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A Clockwork Heart: Chronicles of Light and Shadow (Chronicles of Light & Shadow 2)
A Clockwork Heart: Chronicles of Light and Shadow (Chronicles of Light & Shadow 2)
by Liesel Schwarz
Edition: Paperback
Price: £8.99

4.0 out of 5 stars The Ticking Dead, 11 May 2015
I posted this review on www.geekdad.com on 8/5/2015. It's a review of the entire 'Chronicles of Light and Shadow' series. I received review copies of each of the three books.

Steampunk. Queen Victoria, airships, and steam. Men who want to be Sherlock Holmes. Feisty women, often in jodhpurs. Fog. I've read good steampunk and I've read terrible steampunk. Because it's a heavily stylized genre, some authors seem to think you can throw a few tropes together and make a decent novel. The Chronicles of Light and Shadow by British author Liesel Schwarz, fits firmly into the "good" category. The setting is a fairly typical cogwheels and carriages environment, but the novels have a fresh originality that many of their counterparts lack.

Whilst there's no Holmes or Queen Victoria, Schwarz does employ steam, airships, and a feisty lead female. She also manages to blend in vampires, fairies, and fortune telling; pirates, warlocks, and clockwork hearts. Better still, rather than being confined to the fog-bound streets of London like most steampunk novels, Schwarz's characters take in Paris, Vienna, Constantinople, San Francisco, and even Cambodia. It's these varied settings that set the The Chronicles of Light and Shadow apart from the pack.

The trouble starts with precious cargo. Eleanor (Elle) Chance is asked to smuggle a special package to London. She is attacked, immediately after leaving the Parisian absinthe bar where she picked up her cargo. Elle barely escapes with her life, but her bag is stolen, and, along with it, the precious secret she was meant to deliver. The game is afoot!

The three novels follow Elle in the aftermath of the theft that changed her life. She is a strong central character. As an airship pilot, Elle is a woman in a man's world. The lack of respectability of her position requires that she often take cargo that is not strictly legitimate. After the theft of her latest consignment she finds herself tangling with the shadowy Council of Warlocks. When Elle starts hearing voices in her head, it is not long before she discovers she's in possession of a secret that she has even managed to keep from herself.

In Elle's world magic is open, if mistrusted. Open and accepted but fading. There are two realms, Light and Shadow. The Shadow realm is where the fairies, vampires, and other mythical beings reside. The Light is the real world, and due to increased technology and a transferral of faith towards science, it is gradually squashing the Shadow out of existence. There is an interesting tension between the two sides. Both are at odds with one another, but both need the other to survive.

Villains come in the form of renegade warlocks, and a white witch with a terrifying clockwork army. I liked the way magic works in Schwarz's world, particularly the interaction with fairies and other denizens of the Shadow. They add an extra dimension to the story, being both playful and sinister. The vampires, or "Nightwalkers" as they are termed here, largely move around in the background, adding further depth, without turning the story into something that sucks.

Although airships always seem to exist in steampunk novels, I've yet to read a series that features them so heavily. Steampunk dirigibles usually float around, offering local color but rarely becoming involved in the story unless an explosion is needed. Elle however, lives to fly, and as the series opens owns her own vessel, the Water Lily. I very much enjoyed the sections on board the airships, in particular the battles. Schwarz manages to make dog-fights between what are essentially cumbersome oversized cigars very exciting. By having air travel at the heart of her novels Schwarz is able to take her characters to a wide range of locales. Well-rendered alternative versions of world-famous cities are another draw for the Chronicles of Light and Shadow. If airships weren't enough, there's even a trip on the Orient Express from warlock-controlled Venice to an exotic and magically charged Constantinople.

