Most Helpful Customer Reviews
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30 of 33 people found the following review helpful:
5.0 out of 5 stars
"Your puny mind is powerless against the strength of Morbius!", 19 Jul 2008
32 years old, always threatening to topple headlong into absurdity, a grand-guignol homage to the Universal FRANKENSTEIN films of the 1930's, 1976's THE BRAIN OF MORBIUS really has no right to be as good as it is. It's drenched in over-ripe dialogue, has gaping plot holes and cheap-looking studio sets swathed in dry ice doubling for the surface of an alien planet. It is, when you spend a few moments thinking about it, fairly silly.
The fact remains that it is DR WHO at the very top of its game. It treads a very fine line between self-aware humour and no holds barred seriousness, but does it so well that you'll barely notice. Robert Holmes' rewrite of Terrance Dicks' original script (under the pseudonym Robin Bland) is an engaging, well-paced piece full of interesting, clearly motivated characters and tense, scarey set pieces. However, the production is further blessed by having an exceptional cast who treat this nonsense as if it's Shakespeare. That's really the essence of ...MORBIUS - it's a stage play on television. But to say this might almost devalue the overall effect or make it sound a lot duller and flatter than it actually is. The performances and direction are as good as DR WHO on television ever managed in its first 26 years. Classically trained actors like Philip Madoc and Cynthia Grenville bring an intensity and richness to their parts that make their every scene crackle and snap as fiercely as the fire that nearly polishes off Tom Baker. Speaking of whom, he and Elizabeth Sladen are also going for it with aplomb, though by the sounds of the commentary, Sladen is less than happy with her acting "blind" in the middle segments.
I've already mentioned the less than convincing rocky tundra sets, but somehow this doesn't matter. It even adds a certain claustrophobic something to proceedings. This can also be forgiven considering how detailed Barry Newbury's sets are for Solon's castle and the shrine of the Sisterhood. Even though it's entirely studio-based, the show manages to be visually arresting - the bright reds of the shrine (the design based on those of Buddhist temples) and the subdued lighting of Solon's crumbling laboratory and entrance hall manage to imbue the drama with an evocative ambience. Christopher Barry uses the sets to full effect, shooting every moment with an energy and intent that makes me wonder if this really was the same man who was responsible for directing 1972's woeful Pertwee serial: THE MUTANTS. Only the repeat use of the "Mutt" costume in episode 1 gives any hint that this was the case. Adding the final lustre to this gem is Dudley Simpson's incidental score, using french horns and a cello, it's magisterial in its effect and tone.
This is a must-see not only for DR WHO fans but for anyone who enjoys the best TV drama from this period, and fans of the James Whale/Karloff movies of the '30's may also find much to interest them - one shot of the Doctor and Sarah walking into Solon's hall shot through the flames of the fireplace is a direct (but effective) steal from 1932's THE OLD DARK HOUSE.
The extras are, as has become standard for the WHO releases, excellent. The Making of.. documentary GETTING A HEAD is especially welcome because it appears that every supporting cast member is still alive and kicking. Cynthia Grenville is marvellously enthusiastic and manages to look younger now than she did in 1976 (though she's sadly no longer wearing a cake on her head). The unexpected CGI work in this piece is impressive too, and personally I could have done with at least another 2 minutes of the CGI studio tour which comprises another extra on the disc. The commentary (Hinchcliffe, Barry, Baker, Sladen, Madoc) is good humoured and celebratory in tone, with Tom Baker's contributions particularly amusing. Thanks to him, I cannot hear the Sisterhood's chanting now, without thinking of the phrase: "panting crumpet".
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16 of 18 people found the following review helpful:
5.0 out of 5 stars
Horror-Who at it's best, thrilling stuff!, 23 Jul 2008
Barcode: 5014503181628
From the opening shots of Karn, eerily dark and swathed in thick swirling fog, you know you're in for a real classic hiding behind-sofa-ride with this serial. In the very first episode you get a gruesome beheading, a crippled servant with a hook for an arm, later delights coming in the form of a brain in a jar of green goo, the Doctor almost being burnt at the stake and a monster cobbled together from various body parts.
It's scary stuff with some real-edge-of-your seat moments, one of the most surprising being when Solon shoots his assistant Condo, literally ripping a hole in his chest, spurting blood. It's not something you'd see in the revived series and in many ways, this raw, untamed feel just adds to the dark overtones of this story. It raises questions on the ethics of what true life is in relation to Condo's subservience to Solon and Morbius's half-life as a brain trapped in a transparent case, a slave to base instinct.
