Amazon.co.uk Review
"Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of
Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic:
Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as
Armaggedon by 30 years and more (the acting is better, too) and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like
The Spy Who Loved Me and
Moonraker echo his pioneering model work here.
As to the characters, the clean-cut Tracy boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracy, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nailbitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.
On this tape: Lady Penelope indulges in some James Bond-style counter-espionage measures in the third episode, "The Perils of Penelope", while Parker indulges some of his famous Eliza Dolittle-isms; although he is trumped by the Cary Grant sound-a-like character Sir Jeremy Hodge (or 'odge as Parker would have it), whose response to a crisis is, "I say, open the door, we're British!". Then it's back to the action for the fourth episode, "Terror in New York City", in which poor Virgil is shot down by the US Navy in Thunderbird 2 before the boys must rescue an unscrupulous newshound from the wreckage of the Empire State Building (featuring the first appearance of their very own yellow submarine, Thunderbird 4) --Mark Walker