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On the Road [DVD] (2012)

2.9 out of 5 stars 114 customer reviews

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Product details

  • Actors: Garrett Hedlund, Sam Riley, Kristen Stewart, Kirsten Dunst, Viggo Mortensen
  • Directors: Walter Salles
  • Format: PAL, Anamorphic, Dolby, Digital Sound
  • Language: English
  • Subtitles: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 2.40:1
  • Number of discs: 1
  • Classification: 15
  • Studio: Lions Gate Home Entertainment UK Ltd
  • DVD Release Date: 25 Feb. 2013
  • Run Time: 124 minutes
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (114 customer reviews)
  • ASIN: B009PJ2PBY
  • Amazon Bestsellers Rank: 8,474 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

After the death of his father, Sal Paradise (Sam Riley), an aspiring New York writer, meets Dean Moriarty (Garrett Hedlund), a young and dangerously seductive ex-con. They hit it off immediately. Determined not to get trapped in a narrow life, the two friends burn their bridges and hit the road: thirsting for freedom, they discover the world, others and themselves.

Features an all star cast including: Kristen Stewart (Twilight), Kirsten Dunst (Melancholia, Spider-man) and Viggo Mortensen (A Dangerous Method, The Road). On the Road, is from acclaimed director Walter Salles (The Motorcycle Diaries), based on the generation-defining novel by Jack Kerouac.

From Amazon.co.uk

Set in the late 1940s and based on the novel of the same name by Jack Kerouac, On the Road is the story of young writer Sal Paradise's journey--a journey back and forth across America in search of freedom, self-expression, and self-discovery.

Feeling lost after his father's death, Sal (Sam Riley) is intrigued by the free-spirited Dean Moriarty (Garrett Hedlund) and impulsively joins him on a cross-country drive. With a criminal past and a hankering for independence, sex, music, drugs, and traveling the open road, Dean possesses complete disregard for the law, social niceties, the feelings of the women in his life, and anything but the present moment.

Sal finds his initial trip with his new friend exciting and energizing. History repeats itself, as it is apt to do, and the friends make several more trips across the country together. But even as they revel in their unique relationship and the liberty of traveling, the inevitability of change will eventually affect Sal and Dean's friendship as well as their relationships with their families and friends.

On the Road is a dark, contemplative, steamy tale of sex, depravity, circumstance, and the search for personal fulfillment that is at once repulsive and highly intriguing. --Tami Horiuchi

Customer Reviews

Top Customer Reviews

By J. Mcdonald TOP 500 REVIEWERVINE VOICE on 1 Mar. 2013
Format: DVD Vine Customer Review of Free Product ( What's this? )
I read Kerouac's novel about 30 years ago and didn't really care for it much then; my impressions were of unlikable people aimlessly looking for something indefinable - I didn't realise that this was one of the first books to question the façade of "The American Dream" and a defining picture of an alienated generation.

This film adaptation hasn't really changed my view of the novel much; Dean Moriarty (Garrett Hedlund) is a classic libertine - charismatic, self-centred, heedless of the destructiveness of his actions on the lives of others. That charisma, Dean's lust for life that so inspires Sal Paradise (Sam Riley) in the novel isn't really translated adequately onto the screen here; the film does present an unvarnished picture of the buttoned-up, conformist, politically paranoid post-war society that the Beat generation reacted against, but the adventure of self-discovery and coming to terms with adulthood that the novel expressed, isn't articulately conveyed on screen. There`s a lot of experimentation with drugs, sex, a lot of male bonding (maybe too much for some) and something of the eponymous road trips (which ironically are already a cliché before this daddy-of-`em-all got made).
In it`s favour, it's a beautifully photographed film and the music throughout is interesting and evocative (some scenes featuring atmospheric John Cage-like "melodious thunk" improvisations between bassist Charlie Haden and drummer Brian Blade deserve a special mention).
The actors acquit themselves well with the material given; there isn't much for the female cast members to work with though - like the book it`s too much of a male-orientated narrative.
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Format: Blu-ray
This movie is a must-see for both anyone who loves cinema and also anyone who loves freedom! Finally this wonderful book by Jack Kerouac has been adapted into a film and extremely well at that. I watched it in sheer amazement. It's daring, it's provocative, it questions our notions and values on so many levels. The acting is second-to-none. Kristen Stewart especially puts on a truly magnificent performance, propelling her well beyond her time with the Twilight saga. She manages to act her immensely difficult role in such a convincing, natural way that she literally takes one's breath away. Having watched this movie, you simply want to watch it again. Straight away. It's that good. PS: if you can't wait until this comes to the UK: it's already available on amazon.fr including an English track.
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Format: DVD Verified Purchase
Well what can I say about this film. I liked it but I didn't love it. It just didn't capture me by the heart and like afew other people I thought some of the actors were miscast. Garrett Hetlund was good but not great, he's not a character that makes u really care about him. He's not so much going on a journey but just stumbling from and running away from himself and ultimately any responsibilities to anyone and anything. I just didn't connect with him and the only time I did was right at the end of the film when he is all alone. Tom Sturridge, Kirsten Dunst and Kristen Stewart were all very good and for me were the best characters in the film. I loved Mary Lou's dancing scene and for me that gave me more sense of their passion for life than any of the sex scenes in the film. I did feel like it dragged in places, the first 15 minutes seemed the longest of my life but that's because I think, like most of us I've got used to big feature films and aren't used to the slower pace of some indie films anymore. It's not one that you'd watch over and over again but definitely worth watching at least once.
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Format: DVD Vine Customer Review of Free Product ( What's this? )
I really enjoyed this film - it's got a great performance from Amy Adams, and a nice small role for Viggo Mortensen. And it's reasonably straightforward filming of Kerouac's famous book. Or at least so I thought - however, my friend, who read the book at a really different time in his life, found that he felt it really missed the point. I think part of that comes from the ambiguity of the book. Or maybe that's not quite the right word - On The Road is the definitive travelling novel, and that's partly because it has very different feelings to different people at different times. Let's face it, only a truly exceptional film could have that same characteristic, and this isn't a truly exceptional film. Despite that, it's a good one, which I enjoyed watching.

I would definitely say read the book first, though.
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By Sam Woodward TOP 500 REVIEWER on 5 Mar. 2013
Format: DVD Vine Customer Review of Free Product ( What's this? )
"[T]he only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones that never yawn or say a commonplace thing, but burn, burn, burn".

Over 60 years later, Jack Kerouac's beat classic finally gets the Hollywood treatment & it blazes in just the way the book deserves. Funny, because I once picked up The Dharma Bums & couldn't get into Kerouac's writing at all, yet I loved this film. It's the classic road movie - Kerouac recounts how he was charmed by charismatic drifter Neal Cassady (renamed Dean Moriarty in the book & this movie) & in 1947 began a series of road trips with him, which inevitably lead to drink, jazz, poetry & girls. Following in the other mans' wake, Kerouac (called 'Sal' in the book & film) adopts the justification worn-in by many a writer - tagging along to see what will happen but also in the knowledge that "somewhere along the line I knew there would be girls, visions, everything; somewhere along the line the pearl would be handed to me."

America at the time was all oppressive values & distrust of strangers. Yet here is a disparate group of free spirits creating their own conventions, two decades ahead of their time. The glamour would appeal to many a young person but as the film draws on, we see that it has a fierce price to pay. Cassady/Moriarty's upbringing was highly dysfunctional & his itchy feet ensure he in turn is barely present for his own children; the number of which continually grows, courteousy of his promiscuous ways. Selfish to the point of psychopathy, he abandons his companions whenever it starts to get serious & they need him the most, drifting over to the next party along.
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