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J. S. Bach: Orchestral Suites for a Young Prince - Includes the reconstruction of Suite No 2 (Premiere Recording)
 
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J. S. Bach: Orchestral Suites for a Young Prince - Includes the reconstruction of Suite No 2 (Premiere Recording)

~ Ensemble Sonnerie (Artist), Monica Huggett (Artist), Gonzalo X. Ruiz (Performer), Johann Sebastian Bach (Composer)
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Product details

  • Performer: Gonzalo X. Ruiz
  • Composer: Johann Sebastian Bach
  • Audio CD (4 May 2009)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Avie
  • ASIN: B0021YMYHA
  • Other Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 98,744 in Music (See Bestsellers in Music)

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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
Listen  1. Orchestral Suite No. 1 in C Major, BWV 1066: I. OuvertureMonica Huggett, Ensemble Sonnerie 5:42£0.79
Listen  2. Orchestral Suite No. 1 in C Major, BWV 1066: II. CouranteMonica Huggett, Ensemble Sonnerie 2:13£0.79
Listen  3. Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & IIMonica Huggett, Ensemble Sonnerie 2:50£0.79
Listen  4. Orchestral Suite No. 1 in C Major, BWV 1066: IV. ForlaneMonica Huggett, Ensemble Sonnerie 1:19£0.79
Listen  5. Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuettes I & IIMonica Huggett, Ensemble Sonnerie 3:07£0.79
Listen  6. Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & IIMonica Huggett, Ensemble Sonnerie 2:18£0.79
Listen  7. Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepiedes I & IIMonica Huggett, Ensemble Sonnerie 3:12£0.79
Listen  8. Orchestral Suite No. 2 in a Minor, BWV 1067: I. OuvertureMonica Huggett, Ensemble Sonnerie 6:10£0.79
Listen  9. Orchestral Suite No. 2 in a Minor, BWV 1067: II. RondeauMonica Huggett, Ensemble Sonnerie, Gonzalo X. Ruiz 1:36£0.79
Listen10. Orchestral Suite No. 2 in a Minor, BWV 1067: III. SarabandeMonica Huggett, Ensemble Sonnerie, Gonzalo X. Ruiz 2:43£0.79
Listen11. Orchestral Suite No. 2 in a Minor, BWV 1067: IV. Bourrées I & IIMonica Huggett, Ensemble Sonnerie, Gonzalo X. Ruiz 1:37£0.79
Listen12. Orchestral Suite No. 2 in a Minor, BWV 1067: V. PolonaiseMonica Huggett, Ensemble Sonnerie, Gonzalo X. Ruiz 3:06£0.79
Listen13. Orchestral Suite No. 2 in a Minor, BWV 1067: VI. MenuetMonica Huggett, Ensemble Sonnerie, Gonzalo X. Ruiz 1:08£0.79
Listen14. Orchestral Suite No. 2 in a Minor, BWV 1067: VII. BattinerieMonica Huggett, Ensemble Sonnerie, Gonzalo X. Ruiz 1:30£0.79
Listen15. Orchestral Suite No. 3 in D Major, After BWV 1068: I. OuvertureEnsemble Sonnerie, Monica Huggett 6:17£0.79
Listen16. Orchestral Suite No. 3 in D Major, After BWV 1068: II. AirEnsemble Sonnerie, Monica Huggett 4:01£0.79
Listen17. Orchestral Suite No. 3 in D Major, After BWV 1068: III. GavotteEnsemble Sonnerie, Monica Huggett 3:23£0.79
Listen18. Orchestral Suite No. 3 in D Major, After BWV 1068: IV. BourréeEnsemble Sonnerie, Monica Huggett 1:04£0.79
Listen19. Orchestral Suite No. 3 in D Major, After BWV 1068: V. GigueEnsemble Sonnerie, Monica Huggett 2:48£0.79
Listen20. Orchestral Suite No. 4 in D-Major, After BWV 1069: I. OuvertureEnsemble Sonnerie, Monica Huggett 7:08£0.79
Listen21. Orchestral Suite No. 4 in D-Major, After BWV 1069: II. Bourrées I & IIEnsemble Sonnerie, Monica Huggett 2:28£0.79
Listen22. Orchestral Suite No. 4 in D-Major, After BWV 1069: III. GavotteEnsemble Sonnerie, Monica Huggett 1:50£0.79
Listen23. Orchestral Suite No. 4 in D-Major, After BWV 1069: IV. Menuettes I & IIEnsemble Sonnerie, Monica Huggett 3:34£0.79
Listen24. Orchestral Suite No. 4 in D-Major, After BWV 1069: V. RéjouissanceEnsemble Sonnerie, Monica Huggett 2:31£0.79


