5.0 out of 5 stars
It's wrote by high level expert for specialists, 25 Dec 2012
I needed this book to understand why some recordings sound very badly, what are the main qualities of good recorded sound. Why hypercompression is so widely used by some producers. We organized some experiments to understand what kind of sound quality listener prefers on live concerts. For us surprisingly - preferable sound level was statistically about 85 dBA, no dependence of age, gender, music experience, music style. This book helped me to organize my experiments. Of course it's very good learning material for sound engineers and producers.