The Chronicles of Light and Shadow is a solidly entertaining series. The books won't blow you away. There are some nice extensions of familiar steampunk themes, but nothing mold-breaking. The middle novel A Clockwork Heart is, however, a little bit special. It is set in a trope-embracing fog-bound London, but the creepy menace of the "White Lady" and her army of clockwork zombies is chilling. I found I had to read this one late into the night to make sure I found out what happened. Though not marketed at the Young Adult audience, there is nothing in here that I warn against for older children. The books are written in the tradition steampunk Victorian detective style. There's no bad language or excessive violence. If you're looking for a new steampunk series to try and you like strong female leads, you could do a lot worse than Liesel Schwarz's Chronicles of Light and Shadow.


A Conspiracy of Alchemists: Chronicles of Light and Shadow (Chronicles of Light & Shadow 1)
A Conspiracy of Alchemists: Chronicles of Light and Shadow (Chronicles of Light & Shadow 1)
by Liesel Schwarz
Edition: Paperback
Price: £7.99

4.0 out of 5 stars Alchemists and Absinthe, 11 May 2015
I posted this review on www.geekdad.com on 8/5/2015. It's a review of the entire 'Chronicles of Light and Shadow' series. I received review copies of each of the three books.

Steampunk. Queen Victoria, airships, and steam. Men who want to be Sherlock Holmes. Feisty women, often in jodhpurs. Fog. I've read good steampunk and I've read terrible steampunk. Because it's a heavily stylized genre, some authors seem to think you can throw a few tropes together and make a decent novel. The Chronicles of Light and Shadow by British author Liesel Schwarz, fits firmly into the "good" category. The setting is a fairly typical cogwheels and carriages environment, but the novels have a fresh originality that many of their counterparts lack.

Whilst there's no Holmes or Queen Victoria, Schwarz does employ steam, airships, and a feisty lead female. She also manages to blend in vampires, fairies, and fortune telling; pirates, warlocks, and clockwork hearts. Better still, rather than being confined to the fog-bound streets of London like most steampunk novels, Schwarz's characters take in Paris, Vienna, Constantinople, San Francisco, and even Cambodia. It's these varied settings that set the The Chronicles of Light and Shadow apart from the pack.

The trouble starts with precious cargo. Eleanor (Elle) Chance is asked to smuggle a special package to London. She is attacked, immediately after leaving the Parisian absinthe bar where she picked up her cargo. Elle barely escapes with her life, but her bag is stolen, and, along with it, the precious secret she was meant to deliver. The game is afoot!

The three novels follow Elle in the aftermath of the theft that changed her life. She is a strong central character. As an airship pilot, Elle is a woman in a man's world. The lack of respectability of her position requires that she often take cargo that is not strictly legitimate. After the theft of her latest consignment she finds herself tangling with the shadowy Council of Warlocks. When Elle starts hearing voices in her head, it is not long before she discovers she's in possession of a secret that she has even managed to keep from herself.

In Elle's world magic is open, if mistrusted. Open and accepted but fading. There are two realms, Light and Shadow. The Shadow realm is where the fairies, vampires, and other mythical beings reside. The Light is the real world, and due to increased technology and a transferral of faith towards science, it is gradually squashing the Shadow out of existence. There is an interesting tension between the two sides. Both are at odds with one another, but both need the other to survive.

Villains come in the form of renegade warlocks, and a white witch with a terrifying clockwork army. I liked the way magic works in Schwarz's world, particularly the interaction with fairies and other denizens of the Shadow. They add an extra dimension to the story, being both playful and sinister. The vampires, or "Nightwalkers" as they are termed here, largely move around in the background, adding further depth, without turning the story into something that sucks.

Although airships always seem to exist in steampunk novels, I've yet to read a series that features them so heavily. Steampunk dirigibles usually float around, offering local color but rarely becoming involved in the story unless an explosion is needed. Elle however, lives to fly, and as the series opens owns her own vessel, the Water Lily. I very much enjoyed the sections on board the airships, in particular the battles. Schwarz manages to make dog-fights between what are essentially cumbersome oversized cigars very exciting. By having air travel at the heart of her novels Schwarz is able to take her characters to a wide range of locales. Well-rendered alternative versions of world-famous cities are another draw for the Chronicles of Light and Shadow. If airships weren't enough, there's even a trip on the Orient Express from warlock-controlled Venice to an exotic and magically charged Constantinople.