The true star of this serial has to be Philip Madoc as Solon, his performance is deliciously sinister, his perseverance through all the odds to try and revive Morbius admirable, despite the gravity of what this entails. The scene where Condo knocks Morbius' brain onto the floor to Solon's dismay is particularly poignant as he cries of `such intellect, wasted on a stone floor by a mindless brute'. This is a man that has devoted himself to a cause and has lost all compassion for others, from the way he continually deceives poor Condo to his underhand poisoning of the Doctor and Sarah, his true intentions masked wonderfully behind a façade of a nice, well-spoken academic.
Villains like Solon are always a joy to watch, the battle of intellects between them and the Doctor is what the show was made for. Tom Baker puts in a great show too in this episode, really shining in the scenes with the Sisterhood as he tries to convince them of his pure intentions. Liz Sladen gets some nice moments too, her feistiness sparking brilliantly off the Doctor, and poor girl, she goes through a lot in this serial! Poisoned, tied up to a table, blinded and then chased and beaten up by Morbius - and speaking of her blindness, I think she acted this really well. Yes, the whirling arms might look a little overstated compared to today's more conservative styles of acting but if you put yourself in her shoes, if you had just lost your sight you'd be absolutely terrified and Liz really conveys this in her voice.
When this serial was first broadcast it got between 9-10 million viewers per episode. This was Doctor Who in its element, Tom Baker taking the series through the peak of its success and from serials like this you can see how so many elements of it have gone on to influence further Who episodes. It is these linkages - this episode obviously taking root from the story of Frankenstein and his monster - that weave their through history, the tension and the theme of science pushed to its most terrifying. Even the imagery lives on, the Sybilline Sisterhood of recent episode `The Fires Of Pompeii being almost a carbon copy of the Sisterhood of Karn in this episode.
Brilliantly acted, dark brooding sets and a super-tense plot + a really good behind the scenes documentary `Getting A Head' which has some fab interviews with the cast and crew - this is yet another fantastic release in the Doctor Who DVD range.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Planet of the Modern Prometheus, 19 Jul 2008
Season Thirteen.
Much to the Doctors chagrin the Time Lords have taken control of the TARDIS, sending the Doctor and Sarah Jane Smith into very dangerous territory upon the stormlashed graveyard planet of Karn.
Taking shelter from the rain in a castle high on a mountain, the Doctor finds the brilliant surgeon Mehendri Solon, and his simple minded slave/assistant Condo conducting gruesome experiments on living flesh, but for what reason?
As a storm approaches, evil from the depths of Time Lord history plots its return to the land of the living.
But is even the Doctor's mind,
a match for, The Brain of Morbius.
~~~~
Four episodes of sumptuous gothic filled suspense, suspense that will suspend your everyday worries and cares. Mr Baker and Ms Sladen are on top form, as is Philip Madoc, marvellously getting his teeth into a role he can go gloriously over the top with. Welsh born Madoc was almost a Who semi regular featuring in stories like The War Games as The War Lord, The Krotons as Eelek, and The Power of Kroll as Fenner. As well as the second Peter Cushing Dalek film. Even Terrance Dicks no longer feels so bland towards this story anymore.
Warning to the parents of little ones, the scene where Solon shoots Condo reveals a bit of blood, so a bit of parental discretion may be called for there.
~~~~
DVD Extras
Commentary by Tom Baker, Elisabeth Sladen, Philip Madoc, Philip Hinchcliffe and Christopher Barry .
Getting a Head:~ A new documentary about the making of the programme featuring Christopher Barry, Philip Hinchcliffe,writer Terrance Dicks, designer Barry Newbery, composer Dudley Simpson, and actors Philip Madoc, Cynthia Grenville, Colin Fay and Gillian Brown, with narration by Paul McGann
Designs on Karn: How the planet Karn was created, with designer Barry Newbery
Set Tour Take a walk around the studio sets with this 3D CGI reconstruction
Radio Times Billings: Listings from Radio Times on Pdf DVD Rom
Photo Gallery
Sketch Gallery
Coming Soon Trailer
Production Information Subtitles
Digitally remastered picture and sound quality.
Originally broadcast:~ 3rd January 1976 - 24th January 1976.
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