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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Point it out, 8 Jan 2006
Japanese avant-pop-trippist Cornelius (real name: Keigo Oyamada) had a hard act to follow after 1997's "Fantasma," an electronic masterpiece. But "Point" doesn't disappoint -- it's more experimental, spacier and almost hypnotic, a twist of rock, experimental electronica and dreampop. "Point of View Point" may be the highlight of the album -- sharp guitar strums overlaid by some intermittent blasts of drums, an eerie bright hum and "left/right/left/RIGHT!" It's lush, sunny and memorable, and the sort of pop that sticks in your head -- in a good way, like a trippier version of the Beach Boys or Beatles. There's a wildly different sound in "Smoke's" a bouncy funky groove and "Drop's" a strummy pop. Shifting the tone is "Tone Twilight," a dreamy slow pop song with an ambient touch. Then Cornelius does an about-face in "I Hate Hate" with a spray of abrasive electronics leading to some aggressive, bombastic electro-rock. Rock. Trip-hop. Ambient. Blues. Lounge jazz. Funk. All are woven into this album, along with some wicked vocal samples and a sprinkling of experimental sound effects. All of this to apparently illustrate Cornelius's thoughts on nature and machines, clashing and yet musically intertwined. The guitars and drums are absolutely brilliant -- one moment they're bluesy, then bombastic, then gentle acoustics. Laid over the basic bones is an array of electronic music -- the wavy wails of "Another View Point," discordant spray in "I Hate Hate," or sparkling blips of "Brazil." But Cornelius knows when to put the electronics in the backseat and just let the instruments take over. He also takes it one step further by laying in samples like falling water or singing birds. The birds especially show up in the two-song cycle of "Tone Twilight Zone" and "Bird Watching At Inner Forest," which sound like a rainforest soundtrack. And the vocals are inobtrusive. It's not hard to hear them, but the vocals are so submerged in the mix that they sound almost like another instrument. Cornelius shows again that he's a master of avant-pop in "Point," a worthy follow-up to the outstanding "Fantasma." Beautiful, eerie, and fiery, this is a definite keeper for indie-electro fans.
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