Knowledge Infrastructure; External Influences; and Conducting Research in the case study area. Conduction Research is divided into: Research Questions; Collecting Data; Analyzing Data; Publishing Findings; Curating, Sharing and Reusing Data. Thus using these examples the reader can compare and contrast their own area of study within the framework provided.

(1) I am trying to follow this book's consistent and correct use of the word data as a plural. However, I find it very hard to do. I have never come across the singular, datum, and the word data always seems to imply to me a data set, which is singular.

(2) The author uses the terms scholar, scholarship and research throughout, for which I read academic.


The First Four Georges
The First Four Georges
by John Harold Plumb
Edition: Hardcover

4.0 out of 5 stars An old fashioned overview, 16 April 2015
This review is from: The First Four Georges (Hardcover)
This is a relatively short, readable and authoritative account of the first four King Georges. The author, J. H. Plumb, was a renowned Cambridge historian. First published in 1956, this is a type of book that it is difficult to find today. It is an overview and readers may find some topics mentioned but not explained. To some extent this is inevitable. The book can be used as a jumping-off point for more detailed study elsewhere.

These Georges span a hundred years of British history, a time when the country moved into the modern world. George I was the German one; George I's son George II was the less-well known one; George II's grandson George III was the mad one (or the tyrannical one if you are American); George III's son George IV was the fat one. The period covers Jacobite rebellions, war and peace, the development of trade and industry, the gain of Quebec and the loss of the American colonies, Walpole, Fox and Pitt. It stops just before the start of Parliamentary reform.

However, this is an extended biography of the George's rather than a general history of the period. It starts in 1714 when a Protestant German prince in his fifties became George I. He spoke German and French, but not English. He had divorced his unfaithful wife and placed her under house arrest in Germany until she died many years later. This cannot have helped his difficult relationship with his son, who succeed him as George II. J.H. Plumb says of George II "Like his father George was stupid but complicated." In keeping with family tradition George II feuded with his own son Frederick Price of Wales. George II outlived his son and it was his grandson who succeeded him at only twenty-two. Initially George III was immature, but he matured during his long reign (1760 to 1820). He also had a bad relationship with his son and heir, the future Regent when George III was incapacitated by madness and finally king as George IV. It was under George IV that the reputation of the monarchy reached its lowest point.

THE STYLE: The writing style is generally one of short, clear sentences. For example, discussing George I on page 41: "George had a healthy animal appetite for women. He preferred them fat and complacent. As he was a man of habit he grew attached to one or two of them, and amongst these Ehrengard Melusina von Schulenburg, afterwards Duchess of Kendal, came to be regarded as maîtresse en titre."

THE BOOK has 177 pages of text plus 12 black and white plates, mostly reproductions of paintings of the Georges or their wives, busts of them and their images on coins. The chapters are simply named: The Georgian Wold; George I; George II; George III and George IV. There is also a short bibliography and Index.

If this book was published today it would be twice the size but not with twice the detail and its chapters would follow the episodes of the television series it was written to accompany. If this is better, worse or just a different approach is for the reader to decide.


RAVEL LADIES EASY READ WHITE WATCH WITH WHITE STRAP AND CROME CASE R0105.09.2
RAVEL LADIES EASY READ WHITE WATCH WITH WHITE STRAP AND CROME CASE R0105.09.2

5.0 out of 5 stars Well received, 13 April 2015
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This was intended as a cheap and cheerful temporary replacement until the recipient could decide on a permanent new wrist watch. On arrival the watch was working and it was set to the correct time. I thought that it might be regarded as too functional and "unladylike", but apparently not. The strap, which I thought might be too large, fitted the recipient's wrist. The big hands and numbers are easy to see, which was appreciated. This watch was not cheap-looking but it was cheerful. Apart from special occasions, it may become the permanent wrist watch rather than the temporary replacement.


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