Shop now Shop now Shop now  Up to 50% Off Fashion  Shop all Amazon Fashion Cloud Drive Photos Shop now Learn More Shop now Shop now Shop Fire Shop Kindle Shop now Shop now
Profile for Lucas > Reviews

Personal Profile

Content by Lucas
Top Reviewer Ranking: 8,820,630
Helpful Votes: 13

Learn more about Your Profile.

Reviews Written by
Lucas "_theclaw_destroyer"

Show:  
Page: 1
pixel
Da Game Is To Be Sold, Not To Be Told
Da Game Is To Be Sold, Not To Be Told

7 of 7 people found the following review helpful
2.0 out of 5 stars Disappointing, 5 May 2004
As the Death Row ship was sinking, Snoop Dogg bailed, heading over to the new bastion of street cred, No Limit Records. Master P had worked his way to the top of the charts by giving the people what they wanted — straight-up gangsta, with no frills, creativity, or substance. It was all a little rawer (actually, just cheaper) than Death Row's productions, but there was no denying that they knew what sold, and it seemed as if Snoop was making No Limit legitimate in the eyes of the mainstream world. Master P is a master marketer, and he knows how to reshape everyone on his roster into good No Limit soldiers. And that's precisely what Snoop Dogg is on Da Game Is to Be Sold, Not to Be Told, his third album proper and first for No Limit. There are a few concessions to G-funk scattered throughout the record, but by and large, Beats by the Pound and P give Snoop a set of standard No Limit backing tracks and have him do the No Limit dance — record a long-winded, monotonous album, filled with "interpolations" of '80s soul and rap songs, and loaded with No Limit cameos. But there's one crucial difference: unlike most of Master P's grunts, Snoop has style, miles and miles of style. His loose, languid delivery is positively enthralling, which makes it all the more frustrating when No Limit hacks interrupt the flow. That happens on almost all of the tracks — only a handful are Snoop alone, and those illustrate that he can, on occasion, turn bland music into something interesting. Still, they can't excuse the banality of Da Game Is to Be Sold, Not to Be Told. Signing to No Limit might have preserved Snoop Dogg's street cred, but it ruined his creativity.
Comment Comment (1) | Permalink | Most recent comment: Jun 2, 2014 12:44 PM BST


Lethal Injection (World) (Explicit) (Remastered)
Lethal Injection (World) (Explicit) (Remastered)
Price: £3.99

6 of 12 people found the following review helpful
3.0 out of 5 stars Not as good as his earlier albums, 5 May 2004
Following the relentless intensity of his early-'90s albums, particularly his post-Rodney King statement, The Predator (1992), Ice Cube reclined a bit and put his rap career on autopilot beginning with Lethal Injection, the last album he would record for five years. Yes, it's a disappointing album, but it's not a terrible album by any means, of course. Even if Ice Cube is a little devoid of substance here relative to his rabble-rousing past, he's still a talented rapper, and he has one of the West Coast's premier producers, QDIII, joining him for almost half the album. Unfortunately, much of what made Ice Cube's early-'90s albums so electric — his thoughtfulness, wit, hostility, energy, and social consciousness — is sadly in short supply. For compensation, Ice Cube offers a few standout singles, namely "You Know How We Do It" and "Bop Gun (One Nation)." The former follows the successful template that worked a year earlier with "It Was a Good Day" — a laid-back G-funk ballad laced with an old-school funk vibe; the latter clocks over 11 minutes, an epic ode to George Clinton's P-Funk legacy. These two songs undoubtedly rank alongside Ice Cube's best work ever. There are a few other songs like "Really Doe" and "Ghetto Bird" that also stand out, but even these songs sound rather lackluster relative to Ice Cube's previous work. He's obviously not interested in making an album as daring and ambitious as The Predator again, and you can't really blame him. After all, Ice Cube had delivered three brilliant albums, and a similarly brilliant EP as well, Kill at Will (1990), in just three years, not to mention his then-burgeoning role as an actor. He deserved a break. But at least he took the time to craft two standout singles that alone make this album worthy.
Comment Comments (2) | Permalink | Most recent comment: Jul 8, 2015 1:33 PM BST


Doggy Style [VINYL]
Doggy Style [VINYL]

5.0 out of 5 stars tha best debut eva!, 11 Oct. 2003
This review is from: Doggy Style [VINYL] (Vinyl)
Brilliant! All tracks on this album are outstanding! Who am I?(what's my name) and Gin and Juice are 2 of tha best hip hop tracks eva! Buy this album now! YOU WILL NOT REGRET IT!!!!


Page: 1