35 of 37 people found the following review helpful
5.0 out of 5 stars
Bowie in calm, fond, total, detail., 1 Nov 2000
Nicholas Pegg is clearly a great fan of David Bowie, but he also displays a calm intelligence, gently chiding his hero for Tim Machine and other follies. The book examines every track Bowie ever recorded in alphabetical order, a cut-up technique similar to Bowie's own, before launching on more in-depth (and chronological) examinations of the albums. The pitch is exactly right: it's not too musicianly, not too fannish, and entertains the wild speculations of biographers as possibilites rather than history. Also, Pegg seems to have paid attention to every Bowie resource and taken the best from all of them, leading to an overview that carefully wanders round its subject to see it from all angles. If the character of Bowie himself can be pinned down in print, it's here, where he comes across as a decent, concerned, sharing sort of chap with a corny sense of humour, who, realising that he was rather horribly normal, hid for a long time behind images and drugs. Whilst, of course, being an astonishing songwriter and performer. This book reminds you of the length of the career, the size of the contribution, and is a work of similar art itself. 'The Complete' title has never been more apt.