The Chronicles of Light and Shadow is a solidly entertaining series. The books won't blow you away. There are some nice extensions of familiar steampunk themes, but nothing mold-breaking. The middle novel A Clockwork Heart is, however, a little bit special. It is set in a trope-embracing fog-bound London, but the creepy menace of the "White Lady" and her army of clockwork zombies is chilling. I found I had to read this one late into the night to make sure I found out what happened. Though not marketed at the Young Adult audience, there is nothing in here that I warn against for older children. The books are written in the tradition steampunk Victorian detective style. There's no bad language or excessive violence. If you're looking for a new steampunk series to try and you like strong female leads, you could do a lot worse than Liesel Schwarz's Chronicles of Light and Shadow.


Sky Pirates: Chronicles of Light and Shadow (Chronicles of Light & Shadow 3)
Sky Pirates: Chronicles of Light and Shadow (Chronicles of Light & Shadow 3)
by Liesel Schwarz
Edition: Paperback
Price: £8.99

4.0 out of 5 stars Airships and Attitude, 11 May 2015
I posted this review on www.geekdad.com on 8/5/2015. It's a review of the entire 'Chronicles of Light and Shadow' series. I received review copies of each of the three books.

Steampunk. Queen Victoria, airships, and steam. Men who want to be Sherlock Holmes. Feisty women, often in jodhpurs. Fog. I've read good steampunk and I've read terrible steampunk. Because it's a heavily stylized genre, some authors seem to think you can throw a few tropes together and make a decent novel. The Chronicles of Light and Shadow by British author Liesel Schwarz, fits firmly into the "good" category. The setting is a fairly typical cogwheels and carriages environment, but the novels have a fresh originality that many of their counterparts lack.

Whilst there's no Holmes or Queen Victoria, Schwarz does employ steam, airships, and a feisty lead female. She also manages to blend in vampires, fairies, and fortune telling; pirates, warlocks, and clockwork hearts. Better still, rather than being confined to the fog-bound streets of London like most steampunk novels, Schwarz's characters take in Paris, Vienna, Constantinople, San Francisco, and even Cambodia. It's these varied settings that set the The Chronicles of Light and Shadow apart from the pack.

The trouble starts with precious cargo. Eleanor (Elle) Chance is asked to smuggle a special package to London. She is attacked, immediately after leaving the Parisian absinthe bar where she picked up her cargo. Elle barely escapes with her life, but her bag is stolen, and, along with it, the precious secret she was meant to deliver. The game is afoot!

The three novels follow Elle in the aftermath of the theft that changed her life. She is a strong central character. As an airship pilot, Elle is a woman in a man's world. The lack of respectability of her position requires that she often take cargo that is not strictly legitimate. After the theft of her latest consignment she finds herself tangling with the shadowy Council of Warlocks. When Elle starts hearing voices in her head, it is not long before she discovers she's in possession of a secret that she has even managed to keep from herself.

In Elle's world magic is open, if mistrusted. Open and accepted but fading. There are two realms, Light and Shadow. The Shadow realm is where the fairies, vampires, and other mythical beings reside. The Light is the real world, and due to increased technology and a transferral of faith towards science, it is gradually squashing the Shadow out of existence. There is an interesting tension between the two sides. Both are at odds with one another, but both need the other to survive.

Villains come in the form of renegade warlocks, and a white witch with a terrifying clockwork army. I liked the way magic works in Schwarz's world, particularly the interaction with fairies and other denizens of the Shadow. They add an extra dimension to the story, being both playful and sinister. The vampires, or "Nightwalkers" as they are termed here, largely move around in the background, adding further depth, without turning the story into something that sucks.

