Amazon.co.uk Review
Chinese director Zhang Yimou ends his bid to outfly
Crouching Tiger, Hidden Dragon with
Curse Of The Golden Flower, the third in his Wuxia (the Chinese style of flying and fighting) films. Much like
Hero and
House Of Flying Daggers, it is drenched in colours so dazzling, and boasts action scenes so exhilarating, that you can almost forgive any shortcomings in the story. Almost. Despite its grandeur, this film is in many ways the least rewarding of the three.
Set in Chinas tenth century Tang dynasty, the story sees Chow Yun Fats emperor trying to poison his wife, a trussed-up and progressively unstable Gong Li, who is having an affair with her step-son Wan, and trying to manoeuvre her other son Jai against his tyrannical father. Lets just say that it gets more complicated from there on in, and involves lots of running through endless corridors, but really, its best to just sit back and let that intense visual style work its magic.
Swapping action for dramatic intrigue might have been Yimous mistake, but theres no mistaking his knack for breath-taking cinematography. Even if purely on a visual scale, Golden Flower still manages to captivate, and the final battle scene is at least worth the slightly overlong wait. Die hard fans of these films might feel a bit stiffed, but everyone else wont be short of eye candy. --Luke Mawson
Synopsis
In 2004, Zhang Yimou caused a sensation with his astonishing
House of Flying Daggers, and his
Curse of the Golden Flower is yet another dazzling, visually stunning film. Calling again upon the talents of the striking Gong Li, Yimou tells an epic tale of lust and power set in the opulent world of the Later Tang dynasty. The plot follows the story of the Emperor (Chow Yun Fat) and his Empress (Li) and the tragic disintegration of their royal family--whose problems go far beyond the merely dysfunctional. For starters, the ailing Empress has long been having an affair with her stepson, the Crown Prince Wan (Liu Ye). Unbeknownst to her, Wan has been dallying with the Imperial Doctor's daughter (Li Man), and has plans to escape the palace with her. Meanwhile, the Emperor himself has just returned from a long trip, and while relations with his wife are obviously icy, it becomes clear that his plans for her are far more ominous than she could ever imagine. Everyone involved has a secret plan for either escape or domination, resulting in an explosive ending wherein the darkest family secrets are revealed and horrifically bloody battles are waged both inside and outside the walls of the sparkling, gold-encrusted palace. Yimou appears to be trying to balance his flair for telling an emotional story with his talent for thrilling, detail-driven action sequences, and while
Curse's plot does at times seem close to that of a soap opera, the phenomenal performances and breathtaking visuals are more than enough to power the film forward. Fans of Yimou's quieter work (
Riding Along For Thousands of Miles) are likely to enjoy the dramatic exploration of family relationships, while there are still plenty of hissing ninjas to satisfy
Daggers enthusiasts.