Amazon.co.uk Review
The prolific Banhart is a one man Facebook, with his uncanny ability to network with an apparently endless series of collaborators, so its not entirely surprising that "Cristobal", the first track on Smokey Rolls down Thunder Mountain, should feature an unlikely guest vocal from Mexican actor Gael Garcia Bernal. Clearly being bilingual in English and Spanish--Banhart grew up in Venezuela--doubles the names in his address book. Though not as instantly appealing as 2005s sprawling Cripple Crow, Smokey Rolls down Thunder Mountain is a genuine grower, starting slowly and giving up its secrets reluctantly. Arrangements that initially seem sparse feature more and smarter details than his previous records, his full band appearing throughout. So "Tonada Yanomaminista" ends with a spray of stinging lead guitar reminiscent of the Bay Areas original hippie outfits. "Samba Vexillographica" mutates from a traditional South American rhythm into something much stranger and heavier while "Seahorse" shifts from bluesy ballad to cool jazz section (owing plenty to Dave Brubecks perennial "Take Five") before concluding with a heavy white soul outro, Banhart for once ditching the ethereal voice. The component parts are hardly original but the combination certainly is. Elsewhere "Lover" is a straightforward, yet irresistible homage to sixties Stax soul, "Carmencita" a jolly Latin rave-up, "The Other Woman" sparse, gender-bending reggae. "Shabop Shalom" is this albums faintly contentious throwaway, nearer to Jonathan Richmans Egyptian Reggae than political comment. Its silly really, but its Banharts lack of self-consciousness that makes him so engaging. --Steve Jelbert
CD Description
Nomadic freak-folk revivalist Devendra Banhart's seventh release, 'Smokey Rolls Down Thunder Mountain', is a largely jam-based melancholic journey that takes in as much Zappa-esque humour as it does early Led Zeppelin folk influences. Withhis ever-changing band (under the name 'Spiritual Boner' atthe time of release) in full support, the record was recorded in the legendary Topanga Canyon region of LA where Neil Young and Joni Mitchell recorded some of their strongest material. Featuring collaborations from Pete Newsome and Vetiver's Andy Cabic, this acid-tinged release is an ambitious addition to Banhart's varied canon.