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Four Flies On Grey Velvet [Uncut remastered] [Blu-ray]

4.2 out of 5 stars 37 customer reviews

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Product details

  • Actors: Michael Brandon, Mimsy Farmer, Jean-Pierre Marielle, Bud Spencer
  • Directors: Dario Argento
  • Format: Anamorphic, Dolby, Digital Sound, Widescreen
  • Language: English, Italian
  • Subtitles: English
  • Region: All Regions (Read more about DVD/Blu-ray formats.)
  • Number of discs: 1
  • Classification: 18
  • Studio: Shameless
  • DVD Release Date: 30 Jan. 2012
  • Run Time: 100 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (37 customer reviews)
  • ASIN: B005PM6M3M
  • Amazon Bestsellers Rank: 42,900 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

Forty years after its release and twenty years after the film disappeared from the public eye, Shameless Screen Entertainment is releasing the first ever worldwide Blu-ray of Dario Argento s lost masterpiece, Four Flies On Grey Velvet and, also for the first time ever, in the original version in which it was made. This special 40th Anniversary Edition has been fully remastered in HD from the original negative and includes four inserts of previously missing footage known amongst Argento fans as the legendary missing forty seconds . Additionally, the original pristine English audio has been remastered exclusively for this Shameless release from the original magnetic soundtrack and is being made available for the first time since the film s initial theatrical release in the 1970s.

Described by DVD Times as essential viewing , this final instalment in what is unofficially referred to as Argento s Animal Trilogy (following The Bird With The Crystal Plumage and The Cat O Nine Tails ) is a classic of the giallo genre, featuring music by Oscar-winning composer Ennio Morricone (The Untouchables; The Mission; The Good, The Bad And The Ugly) and starring Michael Brandon (Captain America: The First Avenger; Dempsey And Makepeace), Mimsy Farmer (The Black Cat; More), Jean-Pierre Marielle (Micmacs; The Da Vinci Code), Bud Spencer (They Call Me Trinity) and Francine Racette (Au Revoir Les Enfants; The Disappearance).

Going about his everyday life of band rehearsals and socialising with his wife, Nina (Farmer), and their hip friends, rock drummer Roberto Tobias (Brandon) notices he is constantly being followed by a strange man dressed in black. He decides to turn the tables on his stalker and follows him into an abandoned theatre, where a confrontation between the two ends with Roberto accidentally stabbing the man, who falls into the orchestra, apparently dead. Suddenly, a flash of light alerts Roberto to a figure in the upper wings of the theatre, where a mysterious person wearing a bizarre puppet mask and brandishing a camera has been taking photos of the fatal struggle. Roberto flees the scene, but the next day receives the dead man s ID card in the post. Naturally assuming it has been sent by the unknown witness, he becomes immediately concerned by the lack of any blackmail demands and is haunted by the question of what it is the masked figure wants from him. Roberto s fear and paranoia increase, and the mystery deepens, when his and Nina s housemaid is found murdered in a local park and it becomes apparent that an intruder has had access to their apartment.

Special Features:

- Introduction to the film by Luigi Cozzi.
- New, exclusive and extensive recent interview on the making of Four Flies On Grey Velvet with writer and assistant director Luigi Cozzi.
- Original English audio remastered in HD exclusively for this Shameless release from the original magnetic soundtrack and available for the first time since the film s original theatrical opening in the 1970s.
- Shameless re-build edit of the complete version of the film including four inserts of previously missing footage known amongst Argento fans as the legendary missing forty seconds (the inserts are in Standard-Definition quality). The Blu-ray will allow for seamless branching of the four inserts giving viewers two versions of the film: one all HD without the re-inserted scenes and one longer version including the inserts.
- Restoration of all individual damaged frames, most notably with respect to the removal of the black diagonal frame line (caused by the film jumping the high speed camera gate) in the final car crash sequence.
- Optional Italian audio version in HD with English subtitles.
- Italian and English trailers.
- Alternate English opening and closing credits.

Review

The Rarest Of Dario Argento S Giallo Thrillers Finally Comes To Dvd/Blu-Ray - A Twisted Tale Of Tortured Paranoia And Homicidal Frenzy. --Alan Jones

As A Work Of Celluloid Skill, Four Flies On Grey Velvet Has No Equal. (9 Out Of 10) --Popmatters.com

As A Work Of Celluloid Skill, Four Flies On Grey Velvet Has No Equal. (9 Out Of 10) --Popmatters.com

Customer Reviews

Top Customer Reviews

Format: DVD-R Verified Purchase
NB: As is Amazon's Wont, they've very unhelpfully bundled all the reviews for various editions and formats together. This review refers to the US Region 1 NTSC DVD release and Shameless' UK Blu-ray.

