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Casino Royale OST
 
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Casino Royale OST [Soundtrack]
~ David Arnold (Composer)
4.2 out of 5 stars 16 customer reviews (16 customer reviews)
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31 used & new available from £3.15

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Product details

Track Listings
1. African Rundown
2. Nothing Sinister
3. Unauthorised Access
4. Blunt Instrument
5. CCTV
6. Solange
7. Trip Aces
8. Miami International
9. I'm The Money
10. Aston Montenegro
11. Dinner Jackets
12. Tell
13. Stairwell Fight
14. Vesper
15. Bond Loses It All
16. Dirty Martini
17. Bond Wins It All
18. End Of An Aston Martin
19. Bad Die Young
20. City Of Lovers
See all 25 tracks on this disc

 
Customer Reviews
16 Reviews
5 star: 62%  (10)
4 star: 6%  (1)
3 star: 18%  (3)
2 star: 12%  (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
 
 
 
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Most Helpful Customer Reviews

 
5 of 5 people found the following review helpful:
5.0 out of 5 stars Bond is back. And so is David Arnold with a wonderful score., 15 Dec 2006
By film fan (Kent, UK) - See all my reviews
(TOP 500 REVIEWER)      
I recently saw the impressive new Bond film with my parents and was completely taken with the film score by David Arnold. So much so that I felt compelled to purchase it. In my view, with this superb cd, David Arnold has produced some of his finest work to compliment one of the best Bond movies.

The brass and percussive hues that burn throughout the score are mesmerizing. From the opening track, 'African Rundown' which is a near 7 minute epic of percussion and african drums mixed in beautifully with the rest of the orchestra. Another epic track is the explosive and grand piece called 'Miami International'. This is possibly one of the stand out tracks on this tremendous cd.

Other favourites of mine are 'Solange', a short but memorable piece, 'Stairwell Fight', 'Vesper' and possibly 'Death of Vesper'. The end track is the favourite theme of Bond in 'My Name is Bond...James Bond'. What a way to finish off the film and also this outstanding cd. I've only listened to it all the way through once, but I will listen to it some more. This is one of my favourite film soundtracks I've listened to. It has raw power in the opening track with the percussion rhythms and flare moving on through the emotional side of Bond to the fire and passion of 'Trip Aces' and the epic expanse of 'Miami International'. This last track is impressive at 12 minutes 40 seconds. It's exciting with great beats and very powerful.

What we have here is possibly one of the best film scores of the year so far. Along with the superb 'Superman Returns' score, David Arnold's Casino Royale is engaging and brilliant. Out of all his scores for the Bond films, I would quite easily say that this one is his best work by a long way. It fits in effortlessly with the film and, like Daniel Craig as Bond, is very smooth and cool. I know that it doesn't feature the Bond song by Chris Cornell, but don't let that detract from this brilliant recording. A hit.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Just as Bond has found has roots again, so has Arnold. Brilliant!, 16 Nov 2006
By Mark Higgins "mark7793" (Northern Ireland) - See all my reviews
(REAL NAME)   
As much as he had brought to the James Bond series, I had lost faith in David Arnold. Die Another Day was a mess of electronic beats and manipulation, with just a few minor gems.

No more! With Casino Royale he has totally reinforced his place as the successor to John Barry. Thankfully he was permitted to be involved in the theme tune which allowed him to include it throughout his score.

And what a score! The only track to include a lot of the synthesised music is the airport track (Miami International) and that works. "I'm the Money" and "Aston Montonegro" contain excellent orchestrations of the theme tune and "Dinner Jackets" contains (in the last half) a great tribute to John Barry.

The final track makes what was already a brilliant scene one the most outstanding pieces of cinema history.
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10 of 11 people found the following review helpful:
4.0 out of 5 stars Bond is Back!, 14 Nov 2006
Finally, after waiting 19 years (since The Living Daylights), we have a Bond soundtrack that can rank alongside the greats of many of John Barry's efforts in this genre. This is simply the best David Arnold Bond soundtrack. Why? It contains less of all that electronic noise, and is back to good orchestration. As this is the beginning of Bond's spy career, it is only fitting that the classic Bond theme is really only heard at the end of the film (and so at the end of the soundtrack). African Rundown is perhaps the most fast paced piece of music (similar to the other Arnold Bond pre-title cues). Good cues throughtout the cd. Though, please be aware, the title song, You Know My Name, is not on this soundtrack, only heard in various cues. Good effort all round.
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Most Recent Customer Reviews

5.0 out of 5 stars A Return to Classical Bond
What a great soundtrack to accompany the film! The move away from electronic synthesised music to classical instruments is perfect and is in keeping with the earlier classic Bond... Read more
Published 9 months ago by Mr. B. Charles

5.0 out of 5 stars BOND - A NEW SOUNDTRACK WITH SOME OLD INFLUENCE
This soundtrack is gorgeous. It has some tracks which make the hair on the back of my neck stand on end, it can leave you breathless. Read more
Published 12 months ago by Daniel G. Egan

5.0 out of 5 stars Perfect soundtrack
David Arnold delivers another superb Bond score, and this time it is his best. Riffing of the melody written for 'You Know My Name' he wrote for Chris Cornell (not included here... Read more
Published 13 months ago by Mr. R. Rogers

5.0 out of 5 stars Bond is back!
I admit I am a Bond fan and officiando. I own all of the Fleming books, Colonel Sun by Kingsley Amis writing under the name Robert Markham, and all of the John Gardner and Raymond... Read more
Published 16 months ago by P. G. Jones

3.0 out of 5 stars Okay, but no title track
I expected to get the main title track, and was extremely disappointed.
The album is good, but the rating reflects the lack of main theme.
Published 17 months ago by B. Sheppard

2.0 out of 5 stars What no title track!
This recording does not contain the Chris Cornell track that is used in the title sequence!
Published 17 months ago by Mr. Christopher M. Woollard