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48 of 50 people found the following review helpful:
5.0 out of 5 stars
the falcon flies high..., 31 Aug 2007
At least for two reasons, "The Maltese Falcon" is a milestone in the evolution of American genre cinema. First, this is one of the very first pictures that ushered the era of classic film noir. Its bizarre characterizations, twisty plot and cliché-drenched events serve as a perfect template that has been utilized in countless films through six decades after its making. Second, this is the movie that catapulted Humphrey Bogart's career into stardom. He had been a strong supporting character, mostly playing villains (as in "High Sierra" & "The Petrified Forest"). After his performance as hard-boiled private eye Sam Spade, he became a major star.
The movie represents a complex study of human psyche, especially taking a dismal look at human greed and pursuit of self-interest at whatever cost. All characters are well-drawn and well-acted. From cynical, quick-thinking and fast-talking Spade to prissy, gardenia-scented but psychopathic Cairo, there are no righteous, clean or likeable character. Everyone is either honestly abhorrent or has numerous ulterior motives hidden behind their masks, but all converge at haunt for wealth.
Even the "good guy" Spade's morality is questionable. Although he has a strong sense of idealism; his morality shakes wildly when things go awry. Spade might be considered as just crafty as other villains, but he adheres strictly to some kind of robust moral code and old-fashioned common sense that he tries to find the way out in the dark maze of confusion, deception and lies. At the end, he overcomes all obstacles and defeats bad guys, even at the cost of losing a love affair.
Good characterization, tight direction, strong performances and wonderful plot make "The Maltese Falcon" still an interesting & entertaining picture albeit more than six decades have passed after its making.
The DVD transfer is quite good. Black & white tones are crisp and clear, contrasts are satisfactorily strong, audio is all right. Bonus DVD has some interesting extras. 45-minutes non-film featurette (Becoming Attractions: The Trailers of Humphrey Bogart) hosted by Robert Osborne is a nice trailer collection of 12 Bogart films, from "The Petrified Forest" of 1936 to "The Treasure of the Sierra Madre" of 1948. 32-minutes documentary (The Maltese Falcon: One Magnificent Bird) deals with book, Hammett and the earlier film versions. Also it has interviews with Robert Osbourne, Michael Madsen, Frank Miller and Bogart biographer Eric Lax.
This 2-disc special edition is a must-have for Huston & Bogart fans, as well as it's a good start to enter the film noir world.
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23 of 27 people found the following review helpful:
5.0 out of 5 stars
The birth of Hollywood's original noir anti-hero., 17 Jan 2007
Like few other actors, Humphrey Bogart ruled the Hollywood of the 1940s and 1950s - epitome of the handsome, cynical and oh-so lonesome wolf and looking unbeatably cool in his fedora and trenchcoat, a cigarette dangling from the corner of his mouth; endowed with a legendary aura several times larger than his real life stature, and still admired by scores of women wishing they had been born 50+ years earlier, preferably somewhere in California and to parents connected with the movie business, so as to have at least a marginal chance of meeting him. The American Film Institute recently elected him the No. 1 film legend of the 20th century; and looking back, indeed no other actor seems to have been surrounded by the same kind of darkly magical aura as the one surrounding Bogart.
"The Maltese Falcon" (1941), directed by John Huston, based on Dashiell Hammett's 1930 like-named novel and itself also ranking in the top quarter of the AFI's list of the 100 best 20th century movies, laid the groundwork for Bogart's lasting image, by transforming his on-screen persona from the tough, often two-dimensional gangsters he had portrayed before; beginning with the 1936 adaptation of Robert Sherwood's "Petrified Forest" where, like in its 1934 stage production, Bogart had starred opposite Leslie Howard, with Bette Davis as the female lead. Now imbuing his tough guy shell with a softer core, in "The Maltese Falcon" Bogart became not only Hammett's Sam Spade but, moreover, the film noir anti-hero per se; a role that stayed with him throughout the rest of his career, and in which he still remains virtually unparalleled.
The movie's long-famous story centers around the mysterious statute of a falcon made from solid gold, diamonds and other precious stones; the 16th century Maltese Knights' immeasurably precious gift of thanks to Emperor Charles V for the protection he had granted them. Stolen by pirates, blackened on the outside in order to conceal its true value and passed on through the centuries by a number of unsuspecting possessors, it finally attracts the attention of two rivaling pairs of equally cunning, ruthless and high-flying scoundrels, who chase each other and the statue halfway around the world and finally end up in Sam Spade's San Francisco office - not without getting both Spade's partner Miles Archer (Jerome Cowan) and one of their own killed in the process; thus also causing additional grief for Spade, whom the police soon suspect of being behind the murders himself - or at least behind that of Archer - in order to make off with Archer's widow Iva (Gladys George). And of course, it doesn't exactly help that he has had his office sign changed from "Spade & Archer" to "Samuel Spade" within mere hours of his partner's death.
Looking at the movie and its stars' almost mythical fame, it is difficult to imagine that, produced at the height of the studio system era, this was originally just one of the roughly 50 films released by Warner Brothers over the course of one year. But mass production didn't equal low quality; on the contrary, the great care given to all production values, from script-writing to camera work, editing, score and the stars' presentation in the movie itself and in its trailer, was as responsible for its lasting success as were Humphrey Bogart and his outstanding costars; first and foremost Mary Astor as the double-crossing and now partner-less Brigid O'Shaughnessy, Peter Lorre and Sydney Greenstreet (in their first of several appearances opposite Bogart) as Joel Cairo and Kaspar Guttman, O'Shaughnessy/Astor's competitors for possession of the precious statue, and Elisha Cook, Jr., as Guttman's rough but inept bodyguard Wilmer Cook. Genre-defining and the first truly giant highlight of Bogart's career, "The Maltese Falcon" is an unmissable piece of Hollywood history, captivating you from the first moment you spend in Sam Spade's office all the way to its cynical conclusion, and a thrill to watch over and over again.
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16 of 24 people found the following review helpful:
5.0 out of 5 stars
A Masterpiece, 28 Jan 2007
If I see a better film on DVD this year (2007), it's going to have to be quite something to beat this. Based on the novel by Dashell Hammett Bogart plays Sam Spade (Private Detective), a role he was born to play. He and his partner are hired by a woman who claims a man is keeping her and her sister separated. Soon after this things spiral out of control.
The screenplay by John Huston is magnificent. The dialog is sharp and there isn't a wasted breath. Mind you Huston's direction is equally good and as for the the cast, well perfection is the only word I can think of. Peter Lorre as the oily Joel Cairo has never been better than he is in this film. Sdyney Greenstreet is fabulous as Kasper Gutman. Amazingly at the age of 62, and weighing close to 300lbs this was Greenstreet's debut film performance. Finally there is Bogart, an icon certainly, but also a great actor with a huge amount of screen presence. What surprised me watching the film again recently is how small Bogart seemed, but checking the records it turns out he was 5' 10.5".
The film is currently ranked 57th on the IMDB (www.imdb.com) all-time top 250 films, which for a film that is 66 years old is pretty amazing. However when you watch it you will find out why.
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