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Lofty Fake Anagram/A Genuine Tong Funeral
 
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Lofty Fake Anagram/A Genuine Tong Funeral

~ Gary Burton
4.0 out of 5 stars  See all reviews (1 customer review)
Price: £9.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Customers buy this with Throb ~ Keith Jarrett

Lofty Fake Anagram/A Genuine Tong Funeral + Throb
Price For Both: £18.77

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  • This item: Lofty Fake Anagram/A Genuine Tong Funeral ~ Gary Burton

    In stock.
    Dispatched from and sold by Amazon.co.uk.
    This item Delivered FREE in the UK with Super Saver Delivery. See details and conditions

  • Throb ~ Keith Jarrett

    In stock.
    Dispatched from and sold by Amazon.co.uk.
    This item Delivered FREE in the UK with Super Saver Delivery. See details and conditions


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Product details

  • Audio CD (3 Jul 2006)
  • Number of Discs: 2
  • Label: Bgo
  • ASIN: B000FP2XYQ
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 115,418 in Music (See Bestsellers in Music)

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Disc: 1
1. Feeings And Things
2. Fleurette Africaine
3. I'm Your Pal
4. Lines
5. Beach
6. Mother Of The Dead Man
7. Good Citizen Swallow
8. General Mojo Cuts Up
Disc: 2
1. Opening/Interlude
2. Death Rolls
3. Morning
4. Interlude
5. Silent Spring
6. Fanfare/Mother Of The Dead Man
7. Some Dirge
8. Morning
9. New Funeral March
10. New National Anthem/The Survivors

Product Description

Description

This two-fer brings together two key Gary Burton Quartet works of the the late '60s. After 1967's DUSTER, the Quartet went on to collaborate with composer Carla Bley on A GENUINE TONG FUNERAL, a quirky, mordant jazz "opera" that owes as much to Kurt Weill as to Charles Mingus. Besides Burton, guitarist Larry Coryell, and bassist Steve Swallow, the free-spirited drummer Bob Moses makes his appearnce, having replaced veteran Roy Haynes. Other Bley stalwarts include saxophonists Gato Barbieri and Steve Lacy, who pop in and out of the vivid cartoon-like musical narrative.
The shaggy Moses is key to the musical feel of LOFTY FAKE ANAGRAM, the official follow-up to the outstanding DUSTER. With the exception of Duke Ellington's "Fleurette Africaine", however, the writing isn't quite as strong as the previous date's--there's nothinghere on the level of Mike Gibb's "Sweet Rain" or Bley's "Sing Me Softly Of The Blues" or Swallow's pop-like "General Mojo's Well-Laid Plan". This time the bassist contributes "General Mojo Cuts Up", a chance-based exploration along the same theme. Still, Burton and Co. are in peak form. Larry Coryell naturally played like a rock guitarist while retaining all the harmonic sophistication of a jazz musician. Here his playing is just as fluent and innovative, as is that of the Quartet as a whole.

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Average Customer Review
4.0 out of 5 stars (1 customer review)
 
 
 
 
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Good vibes ..., 30 Sep 2006
Masterclasses in the vibraphone by Indiana-born and self-taught Burton who by 17 was already making his recording debut in Nashville with Hank Garland and Chet Atkins. Here he forges rich and original music of depth and complexity. 1966's Lofty Fake Anagram is composition rich, with taut and focussed unison playing spilling excitingly into runs of inspirational free improv. Burton's working of Carla Bley's 'Mother Of The Dead Man' is the bridge to 'A Genuine Tong Funeral', her jazz opera without words, recorded the following year with the line-up enjoying calibre support including Steve Lacy on soprano sax, Mike Mantler on trumpet, Jimmy Knepper on trombone, and Bley, conducting and on piano and organ. This ambitious work runs through the emotional paces experienced by the bereaved and tracks these musically with counterpointed calm and raging in a fusion of rock, classical and jazz spiked with psychedelia that builds to a roaring finale. Exemplary playing from all involved rarely distracts from the virtuoso Burton.

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