12 of 12 people found the following review helpful
4.0 out of 5 stars
Oh, to be Greek warrior fighting skeletons...., 27 Sept. 2000
Many adults, when asked to choose their favourite films, will forego latter-day classics and opt for a film which made a lasting impression on them as a child. 'Jason And The Argonauts' was my favourite boyhood film; at the age of 9, the spectacle and fantasy which unfolded before my eyes at the Odeon, Gateshead on a dark November night enthralled like no previous film had done. I thrilled to the moment when Talos, the giant bronze statue, climbed down from his pedestal and I fought countless times in my imagination with Jason and his men against the fiendish 'Children of the Hydra's Teeth' - the living skeletons. There is more to 'Jason' than just evoking past memories of boyhood however: as an adult I can watch and enjoy the film on its own merits. I admire the unbelievable special effects work of Ray Harryhausen, a master of his craft whose influence can be seen in Star Wars and countless other fantasy and sci-film pics, and am always impressed by the work of the excellent British supporting cast. Niall McGinnis is a marvellous Zeus, far superior to the image later created by Laurence Olivier in 'Clash Of The Titans'; Nigel Green is a very British Hercules, and the much under-rated Gary Raymond radiates slyness and deceit as Acastus. The only real flaw in the movie is the somewhat wooden acting of the two lead players, but perhaps Todd Armstrong and Nancy Kovack are shown up by the excellence of the support. 'Jason' led me to seek Harryhausen's other works and I became a great admirer of the man's work; but 'Jason' stands as the best example, not only because of the effects, which are among Harryhausen's finest, but because it is a good story, told at a rattling good pace, with some fine acting from the supporting cast, good locations and above all it has the FEEL that you are in back in ancient Greece, which other films fail to capture.