Amazon.co.uk Review
One of pops most skilful musical conceptualists, Stephin Merritts new album
Distortion has been hailed as an attempt to build an album in the mould of The Jesus and Mary Chains feedback-strewn debut
Psychocandy--although naturally, theres also another reason: Merritt is a sufferer from "hyperacusis", a sensitive hearing condition, and these sweet-sung songs of love, alcohol, and heartache are designed to give you a glimpse into his experience of sound. If the thought of songs played through a curtain of shrill distortion is an upsetting proposition, fear not-youll return with eardrums intact. Rather, the high-end is just an eccentric sort of frame for some of Magnetic Fields more approachable, arch, and all-round loveable songs. "California Girls", sung by collaborator Shirley Simms is shimmering West Coat pop spiked with strychnine ("See them on the big bright screen/Tanned, blonde and seventeen ... I hate Californian girls"). "Too Drunk to Dream" is a sashaying 60s pastiche that finds Merritt extolling the virtues of a life spent "shitfaced", while "The Nuns Litany" sees Simms playing a woman of the cloth that dreams of shedding her habit: "I want to be a topless waitress/I want my mum to shed one tear".
--Louis Pattison
Uncut 23.11.07
"Distortion" is great, though - and so much more satisfying than most indie chancers who try and co-opt the Reid brothers' (Jesus and Mary Chain) initial peerless formula of Spectorish bubblegum melody....What a curious and excellent album, all round." John Mulvey
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