Amazon.co.uk Review
George Clooney already has one acting Oscar to his name, and it’s unsurprising that immediately after the release of
Michael Clayton, there were many arguing he was deserving of a second. For without a doubt, as impressive as the film is, it’s very much Clooney who powers this one forward.
Written and directed by Tony Gilroy, who previously adapted the Bourne movies for the big screen, Clooney takes the title role as a lawyer who goes in to do the jobs that, bluntly, nobody else wants to know about. And before long, Clooney discovers a cover-up that proves to be a mighty challenge to uncover, and one the inevitably conflicts him as a result.
Aided by a superb supporting cast that includes the likes of Sydney Pollack, Tom Wilkinson and Tilda Swinton, Michael Clayton at its best is a tense and effective thriller, written and directed steadfastly well by Gilroy. It’s not without a few problems, most notably a comparably weak conclusion and one or two underdeveloped characters. But it’s still a worthwhile film, and very much worth seeking out to simply enjoy a terrific performance from a Hollywood leading man who absolutely refuses to shy away from edgier roles. Long may he continue to do so. --Jon Foster
Synopsis
Michael Clayton (George Clooney) is what is known in the legal world as a 'fixer', or in the character's own pejorative version, a 'janitor' who cleans up legal messes for VIPs and corporations on behalf of a prestigious New York City law firm. A former litigator, Clayton has found a niche that capitalises on his legal acumen and shrewd people skills, and yet, after 13 years on the job, finds himself increasingly disgusted with his clientele. The film covers four pivotal days of his life, in which a midlife crisis and a crisis of conscience neatly converge when he is called in to 'fix' a situation unfolding in one of his firm's hottest cases. Brilliant lawyer Arthur Edens (another powerhouse performance by Tom Wilkinson), representing a huge agro-chemical corporation being hit by a class action suit, has a bipolar breakdown, compounded by guilt over his defence of a company that is probably in the wrong, but is wealthy enough to buy its innocence either way. The company's CEO (Tilda Swinton) will stop at nothing to keep Edens from sinking the case. Clayton must decide how much of Edens's mad rebellion against the company is sheer mental illness, how much is true, and how much it will cost him to do the right thing.
Clooney delivers a rich performance as a hangdog and haunted man who wants to stay on the side of good, but is a little too skilled at moral margin-walking to make that an easy choice in every situation. Swinton glows as a woman who somehow won't let a tortured conscience prevent her from getting ahead. The final third of the film is as suspenseful as any courtroom drama, without ever resorting to legal-thriller cliches.
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