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With the 1985 release of Low Life, New Order put forth their most commercially accessible effort to date. While some of the dark-wave drippings of their Joy Division roots are evident, high energy progressions, which would carry them for years to come, began to emerge here. Hits like "Perfect Kiss" and "Sub-Culture," with their synth hooks, club-stomping accents, and visceral lyrics, helped bridge the gap for growing synth-pop audiences who bolstered their success. Other refined techniques on the album became standard New Order conventions: sweeping analogue rolls, live and sequenced drum percussion, tight bass melodies, and edgy guitar leads. Sustained by a peerless level of emotional involvement, the vocals and lyrics further entice the listener with the obliquely nuanced style of Bernard Sumner. Standing the test of time, this release is a must-have in order to understand the origins of introspective pop-wave culture. --Lucas Hilbert
CD Description
With LOW-LIFE, New Order truly hit their stride with their highly individual combination of infectious rhythms, inventive composition and performances full of conviction. The vulnerable lyrics and earnest delivery of Bernard Sumner are in top form; his voice is at last a completely developed instrument, clear and comfortable as it wraps itself around such memorable tracks as the opening "Love Vigilantes", a solid, purely guitar-driven narrative. Following immediately and in sharp contrast is LOW LIFE's biggest success, "The Perfect Kiss", a sequencer-fueled dance classic which boasts what is undoubtedly pop music's only frog sample solo. "Sunrise" has an epic feel, filled with driving leads and Sumner's signature scratchy, frenetic rhythm playing. The album takes a serene turn on "Elegia", a beautiful, airy composition of echoey guitar lines and swirling synth textures.
With the 1985 release of Low Life, New Order put forth their most commercially accessible effort to date. While some of the dark-wave drippings of their Joy Division roots are evident, high energy progressions, which would carry them for years to come, began to emerge here. Hits like "Perfect Kiss" and "Sub-Culture," with their synth hooks, club-stomping accents, and visceral lyrics, helped bridge the gap for growing synth-pop audiences who bolstered their success. Other refined techniques on the album became standard New Order conventions: sweeping analogue rolls, live and sequenced drum percussion, tight bass melodies, and edgy guitar leads. Sustained by a peerless level of emotional involvement, the vocals and lyrics further entice the listener with the obliquely nuanced style of Bernard Sumner. Standing the test of time, this release is a must-have in order to understand the origins of introspective pop-wave culture. --Lucas Hilbert
CD Description
With LOW-LIFE, New Order truly hit their stride with their highly individual combination of infectious rhythms, inventive composition and performances full of conviction. The vulnerable lyrics and earnest delivery of Bernard Sumner are in top form; his voice is at last a completely developed instrument, clear and comfortable as it wraps itself around such memorable tracks as the opening "Love Vigilantes", a solid, purely guitar-driven narrative. Following immediately and in sharp contrast is LOW LIFE's biggest success, "The Perfect Kiss", a sequencer-fueled dance classic which boasts what is undoubtedly pop music's only frog sample solo. "Sunrise" has an epic feel, filled with driving leads and Sumner's signature scratchy, frenetic rhythm playing. The album takes a serene turn on "Elegia", a beautiful, airy composition of echoey guitar lines and swirling synth textures.
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