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Bach: Cantatas for Marian Feasts
 
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Bach: Cantatas for Marian Feasts

~ Klaus Mertens (Bass), Johann Sebastian Bach (Composer), Ton Koopman (Conductor), Amsterdam Baroque Orchestra (Orchestra), Deborah York (Soprano), et al.
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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song Title Time Price
Listen  1. Wie Schön Leuchtete der Morgenstern, BWV 1 (Festo Annuntiations Mariae): "Wie Schön Leuchtete der Morgenstern" (Chorus) 8:00£0.79
Listen  2. Wie Schön Leuchtete der Morgenstern, BWV 1 (Festo Annuntiations Mariae): "Du Wahrer Gottes und Marien Sohn" (Recitative, Tenor) 1:02£0.79
Listen  3. Wie Schön Leuchtete der Morgenstern, BWV 1 (Festo Annuntiations Mariae): "Erfüllet, Ihr Himmlischen Göttlichen Flammen" (Aria, Soprano) 4:06£0.79
Listen  4. Wie Schön Leuchtete der Morgenstern, BWV 1 (Festo Annuntiations Mariae): "Ein Irdscher Glanz, Ein Leiblich Licht" (Recitative, Bass)0:55£0.79
Listen  5. Wie Schön Leuchtete der Morgenstern, BWV 1 (Festo Annuntiations Mariae): "Unser Mund und Ton Der Saiten" (Aria, Tenor) 6:44£0.79
Listen  6. Wie Schön Leuchtete der Morgenstern, BWV 1 (Festo Annuntiations Mariae): "Wie Bin Ich Doch So Herzlich Froh" (Chorale) 1:19£0.79
Listen  7. Mit Fried un Freud Ich Fahr Dahin, BWV 125 (Festo Purificationis Mariae): "Mit Fried un Freud Ich Fahr Dahin" (Chorus) 5:59£0.79
Listen  8. Mit Fried un Freud Ich Fahr Dahin, BWV 125 (Festo Purificationis Mariae): "Ich Will Auch Mit Gebrochnen Augen" (Aria, Alto)10:12Album Only
Listen  9. Mit Fried un Freud Ich Fahr Dahin, BWV 125 (Festo Purificationis Mariae): "O Wunder, Dab Ein Herz" (Recitative, Bass, Chorale) 2:27£0.79
Listen10. Mit Fried un Freud Ich Fahr Dahin, BWV 125 (Festo Purificationis Mariae): "Ein Unbegreiflich LIcht Erfüllt" (Aria, Duet Tenor, Bass) 4:46£0.79
Listen11. Mit Fried un Freud Ich Fahr Dahin, BWV 125 (Festo Purificationis Mariae): "O Unershcöpfter Schatz Der Güte" (Recitative, Alto)0:44£0.79
Listen12. Mit Fried un Freud Ich Fahr Dahin, BWV 125 (Festo Purificationis Mariae): "Er Ist Das Heil und Selig Licht" (Chorale)0:54£0.79
Listen13. Komm, Du Sübe Todesstunde, BWV 161 (Dominica 16 Post Trinitatas, Festo Purificationis Mariae): "Komm, Du Sübe Todesstunde" (Aria, Alto) 4:59£0.79
Listen14. Komm, Du Sübe Todesstunde, BWV 161 (Dominica 16 Post Trinitatas, Festo Purificationis Mariae): "Welt, Deine Lust Ist Last" (Recitative, Tenor) 1:55£0.79
Listen15. Komm, Du Sübe Todesstunde, BWV 161 (Dominica 16 Post Trinitatas, Festo Purificationis Mariae): "Mein Verlangen Ist Den Heiland Zu Umfangen" (Aria, Tenor) 5:22£0.79
Listen16. Komm, Du Sübe Todesstunde, BWV 161 (Dominica 16 Post Trinitatas, Festo Purificationis Mariae): "Der Schlub Ist Schon Gemacht" (Recitative, Alto) 2:10£0.79
Listen17. Komm, Du Sübe Todesstunde, BWV 161 (Dominica 16 Post Trinitatas, Festo Purificationis Mariae): "Wenn Es Meines Gottes Wille" (Chorus) 3:01£0.79
Listen18. Komm, Du Sübe Todesstunde, BWV 161 (Dominica 16 Post Trinitatas, Festo Purificationis Mariae): "Der Leib Zwar In Der Erden" (Chorale, Chorus) 1:19£0.79


Product Description

Album Description

This group of cantatas, which have been selected from the award-winning cycle of recordings of the complete cantatas of J. S. Bach by Ton Koopman and the Amsterdam baroque Orchestra and Choir, were written for the three Marian Feasts. They not only show magnificent orchestration but also a particular degree of elaboration. Hence, the overall design of these cantatas is noticeably different from that of those written for the ordinary Sundays of the Epiphany and Trinity seasons. The cantata "Wie schön leuchtet der Morgenstern" BWV 1 for the Feast of Annunciation dates from 1725 and is based on the hymn by Philipp Nicolai that makes use of an older melody. The chorale cantata "Mit Fried und Freud ich fahr dahin" BWV 125 was composed about two months earlier and performed at the Feast of Purification in 1725. Its text is based on the hymn by Martin Luther. "Komm, du süße Todesstunde" BWV 161 was originally written for the 16th Sunday after Trinity and probably received its first performance in the Weimar castle church on September 27 1716.

As an organist Ton Koopman has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of his Amsterdam Baroque Orchestra & Choir he has been a regular guest at venues which include the Concertgebouw in Amsterdam, and the Theatre des Champs-Elysées in Paris. In 2006 Ton Koopman was awarded the Bach Medal by the city of Leipzig in recognition of his major contribution to Bach performance and scholarship.

Personnel:
Amsterdam Baroque Orchestra & Choir, Ton Koopman - (conductor), Soloists: Deborah York - (soprano), Bogna Bartosz - (alto), Elisabeth von Magnus - (alto), Paul Agnew - (tenor), Jörg Dürmüller - (tenor), Klaus Mertens - (bass)


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