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5 of 5 people found the following review helpful:
Bond is back. And so is David Arnold with a wonderful score., 15 Dec 2006
I recently saw the impressive new Bond film with my parents and was completely taken with the film score by David Arnold. So much so that I felt compelled to purchase it. In my view, with this superb cd, David Arnold has produced some of his finest work to compliment one of the best Bond movies.
The brass and percussive hues that burn throughout the score are mesmerizing. From the opening track, 'African Rundown' which is a near 7 minute epic of percussion and african drums mixed in beautifully with the rest of the orchestra. Another epic track is the explosive and grand piece called 'Miami International'. This is possibly one of the stand out tracks on this tremendous cd.
Other favourites of mine are 'Solange', a short but memorable piece, 'Stairwell Fight', 'Vesper' and possibly 'Death of Vesper'. The end track is the favourite theme of Bond in 'My Name is Bond...James Bond'. What a way to finish off the film and also this outstanding cd. I've only listened to it all the way through once, but I will listen to it some more. This is one of my favourite film soundtracks I've listened to. It has raw power in the opening track with the percussion rhythms and flare moving on through the emotional side of Bond to the fire and passion of 'Trip Aces' and the epic expanse of 'Miami International'. This last track is impressive at 12 minutes 40 seconds. It's exciting with great beats and very powerful.
What we have here is possibly one of the best film scores of the year so far. Along with the superb 'Superman Returns' score, David Arnold's Casino Royale is engaging and brilliant. Out of all his scores for the Bond films, I would quite easily say that this one is his best work by a long way. It fits in effortlessly with the film and, like Daniel Craig as Bond, is very smooth and cool. I know that it doesn't feature the Bond song by Chris Cornell, but don't let that detract from this brilliant recording. A hit.
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5 of 5 people found the following review helpful:
Just as Bond has found has roots again, so has Arnold. Brilliant!, 16 Nov 2006
As much as he had brought to the James Bond series, I had lost faith in David Arnold. Die Another Day was a mess of electronic beats and manipulation, with just a few minor gems.
No more! With Casino Royale he has totally reinforced his place as the successor to John Barry. Thankfully he was permitted to be involved in the theme tune which allowed him to include it throughout his score.
And what a score! The only track to include a lot of the synthesised music is the airport track (Miami International) and that works. "I'm the Money" and "Aston Montonegro" contain excellent orchestrations of the theme tune and "Dinner Jackets" contains (in the last half) a great tribute to John Barry.
The final track makes what was already a brilliant scene one the most outstanding pieces of cinema history.
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10 of 11 people found the following review helpful:
Bond is Back!, 14 Nov 2006
Finally, after waiting 19 years (since The Living Daylights), we have a Bond soundtrack that can rank alongside the greats of many of John Barry's efforts in this genre. This is simply the best David Arnold Bond soundtrack. Why? It contains less of all that electronic noise, and is back to good orchestration. As this is the beginning of Bond's spy career, it is only fitting that the classic Bond theme is really only heard at the end of the film (and so at the end of the soundtrack). African Rundown is perhaps the most fast paced piece of music (similar to the other Arnold Bond pre-title cues). Good cues throughtout the cd. Though, please be aware, the title song, You Know My Name, is not on this soundtrack, only heard in various cues. Good effort all round.
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