Although airships always seem to exist in steampunk novels, I've yet to read a series that features them so heavily. Steampunk dirigibles usually float around, offering local color but rarely becoming involved in the story unless an explosion is needed. Elle however, lives to fly, and as the series opens owns her own vessel, the Water Lily. I very much enjoyed the sections on board the airships, in particular the battles. Schwarz manages to make dog-fights between what are essentially cumbersome oversized cigars very exciting. By having air travel at the heart of her novels Schwarz is able to take her characters to a wide range of locales. Well-rendered alternative versions of world-famous cities are another draw for the Chronicles of Light and Shadow. If airships weren't enough, there's even a trip on the Orient Express from warlock-controlled Venice to an exotic and magically charged Constantinople.

The Chronicles of Light and Shadow is a solidly entertaining series. The books won't blow you away. There are some nice extensions of familiar steampunk themes, but nothing mold-breaking. The middle novel A Clockwork Heart is, however, a little bit special. It is set in a trope-embracing fog-bound London, but the creepy menace of the "White Lady" and her army of clockwork zombies is chilling. I found I had to read this one late into the night to make sure I found out what happened. Though not marketed at the Young Adult audience, there is nothing in here that I warn against for older children. The books are written in the tradition steampunk Victorian detective style. There's no bad language or excessive violence. If you're looking for a new steampunk series to try and you like strong female leads, you could do a lot worse than Liesel Schwarz's Chronicles of Light and Shadow.


The Lie Tree
The Lie Tree
by Frances Hardinge
Edition: Paperback
Price: £6.64

5.0 out of 5 stars Lies, Damn Lies and Natural Historians, 5 May 2015
This review is from: The Lie Tree (Paperback)
Customer review from the Amazon Vine Programme (What's this?)
The Lie Tree is significantly more straightforward than the last Frances Hardinge book I read. A Face Like Glass, was a phantasmagoria worthy of Lewis Carroll. It took me a while to find my way in, but ultimately it's fresh brilliance won me over. It's a novel I love to recommend

Hardinge's latest offering is a period tale with fantasy overtones. It is reminiscent of the early chapters of Elizabeth Gilbert's recent novel The Signature of All Things. Both novels feature women born out of time, blessed with towering intellect and curiosity about the world in which they live. Both women are cursed to live in a world in which they are subjugate to men. Hardinge gives her tale and additional fantasy facet, in the form of the eponymous plant, The Lie Tree.

As the novel opens Faith and her family are fleeing England in haste. What terrible disasters are they escaping? Those two scoundrels Gossip and Scandal. Piecing together what she can from overheard fragments of conversation (Faith is 14 and a girl; adults talk over her head), Faith works out that her father's integrity has been called into question. A natural historian of great repute, it seems his greatest discoveries may be fabrications. The first of many untruths revealed in the book.

Before long, Faith's world is in tatters. The family have fled to an isolated island with a tight-knit community. Soon after the rumours arrive on the island; there is no escaping them. The family's prestige as London sophisticates is destroyed. The island dwellers turn on the new arrivals and Faith and her family are ostracised from their new community. After a number of slights and insinuations, and with the family reputation in tatters, Faith's father disappears. He is soon found dead. Has taken his own life in despair or are more sinister forces at work? Faith takes it upon herself to find out.

At the centre of this novel are lies. Whilst the Lie Tree is the root of the more outrageous ones told on the island (for reasons I won't divulge), nobody it seems is being honest with anybody. These are not all inventive lies spouted through malice or in the hope of bettering one's position, but also little ones of the type we tell ourselves all the time. The justifications and tales we spin that make our lives bearable.

Nominally a YA a novel The Lie Tree forces the reader analyse the nature of truth. Set in the late 1800s, shortly after the publication of Darwin's Origin of Species, Faith is very much constrained by the time in which she lived. It was an era where appearances were extremely important, especially in the circles in which Faith and her family operate. Every woman in the novel has some hidden truth that she keeps close. This tissuing of secrets and façade builds up into a beguiling whole. Hardinge uses her construction to reveal the absurdity of gender attitudes at the time.