Long lost in a prolonged rights battle and unseen for years, Dario Argento's Four Flies On Grey Velvet may come from his most consistently inspired period but it's still such thin and often tedious stuff you'd half suspect he was keeping it hidden himself out of embarrassment until you realize that he's happy enough for the far worse Phantom of the Opera and The Card Player to still be out there. The chief problem is the disjointed and unconvincing plotting, but Michael Brandon's insipid performance as the unlikeable and uninterestingly passive musician being blackmailed after accidentally killing someone shows up just how rickety this one is without a charismatic or proactive figure to hold it together. It's not without its compensations and a couple of striking pieces of imagery - a recurring sequence of a Saudi execution, point of view tracking shots of approaching an office every time Brandon shifts gears in his car and an ultra-slow motion car crash - although Argento seems to be expending far more energy and visual flair into purely expositionary shots like letters being delivered or phone calls being made than the surprisingly few setpieces. Too often he relies on cheap gimmickry, be it Jean-Pierre Marielle's camp gay private eye ("Oh, you heterosexuals!") who has never solved a case or the old `image caught on dead person's retina' plot device, while the main character treads water. The less said about the clumsy comedy (much of which comes from brutally beating an Arab postman), the better.
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Format: Blu-ray
Originally, Four Flies on Grey Velvet was meant to be the last part of Dario Argento's "Animal Trilogy" and his Swan song with the Giallo genre. Attempt to dive into other film genres which did not succeed when "Le Cinque Giornate", a historical comedy, failed at the box-office and with the public.
Third collaboration with Morricone, whose excellent soundtrack I gave a glowing review, Four Flies on Grey Velvet was the movie where the two artists would argue over track choices Argento didn't want. Which would start a break-up that would last for more than twenty years. Until the Stendhal Syndrome's production.

Of the story, a drummer named Roberto Tobias gets stalked by a sun-glassed man whom he accidentally murders when confronting the man in an abandoned theatre. An incident where a person wearing a sinister mask takes photos of the incident and flees the scene. A psychopath who stalks our hero, terrorizing him, up to the point that he decides to ask the help of various individuals. A journey of terror and revelations as his whole world becomes shattered at the hands of an assailant who manages to murder those who have uncovered the truth. Ending in a cinematographic climax that leaves the viewer in shock. Over what he has seen and all the emotions he has felt through this tragic adventure Argento encourages us to watch in complete darkness. A great idea as the tension becomes more oppressing, feeding our fear of what lurks behind our seats may even jump down on us. Making scenes with Tobias's maid and the cousin of his wife more uncomfortable and scary.

So why the 4 stars instead of five?

The acting.

Indeed, one of Argento's major and unfortunate weaknesses is his actors director's skills.
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Format: Blu-ray
A classic by Dario Argento comes to life again after many years in this great release from UK cult label Shameless.

The third film in Argento’s Animal Trilogy tells the story of drummer Roberto Tobias who accidentally kills a man. The murder is witnessed by a puppet-masked stranger who has taken pictures and will blackmail Roberto. Soon pictures of the murders start to arrive to his house and people around him are brutally killed. When his housekeeper is killed he receives a note saying he’s next…The four flies of the title are the last image captured on one murder victim’s eye retina and will lead to the identification of the killer… A memorable slow motion death scene accompanied by one of the best Morricone scores and a great audio and video in this remastered and restored Blu-ray release - included 40 seconds that were missing from previous versions.
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Format: DVD-R
Although this film was out of print for a long time, that doesn't reflect its quality; Four Flies on Grey Velvet is a stylish giallo with an interesting mystery. The only downsides are some hit and miss humour and a somewhat substandard soundtrack from Ennio Morricone.
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Like others at long last I can review Argento's "lost film."

I was not expecting much. Art of Darkness provides a poxy 2 page review by the usually reliable Kim Newman that does nothing to excite. Alan Jones' Profondo Argento has a bit more background but as it was from the period before he wrote reviews for Starburst, there was no review of the time as there is for the later Argento films in the book. DVD Delirium Vol 1 mentions this film in passing in the review of The Cat O'Nine Tails DVD but merely says that it was a more difficult film. All in all it seemed impossible to watch this film and those who had were not saying much of interest about it!

SPOILERS AHEAD. I watched it last night for the first time and whilst it did not stun in the way that the first viewing of Deep Red, Suspiria, Inferno or Tenebrae did, my first reaction was that it reminded me how good Argento was before falling from grace. I continue to buy the likes of Phantom of the Opera, Jenifer, Pelts and Mother of Tears in the hope that Argento will show what he is capable of but here is a film that contains all the elements that made his work so attractive in the 70s. The only failing it has is in its lack of jaw dropping violence that we expect from Argento.

What it does have once analysed is links to most of his subsequent films and so watching this now with hindsight allows us to appreciate his development as a director.

For example, the maid awaits a meeting in a public place and Argento uses cinematic distance in varying shots displacing us from the camera, the screen and the distance between objects onscreen as he did so successfully with the murder of John Saxon in Tenebrae. The build up here is just as unsettling.
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