~ Dietrich Buxtehude
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~ Wolfgang Amadeus Mozart
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~ Peter Kooij
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~ Heinrich Ignaz Franz von Biber
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~ Peter Kooij
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The form of these pieces is typical of 17th-century German and Italian sonatas in that they are composed of sections of contrasting tempo, meter, and character, but are not divided into discrete movements; the musical material is laid out, elaborated upon, and "discussed" according to the principles of rhetoric, and the entire sonata is perceived by the listener as a unified whole. The solo instruments play together homophonically, banter with each other by tossing motivic fragments back and forth, and take turns playing passages alone.
Dieterich Buxtehude was a German-Danish organist and a highly regarded composer of the baroque period. His organ works comprise a central part of the standard organ repertoire and are frequently performed at recitals and church services. He wrote in a wide variety of vocal and instrumental idioms, and his style strongly influenced many composers, including Johann Sebastian Bach.
Personnel:
L'Estravagante, Stefano Montanari - (Violin), Rodney Prada - (Viola da Gamba), Maurizio Salerno - (Harsichord)
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