DVD Description
October 1921: Constance, Lady Chatterley, and her husband Clifford have been living at Wragby Hall on the Chatterley estate in the heart of England’s mining country for a year or two.
Four years earlier, and just a few months after they married, Clifford, who was serving as a lieutenant in the British Army, returned from Flanders permanently paralysed from the waist down. Winter has descended on everything. Constance whiles away monotonous days, trapped by her marriage to Clifford and her sense of duty. Sad and indifferent to everything, she feels her vital energy gradually ebbing out of her. Her sister Hilda rushes to her aid. She demands that Clifford employ a nurse to look after him, taking the burden off Constance. Mrs Bolton moves into Wragby Hall, and Constance’s new life begins.
Spring time soon comes around. Outside, nature awakens, accompanying Constance on her first walks in the forest. But the forest is also the domain of Parkin, the gamekeeper of the estate. Parkin leads a life of self-imposed solitude in his house in the heart of the forest. The film is the story of his relationship with Constance. It traces the profound impact he has on Constance’s life; their first awkward encounters and their subsequent discovery of each other; her slow sensual awakening, and his lengthy journey back to life.
Following their initial meeting, the road towards true love and fulfilment is a long one, during which, through their relationship, they will reinvent their entire world.
Synopsis
French director Pascale Ferran brings D.H. Lawrence's second and lesser-known version of LADY CHATTERLEY'S LOVER to the screen. Approaching three hours in length, the film explores its protagonist's emotional transformation. Set in England in the 1920s, the film begins with our heroine, played by Marina Hands, saying goodbye to her husband, Clifford, who is heading off to war. Left behind on their grand country estate, Constance gets the first taste of the loneliness and isolation she will later become accustomed to when he returns home paralysed. Suddenly reduced to the role of nurse, the young woman cares for her invalid husband and listlessly putters about the large property, desperately dreaming of escape. She finds this outlet in Parkin (Jean-Louis Coulloc'h), the deceptively brutish gamekeeper down the hill. Sceptical of Constance at first, Parkin begrudgingly produces an extra set of keys to his shed when asked, opening the door to an affair that will awaken something deeply repressed in both parties. Clifford inadvertently encourages his wife by dismissing her boredom and unhappiness as unimportant. When the unspoken tension between Parkin and Constance eventually explodes into a fiery sexual encounter, the two embark on a journey of sexual awakening and personal discovery. LADY CHATTERLEY is beautifully filmed, providing an extremely detailed account of the heroine's visual surroundings. Scenery functions symbolically to show how Constance blooms in the aura of Parkin's love. But as passionate and subversive as their affair is, the reality of their social positions is always present, with visual clues creating a sense of constant threat to the relationship. When Constance goes off on a carefree, extravagant holiday with her fashionable sister and others from her own class, homemade-style footage of her trip contrasts with the controlled way in which her home life is captured, and demonstrates just how far she is from that world. The film's ending is rather open-ended, suggesting several possible outcomes by calling into question how much the early-20th-century social structure will matter in the end.
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