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To The Wonder [Blu-ray] [2013]

2.6 out of 5 stars 67 customer reviews

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Product details

  • Actors: Ben Affleck, Olga Kurylenko, Rachel McAdams
  • Directors: Terrence Malick
  • Format: CLV
  • Language: English, French, Italian, Spanish
  • Subtitles: English
  • Region: Region B/2 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 16:9 - 2.35:1
  • Number of discs: 1
  • Classification: 15
  • Studio: studiocanal
  • DVD Release Date: 17 Jun. 2013
  • Run Time: 113 minutes
  • Average Customer Review: 2.6 out of 5 stars  See all reviews (67 customer reviews)
  • ASIN: B00BAQZDBE
  • Amazon Bestsellers Rank: 13,940 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

To The Wonder is the beautiful and acclaimed latest offering from Terrence Malick, the legendary director of The Tree of Life, Badlands and Days of Heaven.

The film is centred on Neil (Ben Affleck, Argo), a man who is torn between two loves: Marina (Olga Kurylenko, Quantum of Solace), the European woman who comes to United States to be with him, and Jane (Rachel McAdams, Midnight in Paris), the old flame he reconnects with from his hometown. Neil’s doubts about his life and loves are reflected in the crisis of faith experienced by Father Quintana (Javier Bardem, Skyfall), who only sees pain and the loss of hope in the world.

In To The Wonder, Malick explores how love and its many phases and seasons – passion, sympathy, obligation, sorrow, indecision – can transform, destroy, and reinvent lives.

Special Features

- Making Of
- Interview with Olga Kurylenko

From Amazon.co.uk

We're still a long way from being able to call director Terrence Malick 'prolific', but To The Wonder follows his previous movie, The Tree Of Life, by just over a year. Considering a six year gap was once considered quick by Malick's exacting standards, his speed up of output is both surprising and welcome.

Especially when the film in question is of the ilk of To The Wonder. Featuring an ensemble cast that boasts Ben Affleck, Rachel McAdams, Javier Bardem and Olga Kurylenko, the film is packed with the visual beauty that Malick has an enviable talent for bringing to the screen. The story centres on a couple, played by Affleck and Kurylenko, who meet in Europe and move to America. But their relationship is challenged by the interest of and in others, and Malick uses that as a springboard to explore the many flavours of love.

If not quite at the level of The Tree Of Life, there's still lots of interest in To The Wonder, which is a quietly ambitious and absorbing piece of cinema. In truth, the story never really hooks in quite the same way as the director's other films, but there's little chance of you being shortchanged by the feature. The disc release too features a worthwhile making of, which gives you a rare glimpse behind the scenes of a Terrence Malick movie. Recommended. --Jon Foster

Customer Reviews

Top Customer Reviews

Format: DVD
This movie has come in for a bit of stick. Some say it’s little more than a series of beautiful perfume ad images strung together with a plaintive voiceover. For me, while it doesn’t rank with Terrence Malick’s best work, it’s hardly shallow. No film that seeks to explore the nature of love could be. But at the other end of the spectrum, there are the claims of “pretentiousness” – which usually means ambitious, moving, divisive, passionate, challenging... All the things love is.

Ben Affleck plays Neil, soulful and practically mute, who brings his wife, Marina (Olga Kurylenko), and her daughter, Tatiana (Tatiana Chiline) from France to live in the US. The adults enjoy playing in the Days of Heaven fields, but the kid hates it. So Marina and Tatiana return home. In Marina’s absence, Neil has a fling with Jane (Rachel McAdams). But then Marina wants back in. Romance blossoms again… and is destined to sour again. And so the cycle goes on. Meanwhile, local priest Father Quintana (Javier Bardem) is questioning his faith. While the lovers’ passion burns bright then dwindles, Quintana’s is already at its lowest ebb, and is gradually rekindled.

In The Tree of Life, Malick charted the lifeline of love, from the birth of empathy to the nuclear family. In To the Wonder, he’s looking at love in the modern context. Quintana finds his faith – the truth of love – in seeking to alleviate the suffering of others. Similarly, Neil and Marina seem forever to be repairing each other with their loving expressions. But what becomes of them when their suffering – their isolation – is fully alleviated? Malick seems to imply that in order for romantic love to be valid, it must paradoxically justify itself by being destructive; hence the ambivalence of the lovers, and their perennial push-and-pull.
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Format: Blu-ray
In 2011 director Terrence Malick came to my attention when I went to see his film 'The Tree of Life'. It was one an unforgettable cinema experience. A film that was completely different to other films I would usually watch but it was one that I thought about for days. It made me think as well as feel something. When I heard Malick's new film entitled 'To the Wonder' was coming to one of my local cinemas I couldn't wait to watch another unconventional film by him. Did it live up to my expectations? Yes and more!

'To the Wonder' is a beautiful and powerful film by Malick, whose main focus for this film is love and religion. The story follows the ups and downs of the relationship between Neil (Affleck) and Marina (Kurylenko). Neil is an American whilst Marina is a French single mother. They both decide to move to Alabama, where their love for each other begins to fade. During these difficult times Marina comes across a priest (Bardem) who is struggling to have faith in his religion whilst Neil encounters a childhood friend (McAdams) who he begins to have a close bond with.

The script is, for the majority of the time, passionately written. There are a few lines where I found myself slightly confused to what they meant. The lines written along with the beautiful cinematography feels like a collaboration between a poet and a painter. Both different arts interwoven in order to create this effective mise en scene. Though the film concentrates on visuals for the narrative more than dialogue it felt as though the use of physicality through the characters was the dialogue. Malick seems to be one of those directors who believes actions speak louder than words and here he shows that.
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Format: Amazon Video
'To the Wonder'? More like 'To the *Wander*'.

There is little more than a diluted thimble-full of plot to sustain this film, which is chiefly made up of shots of Ben Affleck ceaselessly wandering hither and thither with a troubled, moody expression. The same may be said for other members of the cast, only they say a little more.

Let's be clear - one can present a purposeful plot with impressionistic values - Malick did so with 'The Tree of Life'. It is telling that in 'To the Wonder's credits, the film acknowledges the use of footage from 'The Tree of Life'. In some way, I found this summed up one of 'To the Wonder's flaws: it *feels* like left-over, under-developed ideas, rather than 'The Tree of Life's visionary, operatic scope.

Javier Bardem's Father Quintana is perhaps the most sympathetic character; his inner-conflict underscores the film's principal themes of human bondage and forms of fidelity. But whilst his character is thematically central, he is under-used or otherwise obscured by the less than sympathetic emotional and domestic trials faced by Affleck and Olga Kurylenko.

Unquestionably there is something vital about the film's meditations; it features beautiful photography and expresses moments of real power, but it trades in its convictions concerning these matters for a form of audience participation, wherein the latter are obliged not to do the thinking, but to trek across chasm like gaps in plot with occasional directorial nudges.

Anyone who follows Malick's films will perhaps see visual and thematic links with his earlier 'Days of Heaven', but unfortunately it does not compare. Watch 'To the Wonder' to complete your viewing of Malick's other superior films, but prepare to be let down. A film of occasional magnificence and overwhelming disappointment.
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