It is also easy to see that whilst contemporary teenagers' lives are vastly different to Faith's, some aspects of them are the same. Society is still built on layers of untruths. It would be impossible to function if we continually told the absolute truth. We would have few friends and many enemies. Appearances are still important today and revealing too much can still lead to ostracism. The lies of the modern world are perhaps more subtle, but advertising, media and politics still all rely on portraying elements of the truth. Gender inequality is less obvious than in Victorian times, but nevertheless is still present in society; women still need to lie about their aspirations or risk being judged by all and sundry (or at the very least Mail Online).

In today's world, social media allows us to project an image of ourselves different to the one seen by those who know us in real life. Which one is real? Probably neither. Everybody has a façade and normally for the best of reasons. This is a powerful message to the target audience of The Lie Tree and Hardinge delivers it with subtle grace, cocooned in an intriguing story.

This is the third Frances Harding novel I've read. I've thoroughly enjoyed them all. The Lie Tree doesn't quite beat the wacky majesty of A Face Like Glass, but it's vivid setting and range of solid well-wrought characters make it in an excellent read. This is a fine novel well worth picking up by anybody looking for something that deviates a little from the norm.


The First Fifteen Lives of Harry August
The First Fifteen Lives of Harry August
by Claire North
Edition: Paperback
Price: £3.85

1 of 1 people found the following review helpful
4.0 out of 5 stars Rerecord, Not Fade Away -, 19 April 2015
Just about everybody I've spoken to about this book has loved it. Harry August had been on my to-be-read pile for quite some time and finally clawed his way to the top, when I went on holiday at the beginning of the month. I was very excited at the prospect of reading about his fifteen lives. So much so, I worried that my hyped-up expectations might spoil the book for me. Need I have worried?

Maybe...

The premise and structure of The First Fifteen Lives... are immaculate. The writing is superb. The time-travel aspects work wonderfully well, and are irresistibly mind-bending. This was a book I didn't want to end, I loved reading every page. Until the end. Then I wished the book hadn't finished like it had. This is where, I think, heightened expectations played a part. Such was the praise for the book, I expected a seamless perfect whole. The ending jarred. It certainly wasn't what I envisaged and considering the painstaking construction of the rest of the book, it felt far too convenient. Almost as though the author had no idea how to dismount from the convoluted literary routine she had just performed. Would I have felt like this had I not been told be lots of people that the book was absolutely brilliant? Possibly not.

The premise is simple, yet stacks up to be complicated. Harry August repeats his life, over and over. Groundhog Life, if you will. At the moment of his death, he is reborn back where he started -on the toilet floor of a railway station in the North East of England. After each rebirth, he can remember what came before. The story is then told, in a more or less linear fashion through Harry's lives. The first fifteen on them. I say more or less linear, the story does jump backwards and forwards between Harry's lives. This is a memoir, and Harry tells it in the order he feels best. Even so, the overriding direction of the narrative is from life 1 to life 15.

It turns out Harry is not alone. There are a number of 'kalachakrans' in the world; people who are reborn over and over. More uniquely Harry has perfect recall of every moment of every life he spends. So called mnemonics are far less common, even among the incredibly rare kalachakrans. Each of Harry's lives are essentially parallel universes. Each life is mostly filled with ordinary people, who go about their ordinary lives. Harry's fellow kalachakrans, however, can find and meet one another, and do so, across multiple existences. That's where the mind-bending bit comes in. The myriad meetings and messages across lifetimes and timeframes started to hurt my brain if I thought too long about them.

Towards the end of one of his lives, Harry gets a message from the future. The world is ending. All worlds are ending and the arrival of the apocalypse is growing ever faster. A pretty compelling reason to find out what's going on.

