~ Antonio Vivaldi
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~ Christophe Coin
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~ Modo Antiquo
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~ Duilio M. Galfetti
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~ Antonio Vivaldi
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| 1. Aria: Sarai qual padre mio |
| 2. Aria: Se vincer non si può [Damira], atto I, scena 8 La verità in cimento RV 739 |
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| 4. Recitativo [Scanderbeg e Ormondo], atto II, scena 9 Aria: Con palme ed allori [Scanderbeg], atto II, scena 9 |
| 5. Concerto per archi in fa maggiore RV 136: Allegro |
| 6. Andante |
| 7. Minuetto - Allegro |
| 8. Aria: Per lacerarlo [Zidiana], atto III, scena 9 Teuzzone RV 736 |
| 9. Aria: Abbia respiro il cor [Tirsi], atto III, scena 9 |
| 10. Aria: Perché lacerò il foglio [Eumena], atto II, scena 6 |
| 11. Aria: Tu dormi in tante pene [Servilia], atto III, scena 1 Tito Manlio RV 738-A |
| 12. Concerto per violino in si bemole maggiore RV 369: Allegro ma poco |
| 13. Largo |
| 14. Allegro ma poco |
| 15. Recitativo [Ormondo], atto II, scena 10 Aria: S'a voi penso, o luci belle [Ormondo], atto II, scena 10 |
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The Accademia Bizantina, an orchestra specialising in 17th and 18th century repertoire played on original instruments, has been directed by the harpsichordist Ottavio Dantone since 1996. In that time the group has risen to become one of the most highly regarded period orchestras today, bringing fresh energy and creativity to the interpretation of Baroque music. Contralto Sonia Prina is a highly regarded interpreter of early opera and has in recent years been Clarice in Rossini's La pietra di paragone at the Théâtre du Châtelet, and performed the title role in Handel's Rinaldo at La Scala Milan under the direction of Ottavio Dantone.
Personnel:
Accademia Bizantina, Ottavio Dantone (director), Sonia Prina (contralto), Stefano Montanari (violin)
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