Amazon.co.uk Review
Such are the near-generational gaps between latter-day AC/DC albums that it's always tempting to hail the arrival of a new one as a return to form.
Black Ice arrives a whopping eight years after the band's last offering,
Stiff Upper Lip, but one chorus into "Rock N Roll Train", the wise man would conclude that any evolution here is as slow and incremental as, well, evolution. A punchy, straightforward opener that finds Angus Young in good riff and Brian Johnson preaching a familiar gospel of schoolgirls and schoolboys, fantasy and ecstasy, it's familiar in the best possible way. A little deeper into
Black Ice, however, and there's evidence of a slightly altered approach. Producer Brendan O'Brien softens and fleshes out the stripped-down, electric blues sound AC/DC rediscovered on 1995's
Ballbreaker, and in places the band follow suittake "Anything Goes", a poppy stomp that recalls O'Brien's other recent charge, Bruce Springsteen. Elsewhere, "Stormy May Day" and "Money Made" find Young taking up the slide for a few Zeppelin-flavoured licks. A few new paths, then, but all in all, the destination is pretty much the same: another solid late-period AC/DC album that, while unlikely to dislodge
Back in Black from the fan's pedestal, finds its makers rocking into ripe old age.
Louis Pattison
CD Description
Their first album in eight years, the longest gap of time between any two AC/DC albums, Black Ice is a heavier effort than 2000's 'Stiff Upper Lip'. Angus Young makes use of heavier riffs and shredding throughout, which adds to the infamous wail of singer Brian Johnson, who takes control of lyricalduties for the first time in twenty years. The album is preceded by the single, 'Rock 'n' Roll Train'.