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Troy (2-Disc Special Edition - Director's Cut) [DVD] [2004]

3.7 out of 5 stars 334 customer reviews

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Product details

  • Actors: Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger, Brian Cox
  • Directors: Wolfgang Petersen
  • Format: PAL, Dolby, Digital Sound, Widescreen
  • Language: English, German, Polish, Spanish
  • Subtitles: English, German, Greek, Spanish, Estonian, Polish
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 1.78:1
  • Number of discs: 2
  • Classification: 15
  • Studio: Warner Home Video
  • DVD Release Date: 1 Oct. 2007
  • Run Time: 196 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (334 customer reviews)
  • ASIN: B000UVGXSC
  • Amazon Bestsellers Rank: 45,901 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

Swords and sandals abound in this epic tale of love and war starring Brad Pitt as the muscle-bound Achilles. Set in 1193 BC, the film is based on Homer's sprawling epic poem 'The Iliad'. It tells the story of Paris, Prince of Troy (Orlando Bloom), who falls in love with the wife of King Menelaus of Sparta (Brendan Gleeson), the beautiful Helen (Diane Kruger). He persuades her to leave her husband and go back with him to Troy, sparking a war between the Mycenaeans, led by Menelaus's brother Agamemnon (Brian Cox), and the armies of Troy, led by Prince Hector (Eric Bana). The City of Troy, governed by King Priam (Peter O'Toole) has never before succumbed to seige or battle, but Agamemnon and the Mycenae Greeks have a formidable ally: the great and seemingly indomitable Achilles. Political intrigue, passionate love trysts and one-on-one fight sequences take place against a background of sweeping battle scenes as the armies of ancient Greece and the city of Troy engage in their epic and bloody war.

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There are many reasons to recommend Troy as a good ol' fashioned Hollywood epic, especially if you've never read Homer's The Iliad. Dispensing with Greek gods altogether, this earnestly massive production (budgeted at upwards of $200 million) will surely offend historians and devoted students of the classics. But there's politics aplenty in the grand-scale war that erupts when Trojan prince Paris (Orlando Bloom) makes off with Helen (blandly beautiful German model Diane Kruger), wife of Spartan ruler Menelaus (Brendan Gleeson), whose brother, the Greek king Agamemnon (Brian Cox) prods him into enraged retaliation. Greek warrior Achilles (Brad Pitt) brings lethal force to his battles (and there are many of them, mostly impressive), and his Trojan counterpart, Paris's brother Hector (Eric Bana), adds even more buffed-up beefcake to a film so chock-full o' hunks that there's barely room for Peter O'Toole (doing fine work as Trojan king Priam) and even less for Julie Christie, appearing ever-so-briefly as Achilles's melancholy mother. The drama is nearly as arid as the sun-baked locations (Mexico and Malta) that stand in for the Aegean coast, and many critics suggested that Pitt (who valiantly tries to give Achilles some tormented dimension) was simply miscast. But when you consider that Wolfgang Petersen also made The Perfect Storm, there's nothing wrong with enjoying Troy as a semi-guilty pleasure with a touch of ancient class. --Jeff Shannon --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: DVD
Troy, like a lot of historical movies with many action sequences, rewards a second viewing. We all know Wolfgang Petersen, like many movie-makers before him, took many liberties with Homer's Iliad but I am happy for myths like this to succumb to the hollywood treatment.
Interestingly, Petersen opts to give us the siege of Troy through Achilles' eyes rather than the classical Helen/Paris scenario, as it opens up the prospects for this big action movie. Achilles was the Rambo of the ancient world, but while Rambo goes on for ever, Achilles, alas, proved to be just mortal in the end. If you view Achilles in that light, you feel less inclined to criticise Pitt for his performance. He was a fighting machine who disliked the squabbling Greeks as much as he did the Trojans, but in the end he had to settle for the lesser of two evils in deciding where his loyalties lay. The pace of the movie, which sustains two romances, gives Pitt little opportunity to do much else other than fight, whilst Eric Bana as Hector at least has more to philosophise over in the shape of his brother Paris' problems, as well as defending Troy itself.
Petersen cleverly presents the opulence and decadence of Troy as opposed to the spartan Greeks and their ambitious plans to topple it. Helen of Troy was no more than a pawn, an excuse to invade Troy, and though Bloom works hard as the cowardly womaniser Paris, he comes over as the spoilt useless younger brother of the more commanding Hector. Diane Kruger, too, has little to do except look gorgeous, and fails to grasp that the invasion is only superficially about herself.
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Troy (Director's Cut) is so much better than the theatrical version that it is almost hard to believe that they are in essence the same movie. That is not to say that this new version is perfect, it isn't. As with the Theatrical version, the acting is in some instances passable at best and it takes quite a few liberties with the accepted version of events according to Homer. However, what it does do is make the film run far more smoothly than it did before. Considering over 30 minutes of footage has been restored it actually seems to make the film a lot tighter than it was before. The rather disjointed, lacking in focus theatrical version is now replaced with a movie that always keeps you engrossed. Not just in the battle scenes which are really quite brilliant but also in the political intrigues and infighting amongst both the Greeks and the Trojans. Brad Pitt always seems to divide people as to his worth as an actor. I happen to think he is actually quite good. In Troy he is the leading man and he does a good job of holding the film together. According to Homer, Achilles was the most beautiful and the deadliest warrior of his age. Pitt is undoubtedly in excellent physical condition but he also manages to convey Achilles coldness and mastery of arms. His Achilles is a killing machine who cares for almost nothing but his own personal glory. He knows what his alternative futures are before he sails to Troy, but he would rather die young covered in glory than live to be old surrounded by love. There is a vacant look in Achilles eyes almost as though he is aware of everything that is happening around him but doesn't really care as long as it does not seem to personally affect him. However, in war, every action has a knock on effect and Achilles discovers this to his own personal loss.Read more ›
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Format: DVD
As a teacher of Classical Greek and Roman Mythology I was looking forward to "Troy." In the past I have put together a unit on the Trojan War that included not only Homer's epic poem the "Iliad," but also the plays of Euripides and Aeschylus and other ancient works on the stories of these characters. In other words I am familiar with this story to the extent that when Briseis showed up wearing a garment with long sleeves I was upset that we did not get to see the lovely arms that were part of her usual epithet. So, suffice it to say, that when characters who survived the Trojan War started dying in this film, I was not exactly happy. Consequently, the truth is that the less you know about the Trojan War of classical mythology, the more you will enjoy Wolfgang Petersen's "Troy."
I have no problem with the idea that Homer and the other ancients have to be adapted in making a modern motion picture about the Trojan War. The decision to eliminate the gods is appropriate, getting away from the idea that this was a ten year war makes sense, and if the alliance of the Greeks is now political rather than as part of an oath sworn by the princes who were suitors for Helen's hand, I consider that to be legitimate. I do not understand why Iphigenia, Cassandra, and Hecuba are all eliminated but there are not fatal omissions. But when you start rewriting who gets killed that is going a bit too far, especially when one premature death starts a chain effect that means Athens will never develop the jury system, which means we probably lose out on it too. David Benioff's screenplay was "inspired" by Homer's "Iliad," which at least is an honest way to characterize what he did in this script, but I still do not have to like it or endorse it.
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