The layering of plot in this book is excellent. With multiple lives to play with, the novel's heroes and villains have scope to play the long game. This in turn gives North a broad canvas on which to paint her story. She has afforded herself the opportunity to tell personal stories over a timescale normally reserved for the rise and fall of empires. This allows her to generate great depth of feeling for characters on both sides of the divide. It's fair to say I've never read anything quite like it. On several occasions I had to put the book down to think through what had happened; how the multiple universes might interact. I wanted to work out how what was happening, and, in turn, what might happen. The mark of a great book.

Of course having invested so much brain-power and sheer pleasure into reading the first 350 pages of the book, it was always a risk that the denouement was going to disappoint. I'm not quite sure what I was expecting, but it whatever it was, it certainly wasn't what North delivered. I think the ending is fitting, but it wasn't what I was looking for. So, having spent most of the time reading, thinking I would be telling everybody that The First Fifteen Lives of Harry August is one of the best books I've ever read, I find myself wanting to say, 'This is a truly remarkable book, but I wasn't 100% convinced'.

But then who cares about what I think? - Without a shadow of doubt, you should read this book, take in its glory and decide for yourself.


Reasons to Stay Alive
Reasons to Stay Alive
by Matt Haig
Edition: Hardcover
Price: £6.99

5.0 out of 5 stars The Human Guide to Depression, 11 April 2015
This review is from: Reasons to Stay Alive (Hardcover)
Customer review from the Amazon Vine Programme (What's this?)
5* on Amazon says 'I Love it'. This is not to a book to love, like I loved Matt Haig's novel The Humans. Reasons to be Alive is sad, yet hopeful. It's a memoir of a journey out of despair, of how to deal with invisible illness. It's not a book to love but it's a book that everybody should read. If they did it would improve the lives of millions of sufferers of mental illness.

I can't read this book from the point of view of someone who suffers from depression. Sure, I have black days, where the world seems like too much effort. I occasionally think that I'm close to the edge, but Reasons to Stay Alive describes what is like to be at the bottom of the valley. With the same clear insightful language he deployed in The Humans, Haig lays out what it's like for a sufferer of depression and anxiety. Better than that though, he explains, what those around them can do to help. In simple terms, he debunks the myth of tough love and pull yourself together giving a window into inner-workings of the sufferer. Pages 126 and 127 should be compulsory reading for everybody everywhere.

We have depression in the family. Some members aren't dealing with it very well, causing the situation to calcify. Matt Haig and Reasons to Stay Alive might just be the descaler we are looking for. So this is not a book to love, but it is a book to help those you love.


Ooga Booga Card Game
Ooga Booga Card Game
Price: £10.09

5.0 out of 5 stars So Good We Bought it Twice, 29 Mar. 2015
Verified Purchase(What is this?)
This review is from: Ooga Booga Card Game (Toy)
We love this family game of sequence remembering. Each card has a silly sound on it (two of which are 'ooga' and 'booga'). As the game progresses the size of the card-chain increases, and the player whose turn it is has to recite the sounds revealed so far. As only the top card is visible, you have to remember what's gone before. There's also a physical component such as banging your hands on the table or blowing raspberries, as directed by the cards. Some cards reverse the order.

This game is a great leveller, our 6 year old loves it, as he is the sort who finds sitting an concentrating quite difficult. This game is all about making noise, so he is in his element. He can go up against his older more thoughtful brother, and win.

In truth, it always seems to descend (ascend?) into a cooperative, everybody helping everybody remember the chain. Winners and loser become irrelevant and a great time is had by all.

The game is so good, we lost our tin and had to buy another. (We since found tin 1, so now we have travel and stay at home versions!)


