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Thirst [DVD] [2009]

3.7 out of 5 stars 31 customer reviews

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Product details

  • Actors: Kim Ok-Bin, Song Young-Chang, Kang-Ho Song, Oh Dal-Su, Kim Hae-Suk
  • Directors: Chan-Wook Park
  • Format: PAL
  • Language: Korean
  • Subtitles: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 18
  • Studio: Palisades Tartan
  • DVD Release Date: 25 Jan. 2010
  • Run Time: 133 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (31 customer reviews)
  • ASIN: B002KRDXWI
  • Amazon Bestsellers Rank: 26,170 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

A priest becomes a vampire...another man's wife is coveted...a deadly seduction triggers murder. Thirst is the new film from director Park Chan-wook (Old Boy, Sympathy for Mr. Vengeance, Sympathy for Lady Vengeance). Already a box-office smash in Korea, Thirst was honored with the Prix du Jury [Jury Prize] at the 2009 Cannes International Film Festival.

Continuing his explorations of human existence in extreme circumstances, the director spins a tale that he conceived and then developed over several years with co-screenwriter Chung Seo-kyung, inspired by Émile Zola's Therese Raquin. Sang-hyun (played by top Korean star Song Kang-ho, of The Good The Bad The Weird, The Host and Sympathy for Mr. Vengeance) is a priest who cherishes life; so much so, that he selflessly volunteers for a secret vaccine development project meant to eradicate a deadly virus. But the virus takes the priest, and a blood transfusion is urgently ordered up for him. The blood he receives is infected, so Sang-hyun lives but now exists as a vampire. Struggling with his newfound carnal desire for blood, Sang-hyun s faith is further strained when a childhood friend's wife, Tae-ju (Kim Ok-vin) comes to him asking for his help in escaping her life. Sang-hyun soon plunges into a world of sensual pleasures, finding himself on intimate terms with the Seven Deadly Sins.

Customer Reviews

Top Customer Reviews

By Ginger Nuts TOP 100 REVIEWER on 7 Sept. 2015
Format: DVD
We’re in serious danger of finally killing off the vampire, having reduced it first to fight fodder for leather-clad super models, and then to a glittery masturbation aid for sullen teenagers. If Dracula arose from the crypt today he’d last about two seconds before somebody kicked his head off with a stiletto or bored him to ashes with sh*tty dialogue. Now more than ever it’s time to remember that the vampire, when done right, is the greatest of movie monsters, and in this spirit we turn to Thirst (or Bakjwi); a fascinating vampire tale told by legendary director Park Chan-wook, which asks the simple question— can you continue to lead a moral existence while thirsting for human blood?

The answer, as protagonist Sang-Hyun discovers, is most emphatically no. A noble priest who contracts vampirism from a blood transfusion, Sang-Hyun quickly finds he must feed on human blood or suffer a slow and painful death. As he finds himself ever stretching his moral boundaries to quench his thirst, he soon discovers that he is less able dismiss his inner self-doubt. It’s not long before he embarks on an affair with Tae-Ju— desperate, passionate, and the wife of his jovial childhood friend, Kang-woo.

Here the inevitable rule of noir comes into play, and before you know it the former priest and his femme fatale are locked in a downward spiral of their own making, first leading to the murder of Kang-woo and eventually to the mercy-killing a Tae-ju gone mad with grief. The wonderful thing about Park Chan-wook though is that when he wants to explore a theme, he rarely stops until he reaches the bottom— and a lonely Sang-Hyun revives Tae-ju as a vampire, unleashing a further, much less controllable evil on the world.

Thematically, Thirst is spot on.
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Format: Blu-ray
A beloved and devoted priest from a small town volunteers for a medical experiment which fails and turns him into a vampire.

Physical and psychological changes lead to his affair with a wife of his childhood friend who is repressed and tired of her mundane life.

The one-time priest falls deeper in despair and depravity. As things turns for worse, he struggles to maintain whats left of his humanity...

The vampire movie should have really been extinct now thanks to the poor efforts of the Twilight and Underworld franchises, but the director injects new blood into the story of the vampire, by putting simple things into perspective.

These vampires have reflections, and no fangs, but still feed and die the same. Making the main protagonist a priest really opens up a can of worms for questioning ones acts. The priest primarily feeds to make himself better, but when he meets his friends unfulfilled wife, carnal instincts set in.

What makes this film intensely erotic is that when the couple consent for the first time, they are experiencing something they have never before, forbidden passion, which makes the scenario all that more sensual.

Chan-Wook adds some much needed humour into the film, but this is only realised in the final third of the movie. We see the daughter lift her mother in the chair in front of everyone, and when she realises her own strength, just puts the chair down and carry on. Hilarious.

and the final act wouldn't be out of place in a carry on film, or even the three Stooges as the couple fight for survival/death respectively.

CGI is subtle and fantastic, and the scenes with them jumping from building to building is so graceful, you could be watching ballet.
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By Charles Vasey TOP 500 REVIEWERVINE VOICE on 6 Feb. 2010
Format: DVD Verified Purchase
I watch few Korean films and my comments should be taken in that light. Thirst is a vampire film, but it is also about religion, depravity, conscience and morality. Opening with that popular device - a virus - it travels through a family that have escaped from a Zola novel, much murder, to the final very satisfying denouement. I felt it took far too long to do so, but that may simply be my western "clock". Although it was transparently not True Blood In Seoul it stuck to most of the vampire genre strengths (though Korean vampires can be seen in mirrors) while adding a very Catholic element. It is as if Graham Greene had been asked to rewrite Interview With A Vampire.
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Ah, Chan Park-Wook, the *primus inter pares* of South Korean film, the man behind the "Vengeance" trilogy and the legendary "Oldboy" is not a man to rest on his laurels (two Roman references - I'll stop now) after such an illustrious slew of films. Oh no. After the slightly disappointing "I'm a Cyborg - And That's OK" he's gone straight for the jugular (sorry) with this take on Vampire mythology. And it's not a film to do things by halves either.

Sang-hyun (Song Kang-ho) is a christian priest who wishes to uphold his strict morality and respect for human life by volunteering for research project that's attempting to destroy a lethal virus that's threatening civilisation as we know it - However, the virus contained in the vaccine starts to have untold consequences for his health.... Hence, he receives a blood transfusion. By some strange quirk of fate (very strange), he receives vampire blood by mistake. soon Sang-hyun is showing the usual bloodsucker symptoms which, let's face it, isn't something a pious priest should have to face. And as luck will have it a friend's spouse (Kim Ok-vin) approaches him for help in escaping her sorry facade of a life. Sensual experiences follow, experiences that may just launch him headlong into sin and shatter his faith. Yes, I'm not one to use the old "it's such-and-such meets such-and-such" chestnut when trying to sum up a film, but it's "Nosferatu" meets "Nine-And-A-Half Weeks" and by golly does it whip up a Kaleidoscope of tension. And, why do women find vampires so sexy? (answers please on a postcard).

The film has received praise across the board from critics, and it damn-well deserves it too. And hats off to Pallisades Tartan for picking it up for distribution, as before this film it's been old Tartan re-releases (which believe me I would never, ever criticise). Watch now, and shun that successful franchise set in Oregon or wherever with trees and stuff. Glittery types be damned.
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