Most Helpful Customer Reviews
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13 of 14 people found the following review helpful:
4.0 out of 5 stars
Absorbing Ghost Story, 25 Sep 2006
"Lemming" is a fascinating film, never less than gripping throughout and it is well acted by an impressive cast. It is a sort of psychological drama revolving around the life of a young French couple and the effect an ill advised dinner with the boss and his wife has on their marriage. The film hinges upon a suicide that takes place about half way through it ,which is symbolised by the appearance of a lemming in the kitchen sink wastepipe. After the suicide the film becomes a bit of a ghost story as the young couple's marriage comes under strain. "Lemming" is unusual ,a little surreal and well worth a watch.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars
excellent, 28 Aug 2006
This movie is like David Lynch in french. Its beautifully acted with an intelligent, thought provoking script that doesn't try to present a linear rational narrative. Instead you are encouraged to peel back layers of metaphor to reveal the real tragedy that motivates the behaviour of the four main characters. Its very well shot and the use of black and white is revelatory for the plot as well as gorgeous to look at.
Certainly the most exhilirating experience ive had in the cinema this year! Better on the big screen but also has impact on a small one, fry up some snails and enjoy!!!
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23 of 28 people found the following review helpful:
3.0 out of 5 stars
Beware of the boss's wife... , 21 Aug 2006
Dominik Moll's Lemming is being billed as a sort of Hitchcockian suspense thriller, a type of David Lynch psychic puzzle, where viewers are lambasted with images, which could either be fact or fantasy. The movie starts off strong - the first thirty minutes are indeed compelling - but when the gorgeous Charlotte Rampling leaves the film, the pacing slows, the narrative grinds to a halt and the movie becomes a bit of a slog to watch.
Laurent Lucas and Charlotte Gainsbourg play Alain and Benedicte, an upwardly mobile and successful couple. He's a remote-control gadget designer and she stays at home to look after their new house. Outwardly things are picture perfect, but the couple begins to encounter a series of peculiar upheavals after they host a dinner for Alain's boss (Andre Dussollier) and his brittle and unhinged wife, Alice (Charlotte Rampling).
Alice - for reasons that become clear as the dinner progresses, ends up venting her anger on her philandering husband, which cuts the evening short. Both Alain and Benedicte put it down to experience and even find time to casually joke about it, but after Alice tries to seduce Alain at work and then tells Alice about it the next day, this perfect couple begins to unravel. Alice, of course, is a piece of work, having set out to annihilate pleasure wherever it exists.
Things come to a head when Benedicte begins to exhibit Alice's obsessive rage that turns this previously sunny and laid-back woman into a cruel, cold and heartless witch. It gets even more mysterious when Alain finds a lemming blocking up the kitchen drainpipe. But the discovery of the lemming - and the fact that it's still alive seems beside the point - because the focus turns to Alain and Benedicte and how Alice, has managed to plant the seeds of doubt about the strength of their marriage.
The film works best when Rampling is in it and she beautifully captures this heartless and embittered woman, who is fed up with her husband and is intent to take out her anger on those around her, especially with those whom she sees as younger and more fortunate. Things get complicated when there's a grisly suicide, an affair, and even a murder, but it's never clear why any of these occur.
Even the ghost of one of the characters makes an appearance, which provokes a real head-scratching moment. And as Benedicte and Alain head for the country - ostensibly to sort out their relationship and try to restore their communication with each other - the film slows and begins to wears out its eerie mood, and there's little to justify dragging it out for more than two hours.
Of course, the themes of the movie are the lies we tell each other, and the hidden desires we all have, but with all its bloodiness, voyeurism, ghosts, sexual fantasy, dream imagery, and murder - it all ends up being a bit flat and opaque. Still, the cast is superb - particularly Ms. Rampling and for most of the time the atmosphere ably morphs from the calm to the foreboding.
The main problem of this film is that there is just too much ambiguity and uncertainty, and the collective inexplicability of events eventually overstrains credibility. While Lemming is in parts fascinating and fun, this constant vagueness makes it annoying and the movie as a whole rapidly becomes wearisome. Mike Leonard August 06.
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