Oral B Pro 3000 White and Clean Electric Rechargeable Toothbrush
Oral B Pro 3000 White and Clean Electric Rechargeable Toothbrush
Price: £45.00

4.0 out of 5 stars Pulsating action, 29 Mar. 2015
Customer review from the Amazon Vine Programme (What's this?)
This is the third electric toothbrush I've had and to be honest it's my least favourite. That's not to say it does a bad job, it's fine, but it has multiple settings which I find slightly frustrating. On the first press of the button it works as the other two brushes I've had did - great. But instead of simply switching off when I press the button, it moves to a pulse mode, which I don't really like.

I'm sure the pulsing action is to do something, but it isn't exactly clear what. The instructions are vague, or at least, they are written in very small print, with no obvious description of the brushes modes. I could probably read them in detail, but I already have a working toothbrush, so I can't really be bothered.

It comes with multiple heads, which is nice, but again it's not entirely clear what difference they make, or which one I should be using. Probably my criticisms of this brush boil down to my own laziness, but time is precious and I don't really want to spend it pouring over the instructions.

The brush works fine, but I prefer my older, simpler one.


Bryant & May - The Burning Man (Bryant & May 12)
Bryant & May - The Burning Man (Bryant & May 12)
by Christopher Fowler
Edition: Hardcover
Price: £13.59

5.0 out of 5 stars London's Burning, 28 Mar. 2015
I read the first Bryant and May novel, Full Dark House, many years ago. At the time it was the only one. Their second outing, The Water Room, is one of my favourite ever reads. Like all the Bryant and May books, it's a love letter to London and its curious folklore, blended with a flawlessly plotted mystery. All of the Bryant & May novels are excellent, but The Water Rooms stands at the pinnacle.

Part of the draw of Fowler's books is his apparent encyclopaedic knowledge of London lore. I love London; just wandering about, looking at the curious buildings that stand cheek by jowl. I love the sense of history; not just the big famous bits, but the little pieces too. The lost churches, the old guilds and the hidden rivers. All the stuff Fowler writes so eloquently about. There are a few pretenders to his throne, but Fowler is the undisputed pearly king of London folklore. Marry this with tight plotting, superlative characterisation, and a side order of dry wit, and it's no wonder we have such a fine series of books.

For Bryant and May's latest instalment, Fowler has taken two modern-day foes that have centuries of tradition. The banks, deep rooted with the development of the city, and Guy Fawkes, one of London's greatest folklore anti-heroes, now co-opted by modern anti-establishment movements. The novel is set between Halloween and Bonfire Night, a period of time dripping with folk connotations and import.

The Burning Man opens with London in turmoil. The city's population has had enough of the rich getting richer. Protests and demonstrations have been sparked by the insider dealings of Dexter Cornell, a man who has broken a bank, yet walked away with millions. The city is a powder keg waiting to ignite. When 'Break the Banks' marches spill over into violence, a homeless man is caught in the crossfire; burned alive in a bank foyer. The PCU are called to clean up what is expected to be a routine investigation. As we know, when Bryant and May are involved, nothing is routine.

In their own inimitable style, the ageing sleuths start to tease out a wider plot and when another victim is found twenty-four hours later, it is clear the first death was no accident. Once more Bryant and May are up against a fevered mind working to an unseen timetable. Fighting off the usual scepticism from within the force, the peculiar might of the PCU swings into action.

The twelfth Bryant and May novel is a treat from start to finish. The tidbits of London folklore are entertaining, as is Bryant's left-wing cynicism. Fowler clearly loves his city, but once again he rails against its inequalities and inequity. He is a powerful interlocutor on behalf of the disadvantaged and dispossessed. Not everybody will be convinced by the beat of Fowler's drum but it makes a welcome counterpoint to the right-wing clarion, that London is a centre for business, where we should bow to the bankers and swear fealty to their temple of Mammon. Political leanings aside, the novel contains skulduggery aplenty, with an intelligent and inventive murderer on the loose. Bryant remains as bumbling and enigmatic as ever, whilst piecing together a jigsaw no one else can see.

