Amazon.co.uk Review
It's not really about the music anymore, is it. It's about the breadth and height of everything Muse do. It's about leaving a jet-stream in the sky. Any tune with a trajectory lower than the cosmos is presumably discarded, with arrangements generally sounding as expensive as battleships (intergalactic battleships, that is). Of course the music is not exactly incidental either; Muse's full-on fifth album The Resistance is packed hard with virtuoso musicianship, rigorous instrumental freak-outs and harmonies beamed between dimensions. It's simply what they do now, no matter how ridiculous it may seem. Long gone are the days of the feisty yet formal English post-grunge band with a falsetto bolt-on. So let the madness commence; "Uprising" gives the
Dr Who theme tune a stomping glam makeover, "Undisclosed Desires" is like a prog-rock Justin Timberlake, "Guiding Light" is the sound of Elvis' "Can't Help Falling In Love" being jettisoned into the ether in an escape pod and "Exogenesis Symphony Part 1 (Overture)" is ambitious equal parts
2001: A Space Odyssey, The Flaming Lips and a belting Brian May style guitar solo sent straight from the roof of Buckingham Palace. They've not moved on enormously from the grandiosity of
Black Holes & Revelations, not that it matters--they've found the place where they're most comfortable. That place just happens to be balanced on the precipice, travelling at light speed in expensive space-suits. --
James Berry
CD Description
The Resistance is the first Muse album since the critically acclaimed, triple platinum selling
Black Holes and Revelations that spawned five top 20 singles, was nominated for a plethora of awards, including the prestigious Mercury Music Prize, and concluded with two sold out nights at the newly opened Wembley Stadium. It was recorded in Northern Italy, produced by the band themselves and mixed by Mark ‘Spike’ Stent. In terms of sound and sonic vision
The Resistance is their most ambitious long-player yet, which is clearly saying something. They have blown up the robo-funk/monster riff/stadium space rock sound of
Black Holes... and widened their viewfinder even further to take in an even greater horizon of sound.