House Philosopher

An Interview with AC Grayling

AC Grayling is lecturer in philosphy at Birkbeck College and fellow of St Anne's College, Oxford. He was interviewed for Amazon.co.uk by Larry Brown--programmer for The Public Space, a forum for philosophical discussion based at Nottingham's Broadway cinema.


Amazon.co.uk: I understand that this book grew out of the "Last Word" column from the Saturday Review section of The Guardian . How did the column get started and what was the idea behind it?

AC Grayling: I'd long wished to write a column, or at least a series of articles, in the feuilleton tradition, bringing the fruits of philosophy and the history of ideas into discussions of contemporary concern. The opportunity to do this in The Guardian arose when Annalena MacAfee became editor of its Saturday Review, for she had been editor of the books and arts pages at the Financial Times , to which I've been a contributor for many years.

Amazon.co.uk: I guess the column makes you one of those fairly rare creatures, a professional philosopher with a public audience. Would you like to see philosophy and philosophers having more of a public role?

Grayling: Yes, because philosophy has a great deal to offer. It has a rich treasury of ideas and debates to draw upon, and its practitioners are educated in argument, analysis and evaluation. Not drawing philosophers into public discussion is like having doctors but not employing them in our hospitals.

Amazon.co.uk: Do you think that philosophy could occupy in our culture the same sort of space as music, art or poetry or do you think it ought to play a different kind of role?

Grayling: If the suggestion is that music, art and poetry have a kind of recreational function, as a pleasure or diversion set apart from the main business of life, then the answer is no, because philosophy is central: it relates directly to the pressing moral and political problems which force us to make decisions, choices and laws. But in fact I don't think art and music are marginal as they concern the quality of our experience as individuals, and its meaning, helping us to interpret and enrich our experience. Philosophy does that too, so in this sense I think these activities of higher culture do all share the same space, and fruitfully interact with one another.

Amazon.co.uk: The second part of the book is concerned with some of the things you consider to be enemies to human flourishing and many of them are associated with religion. Would it be fair to describe you as an aggressive atheist?

Grayling: I would certainly describe myself as a robust or uncompromising atheist, and I do indeed think that religious belief has been a massively negative force in human history, causing great suffering and conflict, and standing deliberately in the way of most of mankind's efforts at progress, freedom and flourishing. I tremendously value everything good about the human spirit--by which I mean our human genius for art and thought, our enjoyment of beauty, our capacity for love, kindness and fellowship--just as I deeply deprecate our tendency to greed and cruelty. I ascribe neither of these things to supernatural agencies beyond the natural world, and see no reason to think that belief in such things as fairies, goblins, demons, gods and goddesses is in the slightest justified. But the sociological fact of religious belief is inescapable, as its awful record of causing human harm; and that is what I fight against, in hopes of encouraging people to live free of superstition, and to care about their fellow men out of respect for them, and a desire for human flourishing.

Amazon.co.uk: Do you think that science and religion, reason and faith are necessarily enemies? Can't one be a scientist by day and a priest by night or vice versa?

Grayling: Science and religion are direct competitors over all the great questions about the origin of the universe, the question of what it contains, the question whether it has an exogenous purpose, and the question of how it functions. Everything from the various creation myths of various religions to the logical coherence of the idea of miracles is comprehended here and the most rudimentary scientific understanding shows that belief in supernatural agencies and events is nonsense. A simple test demonstrates this: ask yourself what grounds we have for believing that there are fairies at the bottom of the garden; consider what tests might be supposed to test the hypothesis that such things exist; ask yourself how reasonable it would be to organise your life on the supposition that such fairies exist. The evidential basis of belief in gods and other supernatural forces is no different from this.

Amazon.co.uk: George Steiner recently asked questions about art in an atheist age which I'd like to put to you. "Let us suppose" he said, "that a genuine atheism will come to replace the aspirin-agnosticism, the 'blowing hot nor cold' with which our post-modernity is now awash. Let us suppose that atheism will come to possess and energise those who are masters of articulate form and builders of thought. Will their works rival the dimensions, the life-transforming strengths of persuasion we have known?"

Grayling: Steiner assumes that nothing of any intellectual or artistic value can be produced by people who are not motivated by some or other religious motivation. The examples of great intellectual and artistic achievements which have nothing to do with religious inspiration (think of modern science, for one such!) is legion, and it is astonishing that even Steiner should have overlooked it.

Amazon.co.uk: It's been said that a tradition of accessible literary philosophy has almost disappeared? I think The Meaning of Things fits into this category but which contemporary writers would you recommend to your readers?

Grayling: There are quite a few recent and contemporary philosophers who have written accessibly and even beautifully, aiming at the general interested reader as well as at the technical specialist: Bertrand Russell, AJ Ayer, WV Quine, Robert Nozick, Daniel Dennett and Richard Rorty are just a few names which readily spring to mind. But work in any genre of any real quality--literary, historical and scientific as well as philosophical--must all be cited as contributions to the great debate, and the boundaries between them and philosophy are not hard and fast.

Amazon.co.uk: What's your next writing project?

Grayling: I shall shortly be delivering to my publishers a book (title not yet decided) on mankind's quest for the good, starting with the thinkers of classical antiquity, discussing religion-based morality, the humanism of the Renaissance and Reformation, modern ethical debates (that is, from the 17th century onwards), and contemporary concerns with human rights, environmental problems and bioethics. The book will also consider some of the contributions of Eastern philosophers to ethical reflection, for example Buddhism and the Mohist ethics of the brotherhood of man. Among the chief theses will be the somewhat Whiggish one that mankind is making progress--painfully slowly--away from command moralities based on superstitions, to a conception of the good for mankind based on reason, experience and debate.

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