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Product Description
Amazon.co.uk Review
If there’s one thing that’s proved consistent about Beck Hansen, it’s that every fresh record will be a curveball, and so it is with Modern Guilt. If 2006’s The Information felt like a return to familiar Odelay territory, a gleaming beats-and-raps record with an eerie futuristic twist perhaps inspired by its maker’s interest in Scientology, its follow-up feels like a step out again into uncharted territory. Recorded with the help of hip-hop beat-maker turned multi-talented producer Brian ‘Danger Mouse’ Burton, Modern Guilt is a foggy, sometimes distant-sounding affair apparently inspired by canyon-dwelling psychedelic rock, conspiracy theories, and end-of-the-world angst. "You and me hit by a test of white evil/Watching the jet planes go by", he strains, urgently, on "Chemtrails", eyes fixed to the sky. "Orphans" and "Walls", two songs recorded with Cat Power’s Chan Marshall feel like a bit of a missed opportunity, Chan’s vocals pushed too far back in the mix. But Danger Mouse’s beats are a delight, giving what could be quite morose numbers like "Gamma Ray" a skippy, vintage beat group feel. All in all, it’s not Beck at his most engaging or playful, but there’s a thoughtful, mature quality to Modern Guilt that you don’t find when he’s playing postmodern prankster, and it’s got much to recommend it. --Louis Pattison
CD Description
The pop chameleon Beck returns for a tenth studio LP, this time produced under the watchful eye of the prolific Dangermouse. Ever the contrarian, Beck's evolving sound here pays homage to British beat groups of the 1960s, especially on cuts like 'Beggars Shoes' and the title track itself. In keeping with this more economical sound and approach, the album itself is notably shorter than previous Beck efforts, barely scraping over the half-hour mark. 'Modern Guilt' also benefits from the contribution of Cat Power on backing vocals on several songs.
If there’s one thing that’s proved consistent about Beck Hansen, it’s that every fresh record will be a curveball, and so it is with Modern Guilt. If 2006’s The Information felt like a return to familiar Odelay territory, a gleaming beats-and-raps record with an eerie futuristic twist perhaps inspired by its maker’s interest in Scientology, its follow-up feels like a step out again into uncharted territory. Recorded with the help of hip-hop beat-maker turned multi-talented producer Brian ‘Danger Mouse’ Burton, Modern Guilt is a foggy, sometimes distant-sounding affair apparently inspired by canyon-dwelling psychedelic rock, conspiracy theories, and end-of-the-world angst. "You and me hit by a test of white evil/Watching the jet planes go by", he strains, urgently, on "Chemtrails", eyes fixed to the sky. "Orphans" and "Walls", two songs recorded with Cat Power’s Chan Marshall feel like a bit of a missed opportunity, Chan’s vocals pushed too far back in the mix. But Danger Mouse’s beats are a delight, giving what could be quite morose numbers like "Gamma Ray" a skippy, vintage beat group feel. All in all, it’s not Beck at his most engaging or playful, but there’s a thoughtful, mature quality to Modern Guilt that you don’t find when he’s playing postmodern prankster, and it’s got much to recommend it. --Louis Pattison
CD Description
The pop chameleon Beck returns for a tenth studio LP, this time produced under the watchful eye of the prolific Dangermouse. Ever the contrarian, Beck's evolving sound here pays homage to British beat groups of the 1960s, especially on cuts like 'Beggars Shoes' and the title track itself. In keeping with this more economical sound and approach, the album itself is notably shorter than previous Beck efforts, barely scraping over the half-hour mark. 'Modern Guilt' also benefits from the contribution of Cat Power on backing vocals on several songs.
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What Do Customers Ultimately Buy After Viewing This Item?
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74% buy the item featured on this page: Modern Guilt £9.18 |
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10% buy Odelay £4.98 |
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6% buy Sea Change £6.48 |
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6% buy The Information £4.98 |
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