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21 of 21 people found the following review helpful:
4.0 out of 5 stars
Annoyingly good, 4 Jul 2006
It seems that while Sufjan Stevens was locked in his bedroom from an annoyingly young age honing his craft, he was never party to a vital lesson: no one likes a show off. So, not content with the arduous schedule of his ambitious state-by-state travelogue - Stevens first decided to take a detour with 2003's gorgeous Seven Swans album - he's also decided to give us a compilation of the off-cuts from last year's Illinois album.
A little known and not all that interesting titbit is that Illinois was originally conceived as a 50-track double-CD. Presumably to prevent it becoming utterly unwieldy, it was cut in half and originally ran as a relatively spare 23-tracks. The Avalanche, therefore, represents the musical debris liberally scattered from an abundant epic.
With most of the unused recordings in skeletal form, Stevens invited many of the original musicians back into his studio to fill in the gaps, while he plays banjo, guitar, drums and an English horn on many of the songs. There is nothing about the resulting album that sounds even relatively unwanted.
The titular song was originally housed as a bonus track on the vinyl version of Illinois and it could easily have formed the centrepiece of the original album. Positioned as the opening track, it sets the bar absurdly high for an album of outtakes and extras. Chicago, meanwhile, is dense and challenging enough to warrant the three supplementary versions on offer here.
Additionally, each track from Illinois seemingly has a counterpart on The Avalanche; Carl Sandburg arm-wrestles Saul Bellow, the aliens from Concerning The UFO Sighting Near Highland, Illinois, salute a statue of Clyde Tombaugh and the loneliness of Casimir Pulaski Day deepens further into the despairing Pittsfield.
A compilation of outtakes and extras it may be but, as an exercise in form, The Avalanche reveals the working habits of one of the most productive songwriters around.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Better than Illinois?, 24 Jul 2006
Most people who've heard it agree that Sufjan Stevens' 'Illinois' was a masterpiece, one of the finest albums of recent years; but after several listenings I reckon that 'The Avalanche' could be even better. It certainly starts off strongly, with a barrage of great songs: the brilliant title track, the frenzied 'Dear Mr. Supercomputer' and catchy 'Adlai Stevenson', a stripped-down acoustic rendition of 'Chicago' and the jaunty 'The Henney Buggy Band'. The next 3 songs (starting with 'Saul Bellow') are relatively ordinary, but starting with 'The Mistress Witch from McLure', things pick up again: the strange-but-beautiful instrumental 'Kaskaskia River', another, Coldplay-esque, version of Chicago, the driving 'No Man's Land' and the reflective 'The Pick-Up'. The remaining tracks (including yet another version of 'Chicago') propel the album to its epic conclusion, the elegiac 'Pittsfield'. In terms of showcasing Sufjan Stevens' undoubted songwriting genius, 'The Avalanche' is certainly the equal of 'Illinois', and probably surpasses it. 5 stars really aren't enough for this one.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Better than Sufjan thinks!, 2 Sep 2006
The Avalanche may not display the theatricality of Illinoise, but I feel it has its own soundscape, (let's call it Crosby Stills Nash and Young with trumpets etc) and that is the reason for many of these outtakes/extras rather than any quality issue that might be inferred by the subtitle of this CD.
For me, the heart of the CD is sequence of tracks 7-10, songs that CSN&Y (and their various combinations) would have killed for. For example Springfield - despite its infamous guitar solo.
Later in this CD comes the upbeat and tuneful No Man's Land, featured in the movie Little Miss Sunshine, and the very touching (and personal?) Pittsfield.
If you liked Illinoise, don't hesitate to acquire another 76 minutes of this most vital of modern American songwriters.
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