Product Description

CD Description

Ensemble Sonnerie, under the direction of Monica Huggett, returns to AVIE Records with a new musical view on the Orchestral Suites by J.S.Bach. The recording includes a reconstruction of the ever-popular Second Suite by the leading oboist in the period instrument field, Gonzalo X. Ruiz and is a premiere Recording.

Personnel:
Ensemble Sonnerie, Monica Huggett (violin/director), Gonzalo X. Ruiz (oboe)

From the Artist

Gonzalo X.Ruiz: "Johann Sebastian Bach's Four Orchestral Suites have traditionally been viewed as a collection in spite of not having been composed as a set (like the six English Suites) or even compiled by the composer from existing works (like the six Brandenburg Concertos). These are simply the only four works of that kind to have survived. In all likelihood Bach composed many more such Ouvertures, as he called them, but these are regrettably lost. In fact, recent examination of the four we do have reveal that three of them have come down to us not in their original form but in later re-orchestrations. This recording presents the works in what I believe are their original versions. In the case of the Second Suite BWV 1067, I propose a new and I hope more convincing reconstruction of the original than other attempts of recent years."

Monica Huggett on the Orchestral Suites: "There is quite a lot of academic chatter regarding time and place of the composition of the Orchestral Suites. In my opinion, although the extant versions date from Bach's post-Köthen years, the compositional style places the Suites definitely in his pre-Leipzig years. I am also very convinced by the thesis that Bach recycled and embellished earlier instrumental music when he was Kantor in Leipzig and had larger, more diverse instrumental resources at his disposal. In Köthen, Prince Leopold's court orchestra consisted of strings, oboes, bassoon, and harpsichord - which is the size of orchestra we used for this recording. Prince Leopold was only 23 years old when he hired Bach. Leopold had studied violin in Berlin and had done the customary aristocratic Grand Tour and returned to his princely duties in Köthen with a passion for music. We know that he spent a quarter of his annual court budget on music and that he paid Bach the handsome salary of 400 thalers a year. Later, in Leipzig, Bach's salary was 100 thalers a year."


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6 of 6 people found the following review helpful:
5.0 out of 5 stars JS Bach Orchestral Suites, 30 April 2009
By r.b. (tyne and wear U.K.) - See all my reviews
Nobody knows for sure exactly when Bach composed his 4 surviving orchestral suites.They were most likely written over a period of years and were not conceived as a complete set.Modern scholarship is in favour of the idea that they were mostly composed (at least in embryonic form) during Bach's years at Kothen (1717-1723)
When Bach began his Leipzig years,he revised suites 3 and 4 by adding trumpets and timpani.Suite no 2 is best known today for the demands it expects from it's star woodwind player and this has always been a flute up until now.On this new cd the period ensemble Sonnerie has,as close as possible,performed the 4 suites with how they may have sounded as Bach originally intended them - that is,how they were played at Kothen.
There are no trumpets or drums in suites 3 and 4.In suite no 2 it's an oboe instead of a flute (which is also transposed down to a minor from the more often heard b minor) with Suite no 1 unchanged.
How does it all sound? Brilliant!!Sonnerie directed by Monica Huggett have,i think,produced a fabulous version of these suites.Some people may be cautious that there are no brass and timpani in nos 3 and 4 or that there is an oboe instead of a flute in no 2 but the results are always compelling and this may well indeed be how Bach heard his music as he originally conceived it.

I think this is the best recording of the 4 orchestral suites i have heard so far.It combines extremely good playing,well chosen tempi and excellent sound.Because there are no trumpets and timpani,the dance element in suites 3 and 4 are highlighted better and the oboe in suite 2 perfectly compliments the music better than a flute.It's now known that the original version of suite 2 was in the key of a-minor and an oboe was probably the intended solo instrument.If however you insist on hearing the later versions with trumpets,timpani and a flute then try the Hogwood,Koopman or Suzuki recordings.
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