The Burning Man is a fine crime novel. I enjoyed it from first page to last. I've skipped a few in this series, overlooked them trying to keep up with all my other book purchases. I'll definitely be back-tracking to catch up again.


The Tongues of Men or Angels
The Tongues of Men or Angels
by Jonathan Trigell
Edition: Hardcover
Price: £14.88

1 of 2 people found the following review helpful
4.0 out of 5 stars Spreading the Word, 14 Mar. 2015
Jonathan Trigell's Genus is one of my favourite dystopian novels. It's a a first class meditation on genetic modification and a lens on current-day attitudes towards those with lower social mobility. It is in every way a dystopian novel built in honour of George Orwell. It is also a prose masterclass. Not a single word is misplaced, you can almost feel the effort made to form each perfect sentence.

On the face of it, The Tongues of Men or Angels has nothing in common with Genus. Trigell's latest offering looks backwards, two thousand years, to the time of the crucifixion. Though the two novels are very different, Tongues of Men does have one very important thing in common with Genus. The quality of the writer's craft.

The Tongues of Men or Angels has a very definite style and tone. One that befits the weight of its subject matter and the history behind the story. Again, the words feel like they were wrestled onto the page; honed into obedience by a wordsmith at his forge. It does make for a slightly detached unemotional read. We feel like we are watching from on high. Perhaps this is due to the events depicted, some of the most important in world history.

I'm not sure what motivated Jonathan Trigell's to retell this story. Perhaps he needed nothing more than the fact he is a storyteller. What better tale to re-examine, than the greatest story ever told. A story that has endured two millennia, has given much comfort and caused untold strife; has made and broken nations. A story that has inspired millions of people and outraged almost as many.

The structure of this novel is all over the place. Timeline and point of view jump about, though the journey of Yeshua towards his execution continues only forwards. Much of the novel follows Saul of Tarsus, later Paul the apostle. His life is laid out in full, through Paul directly recounting his story, and through flashback to his early years. Other pivotal moments in Judeo-Christian history also appear (such as the denial of Christ by Peter).

I imagine to glean the most from this book, you would probably need to be a biblical scholar. I expect being an atheist scholar would probably help too. Whilst Trigell remains entirely respectful to his source material, you don't have to look hard to notice there is an absence of divinity in the novel. It's not overt, but it's there. I imagine a believer would find this hard to swallow, whilst finding it hard to find fault with what Trigell has done. He reinterprets many events and significant moments from biblical lore, giving them a more rational slant.

I'm an atheist, but I'm fascinated by the stories recounted in the Bible. They are after all simply another mythology. I am particularly intrigued by the evolution of those myths. Since finishing the book, I have read around the subject a little, and it seems Trigell has been exceptionally faithful to the source material and its current interpretations. What dispassionate history doesn't tell us, of course, is motive. This is what Trigell adds. Jerusalem at that time was a melting point of ideas and religious argument. Given this context, Trigell builds up a picture of how, in the absence of divinity, the stories may have evolved.

This is a difficult novel to enjoy. It is rather dry in places and it's staccato structure can be a distraction. It is, however, a humorous novel; one that is gently irreverent. I am sure I missed many of the novel's subtitles, and it would definitely bear repeated readings, especially after further research into its subject matter. This is not a novel one sits down to read for pleasure; it's a philosophical journey that requires concentration. It's a book that prompts you to ask questions about the stories that form the backbone of modern western society. Ask, why is the church like it is? It doesn't give many answers, merely suggestions. Suggestions many will disagree with.

The Tongues of Men or Angels is a work of serious literary merit. It's wonderfully crafted and forces us to ask questions about things we take for granted. I learned a lot from this book, though it is important to keep in mind it is as fictional as any other, better selling, accounts of the tale. This book prompts us to question the manner in which history and religion are reported. How it's easy to work the divine into anything, if you look hard enough. This is the second Trigell book I've read, I wonder what he has in store for us next? Whatever it is, it's sure to be well-crafted and deeply thought provoking.


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