Sawdust and Tinsel (Bergman 1953) [2007]

Customers buy this item with The Rite [1969] DVD ~ Gunnar Bjornstrand

+ Price For Both: £39.98

Product Description
Sawdust and Tinsel was Bergman s thirteenth feature as a director and his most complex and shocking film to date. Albert, the owner of a small and tawdry circus, arrives at a small town where he attempts to effect a reconciliation with his wife Agda whom he left for the circus many years previous. She refuses to resume the marriage whilst Albert s lover, Anne, upset at Albert s rejection of her, has a humiliating affair with an actor, Frans. During a performance given by the circus, Frans begins to taunt Albert and, enraged, challenges him to a fight during which he is severely beaten. Deciding that suicide is his only escape he tries to take his own life but fails. As the circus leaves town, the ill-fated couple find themselves reluctantly and miserably committed to each other. Special Features: -Bergman Trailers -Film Notes

Synopsis
Ingmar Bergman’s SAWDUST AND TINSEL bears a resemblance to his later, better-known features in its harsh treatment of human relationships. Jealousy, lovers taking turns humiliating one other, selfish sexual desire--all these are familiar themes that would be developed further by Bergman later on, but the film’s final moments seem to hold a rare promise of reconciliation. Albert Johansson (Åke Grönberg) is a sad, pathetic man who has given up domestic tranquillity for an uncertain life on the road as the director of the traveling Circus Alberti. Since leaving his wife and children, he has taken up with young bareback rider Anne (Harriet Andersson, who often played sexy, earthy characters in Bergman movies of the period). In Albert’s old hometown the couple approaches the haughty director of a local theatre company (Gunnar Björnstrand) to borrow props and costumes for the night’s performance. Anne falls for the dandylike ham actor Frans (Hasse Ekman), who subsequently insults Albert in public, and a physical confrontation between the two men ensues. The film is formally captivating throughout and contains a celebrated, somewhat surreal flashback sequence early on, reminiscent of German Expressionist cinema, in which a white-faced clown (played by Anders Ek) suffers a breakdown after being confronted with his wife’s infidelity.

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